{"title":"spector books","description":"","products":[{"product_id":"a-kind-of-world-war","title":"A Kind of World War","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDNA #9\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAby Warburg’s famous lecture on the Hopi snake ritual in Arizona is one of the most commented art history transcripts of the 20th century. But while Warburg’s essay is firmly anchored in the canon of art history, to a wider public—especially in Europe—little is known about its source, the snake ritual and its history. A Kind of World War is dedicated to what Aby Warburg largely ignored himself: that not only the ritual, but also the images of the ritual—to whose global distribution Warburg contributed—have a political history. The volume seeks to demonstrate that Warburg’s art history, insofar it outlines an internal history of the European psyche, must be read in conjunction with its external counterpart, the history of colonization, war and cultural entanglement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e122 pp.\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ewith 100 black-white and colour illustrations\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003eperfect bound softcover\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2022-01-01T00:00:00+01:00\"\u003eJanuary, 2022\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv about=\"\/field-collection\/field-edition\/1057\" typeof=\"\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003cdiv class=\"field-label\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-label\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e15 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e23 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cspan class=\"field-content\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959054942\u003c\/span\u003e\u003c\/div\u003e","brand":"Anselm Franke, Erhard Schüttpelz","offers":[{"title":"Default Title","offer_id":39957480112193,"sku":"","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/DNA_9cover.jpg?v=1654280197"},{"product_id":"script-of-demolition","title":"Script of Demolition","description":"\u003cp\u003eThe action of gravity on a mass produces both a physical and emotional weight. When we watch a building topple there is an empathetic reflex — a sublime pathos independent from the event’s material and historical significance, its symbolic import (the announced death of modern architecture, for example), or even our possible emotional attachment to the building concerned — that comes from witnessing a previously inanimate object succumb to the same forces to which we feel ourselves subjected.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMartin Fink, a German demolitions expert, evokes this tendency toward personification in his recollection of a job that didn’t go according to plan. Fink Sprengtechnik, the demolition outfit run by his family for three generations, had been hired to tear down a church tower in Stuttgart, Germany. However, after the first round of detonations, the building remained standing. While the nature of the Finks’ professional responsibilities required that they maintain a scientific outlook on the situation, Fink recalls how the onlookers who had gathered to watch reacted emotionally. “The people were thinking, ‘It doesn’t want to fall…’” A technical miscalculation was reinterpreted as the building’s desire to live. It turned out that one of the contractors who had built the tower was also a parishioner who, imagining that it was meant to stand forever, had added reinforcement beyond the plan’s specifications.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOften there are only seconds between the ignition of a blasting charge and the collapse of a building, but the planning for such a demolition can take weeks. Blasting is a profession that relies on experience, and that is conveyed through the medium of the image. The blaster, before he destroys the building, makes a complex technical drawing of the progression. The detonation itself is then recorded by several cameras from different view points. Afterwards the drawings are superposed over the photographs in order to control the blast. A permanent calibration, an optimization between the idea and the reality by the means of drawing and photography. In her artistic work, Alina Schmuch also mostly uses the medium of photography. For the project Script of Demolition she worked with the extensive image archive of the blaster family Fink. The publication includes different imaging media—from 8mm film to digital photography. The book presents movement sequences of collapsing chimneys, TV towers and buildings that have been recorded following explicitly nonaesthetic criteria.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eIn this homage to demolition, artist Alina Schmuch presents over 60 years of Fink Sprengtechnik’s archive across 336 pages, with graphic design by Jan Kiesswetter and an essay by Philip Ursprung. Although purportedly aesthetically unselfconscious, the Fink images, which range from tragicomic cartoon diagrams to film sequences, are captivating, and evoke works by artists such as John Baldessari, Gordon Matta-Clark, Eva Hesse, or Fischli and Weiss. Yet, despite these coincidental resemblances, the collection is full of its own stylistic idiosyncrasies. And even though the Finks maintain that for them the images are purely technical — useful evidence and reference documents — co-editor Armin Linke accurately observes, in the book’s foreword, that the family’s collection demonstrates “more artistry than a lot of artists.”