Writing about a person that one has never met is somewhat like conducting an investigation. The preparation involves collecting words (theirs, those of others), images, sometimes sounds; all clues that allow us to make projections and to formulate theories. In short, it is to attempt to understand and reconstitute a personality, a practice, and ultimately a territory, over time. My investigation into Bráulio Amado began last January when I bought his book 2018 from the site of the Portuguese publisher Stolen Books. I then pursued my enquiry over a number of months, during which I found myself transported in turn from the underground basements of clubs and the Lisbon or New York music scenes, to the columns of an American weekly business magazine, finally ending up at the heart of a certain relationship between the historical poster designer and the very topical graphic designer-illustrator.
English/French
20 pages, 21 × 29,7 cm, CMYK + 1 PMS on cover
Saddle stitched binding
10th November 2021
ISBN: 979-10-95991-19-9
ISSN: 2558-2062
About Revue Faire
Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, in 2017 Sacha Léopold and François Havegeer established a print publication that deals with these practices. Revue Faire invites various authors (writers, designers, design historians…) to contribute. The list of contributors includes Mathias Augustyniak, Stuart Bertolotti-Bailey, Arianne Bosshard, Lise Brosseau, Manon Bruet, Thierry Chancogne, Céline Chazalviel, Jérôme Dupeyrat, Aude Fellay, Catherine Geel, Catherine Guiral, Étienne Hervy, Olivier Huz, Joris Kritis, James Langdon, Victoire le Bars, Olivier Lebrun, Julie Martin, Alexandra Midal, Camille Pageard, Remi Parcollet, Sonia de Puineuf, Ziga Testen and Benjamin Thorel.
Design: Syndicat
Published by www.e-m-p-i-r-e.eu