Templates in graphic design are usually associated with convenience and efficiency, their dual purpose being to speed up work by circumventing the need to make decisions, and to ensure consistency by restricting the parameters of possibility. But they can be deployed in less reductive, more enterprising ways too. This essay recounts the development of four projects made with various collaborators, each involving a very particular template conceived in such a spirit. Classified here as the “Generative Headache”, the “Meeting Point”, the “Happy Medium”, and the “Industry Default”, these four types trace the gradual shift from physical to digital media over the last couple of decades.
English/French
68 pages, 21 × 29,7 cm, CMYK+1 PMS
Perfect binding
8th March 2023
ISBN: 979-10-95991-42-7
ISSN: 2558-2062
About Revue Faire
Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, in 2017 Sacha Léopold and François Havegeer established a print publication that deals with these practices. Revue Faire invites various authors (writers, designers, design historians…) to contribute. The list of contributors includes Mathias Augustyniak, Stuart Bertolotti-Bailey, Arianne Bosshard, Lise Brosseau, Manon Bruet, Thierry Chancogne, Céline Chazalviel, Jérôme Dupeyrat, Aude Fellay, Catherine Geel, Catherine Guiral, Étienne Hervy, Olivier Huz, Joris Kritis, James Langdon, Victoire le Bars, Olivier Lebrun, Julie Martin, Alexandra Midal, Camille Pageard, Remi Parcollet, Sonia de Puineuf, Ziga Testen and Benjamin Thorel.
Design: Syndicat
Published by www.e-m-p-i-r-e.eu