\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e336 pp.\u003cbr\u003ewith numerous drawings and photos\u003cbr\u003ethread-sewn gatefolded brochure\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" content=\"2014-09-01T00:00:00+02:00\" datatype=\"xsd:dateTime\" property=\"dc:date\"\u003eSeptember, 2014\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv typeof=\"\" about=\"\/field-collection\/field-edition\/318\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003cdiv class=\"field-label\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-label\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e20 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e27 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"field-content\"\u003e\u003cspan class=\"field-content\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e9783944669281\u003c\/div\u003e","brand":"Alina Schmuch","offers":[{"title":"Default Title","offer_id":39957517140033,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/p1010517_1.jpg?v=1654170666"},{"product_id":"10-en","title":"10%: Concerning the Image Archive of a Nuclear Research Center","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnknown lady in the radiation protection department, puddle, dancing couple in costume, damage to a waste drum, retiree send-off, lead shielding, burnt-out glovebox, scorpion with microchip—these are all captions to photographs of Germany’s first major nuclear research facility. In 1957, professional photographers began to make an on-site record of procedures at the Kernforschungszentrum Karlsruhe (KfK, Karlsruhe Nuclear Research Center). In 2017, the decision was made to digitize ten percent of this image archive. Based on current concerns regarding the whereabouts of contaminated nuclear waste, the publication brings together over thirty perspectives from the fields of art, sociology, politics, and science as well as accounts  of people who were directly involved with the facility. \"10%. Concerning the Image Archive of a Nuclear Research Center\" sets out to delineate and visualize the afterlife of  nuclear research.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith texts by: Susan Schuppli, Manuela Gantner, Karena Kalmbach, Mustafa Emin Büyükcoşkun \u0026amp; Rayna Teneva, Paul Koch, Fischer \u0026amp; El Sani, Martin Repohl, Carmela Thiele, Hangyan Chen, u.a.\u003c\/p\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e520 pp.\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ewith 600 black-white and 800 colour illustrations\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ethread-sewn softcover\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp class=\"views-field views-field-views-conditional\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeipzig\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" data-mce-fragment=\"1\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2021-11-01T00:00:00+01:00\"\u003eNovember, 2021\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e20 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e27 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"field-content\"\u003e\u003cspan class=\"field-content\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e9783959054768\u003c\/div\u003e","brand":"Susanne Kriemann, Judith Milz, Friederike Schäfer, Klaus Nippert, Elke Leinenweber","offers":[{"title":"Default Title","offer_id":39957545418817,"sku":"","price":53.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Unknown.jpg?v=1654186130"},{"product_id":"artificial-music","title":"Artificial Music","description":"\u003cp\u003eDNA#13\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCan processors now make better music than human producers? How do algorithms alter our sense of authorship? What historical and social fault lines can be felt juddering in the design of autonomous sound generators? Be it in the home studio, on streaming platforms, or in the corporate business plans of global companies, artificial intelligence is defining the sound of the future. The essays in Artificial Music focus on the key developments, extending beyond digital little helpers to examine the balance between humans and machine learning and the process that enables non-human creativity to become a resonance chamber for new synergies. What sound might be produced in the dialogue between man and machine?\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e80 pp.