Next of Kin tells my story through three different generations of women. It's not a linear one, neither a chronological one. It is an intertwining story where the past and the present try to connect with each other as well as disconnect.
My identity is deeply influenced by my mother and how she has raised me. When looking in a mirror I see my mother staring back at me. While embracing these similarities, there still runs a fear through me of repeating similar choices. This path of finding my own identity has led met to Chicago, the place where I was born.
By using the archive of my mother when she was my age, I try to deceive the viewer into thinking we are one person. This feeling even gets reinforced in the similarity of the style and the people we choose to surround us with. In the meanwhile, my grandmothers' voice echoes throughout the book in the form of questions right before she died. My grandmother and mother shared also this almost identical relationship as I do with my mother.
Next to this search in finding similarities, I also try to find a way to distinguish myself. This distinction I find in my alternate self, that I call Zillah.
Dedicated to Virginia and Reina.
Oxiea Villamonte 1995, born in Chicago, USA, raised in Amsterdam. MFA in Photography at The Royal Academy of Fine Arts Antwerp, Belgium.
Currently working on a Research Project at The Royal Academy of Fine Arts Antwerp, Belgium.
Published by: Stockmans Art Books
Number of Pages: 108
Measurements: 29.7 X 21 cm
City Published in: Antwerp, Belgium
Year: 2020
Binding: Perfect Binding
Process: Offset printed
Color: Black and White
Edition Size: 400
