It was during the century of Enlightenment that aesthetics became autonomous, that the Beautiful separated itself from the Good and the Useful, like a form of free access to meaning, to truth. And one might well ask if, beginning with the Industrial Revolution, design, from dessin to dessein, has not to some extent taken up the torch of the applied techniques of the former regime of the art of doing and making, and of beauty. What has become of the term “beautiful” as applied to typography, understood as the art of shaping books, since 1943 and the establishment of the “Most Beautiful Swiss Books” award under the influence of the famous Jan Tschichold?
Author: Thierry Chancogne
28 pages, 21 × 29,7 cm, black and white + 1 PMS
05th January 2022
ISBN: 979-10-95991-19-9
ISSN: 2558-2062
About Revue Faire
Adopting an analytical and critical posture with regard to the forms and activities of Graphic Design, Sacha Léopold and François Havegeer established in 2017 a printed publication that deals with these practices. The publication works with eight authors (Lise Brosseau, Manon Bruet, Thierry Chancogne, Céline Chazalviel, Jérôme Dupeyrat, Catherine Guiral, Étienne Hervy and Sarah Vadé).