\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ewith colour illustrations\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003eperfect bound softcover\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv typeof=\"\" about=\"\/field-collection\/field-edition\/1099\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e15 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e23 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2022-04-01T00:00:00+02:00\"\u003eApril, 2022\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959055246\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Detlef Diederichsen, Arno Raffiner","offers":[{"title":"Default Title","offer_id":39994557300801,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/fc1b16194fa5f57eeb4b70622a3b724f_c15a4684-92fa-47c8-b976-6a872bc6e4c6.jpg?v=1656011237"},{"product_id":"frankfurt-copies","title":"Frankfurt Copies","description":"\u003cp\u003eBetween 2012 and 2018, the Neue Altstadt, or \"new old town,\"  was built in the centre of Frankfurt am Main. Here, two design features—old stone elements (spolia) and a chromatic master plan based on a reconstruction of the historical colours of the façades—were used as prime evidence of historical authenticity in the debates that raged in the newspapers as the construction work proceeded. However, these design elements were in many cases read as pastiche, as the only role these quotations play here is to suggest a linear historical thread intended to forge a sense of identity. The conceptual photo book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrankfurt Copies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003euses overprinting to pair up photographs of all the spolia used in constructing Frankfurt’s Neue Altstadt with the colours of the particular building. The rhythm of the page sequences constitutes a walk through the spatial sequencing of a different \"new old town,\" one that is aware of its own historicity and where the historical process becomes visible as a palimpsest.\u003c\/p\u003e\n\u003cp\u003eDaniel Poller (b. 1984) is an artist. He lives and works in Berlin.\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e166 pp.\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ewith 79 copies and 34 colour charts \u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ethread-sewn hardcover\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv about=\"\/field-collection\/field-edition\/1090\" typeof=\"\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e24.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e34.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" content=\"2022-04-01T00:00:00+02:00\" datatype=\"xsd:dateTime\" property=\"dc:date\"\u003eApril, 2022\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959055192\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Daniel Poller","offers":[{"title":"Default Title","offer_id":39994561593409,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Dechire_Gary_Cohen_COVER_1080x_1024x1024_2x_c43349b4-648e-4de6-b3ab-9b7d41d68d65.jpg?v=1656018568"},{"product_id":"arbeit","title":"Arbeit","description":"\u003cp\u003eLaura Bielau’s photo book Arbeit (Work) is about the actual space of her work as a photographer and artist: the studio in which she operates. One aspect of the work centres on what she finds in this space, the resources she has at her disposal there, and the way she moves in it. Beyond that, it is also about the space of production in which the photographic image appears, about the processes involved—and thus the formal decisions that she makes as an artist. And it is about the space of ideas, the intellectual exploration, in other words, that she incorporates into her work. All these different facets provide the structure for Bielau’s work—and she is not alone here—and have led her to this specific work, whose title, which is both succinct and profound, encapsulates what working as an artist is all about: transforming an idea into a concrete piece and then showing the work in exhibition.\u003c\/p\u003e\n\u003cp\u003eLaura Bielau lives and works as an artist in Berlin and Halle. Her work was awarded the Prize of the Kunstverein Hannover in 2015. In 2016 she was selected for the DZ BANK Art Collection’s project grant. In 2019 she received a working scholarship from the State of Saxony-Anhalt and the Kloster Bergesche Stiftung.\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e68 pp.\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ewith 34 black-white illustrations\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ethread-sewn paperback with flaps\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv about=\"\/field-collection\/field-edition\/1020\" typeof=\"\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e26.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e26.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" content=\"2021-06-01T00:00:00+02:00\" datatype=\"xsd:dateTime\" property=\"dc:date\"\u003eJune, 2021\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959054386\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Laura Bielau","offers":[{"title":"Default Title","offer_id":39994565820481,"sku":"","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/arbeit.jpg?v=1656024919"},{"product_id":"dear-imaginary-audience","title":"Dear Imaginary Audience","description":"\u003cp\u003eFunny cat pics with creepy captions shared on social media, digital images that circulate unseen through the internet’s infrastructure, or anonymous workers hired online to create morally dubious content or to remove it from the web: Eva \u0026amp; Franco Mattes have been investigating the internet’s effects on our daily lives since the 1990s, reflecting on how networked images increasingly define our private and social behavior. In the process, the artist duo dissect the opaque mechanisms of our networked society, its infrastructures and forms of online spectatorship—holding up a mirror to the viewer that is at once unsparing and darkly humorous. \u003c\/p\u003e\n\u003cp\u003eEva \u0026amp; Franco Mattes, born 1976 in Brescia (Italy), live and work in New York.