Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
Replica
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Replica
Replica
Replica
Replica
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Replica
Replica
Replica
Replica
Replica
Replica

Replica

Rita Lino

Regular price $50.00 Sale

‘Replica’ suggest a new reading of the body and the model as a pure image,  a pure tool, without referring to any representative identity, hereby ignoring today’s contemporary society of what the self should be.

Lino refers strongly to American mid-century photographer William Mortensen, who states that a body is simply considered to be “a machine that needs adjustments.” According to Mortensen the body must be the basis, “representation of personality and emotion […] are irrelevant and misleading”. There is a certain dehumanization in Mortensen’s approach to the model, a return of the body to an object without meaning, in front of the camera. Mortensen saw models as clay that form the image, a body was articulated only by the operator’s intention. He wanted to strip the figure from its emotion and personality, so that we, as an audience, could consider the body as a formed prop and stare at the image as the essence, and not the subject.

In Lino’s case she is the model, the operator / photographer, the subject and the image at the same time. She is in complete control. She found a way to remove herself from representation and reduced her own body to a pure object and image, almost like a machine. ‘Replica’ is a manifestation of the artist’s understanding of her role in front of and behind the camera.

‘Replica’ is a prescient of an approaching future in which identity will surrender to the carefree machine of image magnification.

21,5 × 29 cm, 120 p, ills colour and b&w, hardcover
ISBN 9789493146792
Edit: Jurgen Maelfeyt & Rita Lino
Design: Jurgen Maelfeyt
text: Brad Feuerhelm

Edition of 1000
November 2021