Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews
Warehouse Review 002 | A Review of Reviews

Warehouse Review 002 | A Review of Reviews

Hanka van der Voet & Johannes Reponen

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With the Warehouse Review series, we aim to give a proper analysis and contextualisation of certain contemporary fashion phenomena, but not only through an essayistic approach. Instead, we deploy various methods of research and analysis to zoom in on specific aspects that make – in our estimation – a fashion phenomenon into what it is. Our first edition of Warehouse Review, entitled ‘People Wearing Off-White’, was a thorough study of the fashion label Off-White and its immense popularity. With this second edition of Warehouse Review, we are taking a more meta approach: we are reviewing the fashion review, and in specific, those of the Louis Vuitton fall 2020 womenswear collection.

In his fall 2020 collection, Nicolas Ghesquière, the creative director of Louis Vuitton womenswear, explored notions around time. Talking to Nicole Phelps, the Director of Vogue Runway, he stated: “I wanted to imagine what could happen if the past could look at us.” With that sentiment in mind, the contributors of this Warehouse Review interrogated these, now historical written records, that collectively make up a response to Louis Vuitton fall 2020 presentation. Through this meta-critique, we hope to explore what we might learn about these past examples of catwalk writing as a way to move the discipline forward. As McNeil and Miller declared “…the reviewer is the critic!” it is now time to critique the critic and to review the review.

With contributions by: Aïcha Abbadi, Chinouk Filique de Miranda, Dal Chodha, Femke de Vries, Hanka van der Voet, Isabel Mundigo-Moore, Johannes Reponen, Laura Gardner, Megan Wray Schertler, Ricarda Bigolin and Sophie Barr. Design by Line Arngaard.

Type: softcover
Dimensions: 108 mm x 182 mm portrait
Pages: 220
Editors: Hanka van der Voet & Johannes Reponen
Contributors: Aïcha Abbadi, Chinouk Filique de Miranda, Dal Chodha, Femke de Vries, Hanka van der Voet, Isabel Mundigo-Moore, Johannes Reponen, Laura Gardner, Megan Wray Schertler, Ricarda Bigolin and Sophie Barr
Graphic design: Line Arngaard
Release date: July 2021
Binding: glued
Edition: 700
Color: black and white
Printer: Tallinn Book Printers
Language: English
Text editing: Pat Frances
Made possible by: Creative Industries Fund NL
Production: Warehouse