\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e142 pp. with numerous colour illustrations\u003cbr\u003eWire-O-Binding\u003cbr\u003eFebruary, 2021\u003cbr\u003e\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959054775\u003cbr\u003e\u003cspan class=\"field-content\"\u003e19*\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e25.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Eva \u0026 Franco Mattes","offers":[{"title":"Default Title","offer_id":40002665873473,"sku":"","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/fc1b16194fa5f57eeb4b70622a3b724f_d984718b-699c-4581-909e-f0bdbe8608a1.jpg?v=1656398150"},{"product_id":"copy-of-under-the-radar-reprint-second-edition","title":"Under the Radar (Reprint, Second Edition)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnderground Zines and Self-Publications 1965 – 1975\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe mid-1960s witnessed a boom in underground and selfpublished works. Hectographs, mimeographs, and offset printing not only allowed for the production of small, lowcost print runs but also promote a unique aesthetic: using wild mock-ups, »messianic amateurs« combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots, and comic\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estrips. The typography consciously frees itself, in parallel to a liberalization of linguistic and visual forms of expression in the name of a new »sensibility«.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis book (which appears in conjunction with an exhibition at the Weserburg in Bremen) is the first to present the underground and self-published works that came out of West Germany in such depth, while also showing the international context in which they emerged: not as an anecdotal history but as an attempt to tap into the aesthetic cosmos of a Do-It-Yourself rebellion, one that also challenges us to take a new look at the current boom in »independent publishing«, the risograph aesthetic, and so on.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003eDesign in collaboration with students of the HfK Bremen\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e368 pp.\u003cbr\u003ewith black\/white and colour images\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv typeof=\"\" about=\"\/field-collection\/field-edition\/723\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 2\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e22.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e33.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2019-12-01T00:00:00+01:00\"\u003eDecember, 2019\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959051040\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jan-Frederik Bandel, Annette Gilbert, Tania Prill","offers":[{"title":"Default Title","offer_id":40123512946753,"sku":"","price":62.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/dce189eac47ae14c7e35d2aa3b29f58c_1024x1024_2x_2d519b24-ea30-4714-a3b9-2adc25930b6c.png?v=1661459605"},{"product_id":"beastly-tierisch-1","title":"Beastly\/Tierisch","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRepresentations of animals are ubiquitous: from advertising hoardings, newspapers, books, magazines, and television shows, to the hundreds of thousands of images uploaded every day to the Internet. During the last twenty years, artists, too, have engaged with the animal in an effort to articulate more »beastly« visions. How can animals as autonomous creative entities take possession of an unshackled imaginative space cut loose from the human? »Beastly\/ Tierisch« has an innovative, visually daring design, superimposing a selection of artistic works onto a host of pictures from the Internet. This rich image material is supplemented by four essays: about animality and the history of photography (Duncan Forbes), the political and philosophical animal (Slavoj Žižek), the virtual zoo of the Internet (Ana Teixeira Pinto), and the changing identities of animals under anthropogenic pressures (Heather Davis).\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e182 pp.\u003cbr\u003ewith ca. 2000 colour images\u003cbr\u003ethread-sewn paperback\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv about=\"\/field-collection\/field-edition\/524\" typeof=\"\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e20 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e27 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cspan class=\"field-content\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959050371\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cspan class=\"field-content\"\u003e\u003cmeta charset=\"utf-8\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" content=\"2015-06-01T00:00:00+02:00\" datatype=\"xsd:dateTime\" property=\"dc:date\"\u003eJune, 2015\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"Duncan Forbes, Daniela Janser","offers":[{"title":"Default Title","offer_id":40123519631425,"sku":null,"price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/beastly_1024x1024_2x_2666fea1-895f-45ed-83cf-de86889680d7.jpg?v=1661459805"},{"product_id":"vegetation-under-power-heat-breath-growth","title":"Vegetation