Concrete experiment (Cover 2) by Mike Schwarz and graphic designer Daniel Bornmann
Eirik Falckner - multidisciplinary student of fine arts in Bergen, Norway. Taking you into nature, a "dark and powerful side of nature" through his works. Interviewed by Synchron Magazine
The Sucklord - Godfather of bootleg toymaking spills some inside knowlegde in a conversation with Pavel Chernish, a toymaker and director himself. With a prologue by the one and only @tokyotoybastard Jeremy Mauney!
FICTION
Andre Harris "The process comes from a place of loneliness and boredom dug by the q - the rona. documenting a seemingly sensless world to control it, slow it down and ultimately find some sense in it." Prepare for disturbing documentary fiction and practical facts about the house sparrow.
Jonathan Lyon's short story "Prologue to a Film That Never Begins, Called ‘The Actress Wins The Award‘" drags you in deeper with every sentence. You can not resist this scandalous film script...
VISUAL ARTISTS IN THIS ISSUE
Alexander Woloszynski + Amanda Bodell + Andromeda (cover 2) + Caroline Ballegaard + Edo Oliver + Eirik Falckner + Erasmus Leinweber + Francis Kussatz + Gothgirl96 + Jeremy Benkemoun + Jeronim Horvat + Jonathan Small + Jonathan Ungemach + Julia Rosenstock + Kay Yoon + Killian Butler + Kim Modig + Kodama999 + Kumi Sato + Léa Taillefer + Leander Kreissl + Lennart Mink Weber + Leonardo Grünig + Linnea Palmestål + Luna Naumer + Mika Schwarz (cover 1) + Niko Wu + Noemi Liv Nicolaisen + Olga Maria Bläsi + Ryo Koike + Sam Holzberg + Sophie Fitze + Sucklord
ISSN: Synchron / Visual Art and Fiction ISSN 2701-4630
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Synchron is an independent magazine dedicated to showcasing a broad spectrum of contemporary art, literature, subcultural practices, especially those developed in antagonism with, or parallel to, larger commercial art markets. It is an experimental print publication and curatorial platform for exchange and collaboration.
Synchron provides its readers with an opportunity to discover ambitious, emerging artists beyond online platforms; and gives its contributors a versatile option to present their work.
This project grew out of our admiration for international communities, and our subsequent desire to build one of our own – with the particular understanding that young, self-taught artists and students still form a minority in the current art related print landscape.
Furthermore, in the course of conversations with these artists a clear consensus emerged: we feel that the value of (new) artworks is being diminished by endless proliferation of online publications accessed largely through the small shiny scrolling screens of smartphones. This was a major factor in our decision to choose print as our medium.