under Power: Heat! Breath! Growth!","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBitterfeld’s county museum, Kreismuseum Bitterfeld, contains a black box with herbaria dating from 1931. This collection, compiled by botanist Hans Weber, is an inventory of the flora gathered in the nearby Goitzsche region, a forested area of floodplain. It was not long before the plant life collected here was forced to give way to society’s demand for brown coal. Taking the herbaria as its starting point,\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eVegetation under Power\u003c\/em\u003e\u003cspan\u003e interweaves stories about Bitterfeld’s energy-defined landscape with the modern legacy of the Bauhaus. Using archival documents, physical interventions, and field studies, the book proposes a new reading of the Bauhaus’s modernist motto ”Light! Air! Sun!“ recast as ”Heat, Breath, Growth“. The book thus points up the downside of resource extraction and environmental destruction in the ”clean modern age“, while also identifying movements in search of a nature-based culture characterized by care and stewardship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEDITOR: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStiftung Bauhaus Dessau\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row-delimiter\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegina Bittner\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row-delimiter\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMaya Errázuriz\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row-delimiter\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eElisabetta Rattalino\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row-delimiter\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"views-row\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShivani Shedde\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003eDESIGNER: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnne Meyer \u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e136 pp. with numerous illustrations\u003cbr\u003eperfect-bound softcover\u003cbr\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2022-07-01T00:00:00+02:00\"\u003eJuly, 2022\u003cbr\u003e\u003c\/span\u003eISBN:\u003cspan\u003e \u003c\/span\u003e9783959055871\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e10.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e14.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Stiftung Bauhaus Dessau, Regina Bittner, Maya Errázuriz, Elisabetta Rattalino, Shivani Shedde","offers":[{"title":"Default Title","offer_id":40124757704769,"sku":"","price":16.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/9783959055871_0.jpg?v=1661554870"},{"product_id":"la-troisieme-vie-d-agnes-varda-the-third-life-of-agnes-varda","title":"La Troisième Vie d’Agnès Varda \/ The Third Life of Agnès Varda","description":"\u003cp\u003eSilent green presents the most comprehensive solo exhibition in Germany to date on the last creative period of the French filmmaker, photographer and visual artist Agnès Varda, who died in 2019. Varda is regarded as one of the most influential creative personalities of our time, who reinvented herself constantly in the course of her life's work, which spanned more than six decades. However, the third creative period of the modern film's pioneer is less known in Germany. It began in 2003 at the Venice Biennale and comprises installation works that reflect Varda's joy in experimenting between documentary and the fiction formats, her poetic, abstract realism and her sensitive observations of socio-political issues in various visual media.  \u003c\/p\u003e\n\u003cp\u003eAgnès Varda (1928–2019) worked as a photographer in the 1950s, taking pictures for the Avignon Festival, for example, and producing photo reportages in China, Cuba, Portugal, and Germany. In 1954 she produced her first feature film, La Pointe Courte, which helped usher in the Nouvelle Vague. Since 2003, she has worked as a visual artist, mounting numerous exhibitions with installations, videos, and photographs.  \u003c\/p\u003e\n\u003cp\u003eJulia Fabry, an independent curator, visual artist, and video artist, has worked together with Varda since 2007.  \u003c\/p\u003e\n\u003cp\u003eDominique Bluher is a writer and lecturer in the Department of Cinema and Media Studies at the University of Chicago. She is also associate faculty in the university’s Department of Visual Arts.\u003c\/p\u003e\n\u003cp\u003eText: \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"views-row\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDominique Buhler\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"views-row-delimiter\" data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"views-row\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJulia Fabry, \u003cmeta charset=\"utf-8\"\u003ePhilippe Piguet\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003eDESIGNER: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMalin Gewinner\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e114 pp. with 200 illustrations\u003cbr\u003ethread-sewn hardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" content=\"2022-06-01T00:00:00+02:00\" datatype=\"xsd:dateTime\" property=\"dc:date\"\u003eJune, 2022\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959056113\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv typeof=\"\" about=\"\/field-collection\/field-edition\/1108\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e24.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e32 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, French\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dominique Buhler, Julia Fabry","offers":[{"title":"Default Title","offer_id":40124774350913,"sku":"","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/9783959056113_0.jpg?v=1661557698"},{"product_id":"more-than-a-story","title":"More than a story","description":"\u003cp\u003eMarkus Draper’s \u003cem\u003eMore than a story\u003c\/em\u003e presents a selection of his images going back to the eruption of Mount St. Helens in Washington state in the US on 18 May 1980. Draper began to develop a fascination with photos and videos of this natural disaster in 2007. In the same year, he focused for the first time on the volcano’s peculiar ash cloud formations—a motif that would become a recurrent subject that still informs his paintings today. It is important for the artist that his pictures cannot be ”located“. ”My paintings do not seek to depict a concrete event—rather, they express a general feeling of insecurity, acting as a kind of diagnosis of society: there is a sense of unease, of vague fear and malaise that cannot be related to any specific causes. They also express a kind of criticism. It may be more comfortable for people to persevere in a state of fear than attempt to change the situation they are in.“ \u003c\/p\u003e\n\u003cp\u003eMarkus Draper, b. 1969, raised in Görlitz. In the period from 1991 to 2000 he studied at the Dresden Academy of Fine Arts (HfbK), at Central Saint Martins in London, and at Columbia University, New York. Markus Draper lives and works in Berlin.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDESIGNER: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristian Lange Studio\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e44 pp. with 56 colour illustrations\u003cbr\u003esoftcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2021-10-01T00:00:00+02:00\"\u003eOctober, 2021\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959055468\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv about=\"\/field-collection\/field-edition\/1060\" typeof=\"\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e24 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e32 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Markus Draper","offers":[{"title":"Default Title","offer_id":40124779462721,"sku":"","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/9783959055468_0.jpg?v=1661554259"},{"product_id":"songs-of-the-sky-photography-the-cloud","title":"Songs of the Sky: Photography \u0026 the Cloud","description":"\u003cp\u003eWhat stories does photography tell us about the ”spirit in the sky“ in the digital age? This book looks at the traditional genre of cloudscape painting as a basis for discussing digitization and its consequences. When we think about photography today, we also need to think about the infrastructure that crosslinks and organizes it. Whether we are talking about images from surveillance cameras or satellites, digitized archival images or holiday shots on our smartphones, all these pictures are now stored as digital data in the cloud and processed by AI. In the dialogue between historical photographs and current works, the exhibition catalogue covers a wide arc ranging from the first depictions of clouds in photography to the global impact of cloud computing technology. The project is funded by the German Federal Cultural Foundation and C\/O Berlin Friends.\u003c\/p\u003e\n\u003cp\u003eAuthors: James Bridle, Ingrid Burrington, Orit Halpern, Nicolas Malevé, Florian Sprenger, Kathrin Schönegg, and Eva Wilson\u003c\/p\u003e\n\u003cp\u003eWith works by: Claudia Angelmaier, Sylvia Ballhause, Marie Clerel, Raphaël Dallaporta, Fragmentin, Noémie Goudal, Louis Henderson, Noa Jansma, Stefan Karrer, Almut Linde, Lisa Oppenheim, Trevor Paglen, Meghann Riepenhoff, Simon Roberts, Evan Roth, Mario Santamaría, Adrian Sauer, Andy Sewell, Shinseungback Kimyonghun, Louis Vignes, and Charles Nègre\u003c\/p\u003e\n\u003cp\u003eKathrin Schönegg is a historian of photography working as curator at C\/O Berlin.\u003c\/p\u003e\n\u003cp\u003eDESIGNER: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNaroska\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e293 pp. with numerous black-white and colour illustrations\u003cbr\u003ethread-sewn hardcover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2021-12-01T00:00:00+01:00\"\u003eDecember, 2021\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\n\u003cdiv class=\"field-content\"\u003e9783959055512\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv about=\"\/field-collection\/field-edition\/1054\" typeof=\"\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e21.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e27.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"position: absolute; left: 229px; top: 409.781px;\" id=\"gtx-trans\"\u003e\n\u003cdiv class=\"gtx-trans-icon\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kathrin Schönegg","offers":[{"title":"Default Title","offer_id":40124784312385,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/9783959055512_0_0.jpg?v=1661553665"},{"product_id":"hito-steyerl-i-will-survive-1","title":"Hito Steyerl \/ I will Survive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe positions adopted by Hito Steyerl in her works and texts are of key importance in any consideration of the contemporary role that art and the museum play in society. They are also crucial to experimental forays into different forms of media presentation and to the critical examination of artificial intelligence and its uses. Over the past thirty years, the artist has been tracking the way camera images have mutated, from the analogue image and its manifold possibilities for montage to the fluidity of the split digital image and the implications this then had for the representation of wars, genocides, and capital flows. “We are no longer dealing with the virtual but with a confusing and possibly alien concreteness that we are only beginning to understand,” writes Brian Kuan Wood of the digital visual worlds that the artist presents. The book is being published in conjunction with Hito Steyerl’s survey show, which took place in autumn 2020 at the Centre Pompidou in Paris and the Kunstsammlung Nordrhein-Westfalen in Düsseldorf. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cooperative project is funded by the German Federal Cultural Foundation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith texts by: Nora M. Alter, Karen Archey, Teresa Castro, Alexandra Delage, Florian Ebner, Thomas Elsaesser, Ayham Ghraowi, Tom Holert, Doris Krystof, Marcella Lista, Vanessa Joan Müller, Florentine Muhry, Mark Terkessidis, Brian Kuan Wood, and a lecture by Hito Steyerl and Trevor Paglen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHito Steyerl, born 1966 in Munich, lives and works in Berlin as an artist, filmmaker, and author. Her work has been shown in numerous international exhibitions and festivals, including the Armory (2019) and the Venice Biennale (in 2019 and 2013). In 2007 she was part of documenta 12. \u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e448 pp. \u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ewith numerous black-white and colour illustrations\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ethread-sewn softcover\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2021-02-01T00:00:00+01:00\"\u003eFebruary, 2021\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e20 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e28.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish, French\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"field-content\"\u003e\u003cspan class=\"field-content\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e9783959054195\u003c\/div\u003e","brand":"Hito Steyerl","offers":[{"title":"Default Title","offer_id":44544937820462,"sku":"","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/9783959054195_1_ddb90cb7-5015-49db-a8e7-04bd7bd9298f.jpg?v=1676652789"},{"product_id":"labyrinth-four-times-through-the-labyrinth-2","title":"Labyrinth – Four times through the labyrinth","description":"\u003cp\u003eThe starting point for this transcript of four lectures, all held in Leipzig in 2010, is a public art work that Olaf Nicolai installed in Paris in 1998. By exploring and combining a broad spectrum of topics that relate to the theme of the labyrinth, this book serves as both, a reference system to Nicolai’s work as well as an independent source book dealing with labyrinthian matter ranging from the minotaur to the floorplans of IKEA. Published in collaboration with Rollo Press.\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e320 pp.\u003cbr\u003ewith ca. 280 black-white and colour illustrations\u003cbr\u003epaperback\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eEdition Number: 1\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e12.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e18.7 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig, Zürich\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2013-10-01T00:00:00+02:00\"\u003eOctober, 2013\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783944669038\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Olaf Nicolai, Jan Wenzel","offers":[{"title":"Default Title","offer_id":44545140031790,"sku":"","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/labyrinth_8fee08b3-a5c0-4490-a46c-c6b946e3ca74.jpg?v=1676654547"},{"product_id":"the-readymade-century-1","title":"The Readymade Century","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen Marcel Duchamp invented the readymade one hundred years ago, there was no way of knowing that these random objects taken from everyday life would have such a lasting influence on art. The book The Readymade Century examines his readymades from two perspectives: the Readymade Index investigates the genesis and consistency of Duchamp’s concept in the first fifty years (1914 – 1964) of the “readymade century”. The second part, Readymade Exposition, describes the history of its reception, which extends far beyond the artist’s lifetime. The edition of Duchamp’s readymades as multiples and the exhibition of Andy Warhol’s Brillo Boxes constitute the hinge between the two sections. Occurring at the same time – although independently of one another – these two events in 1964 mark a turning point in the middle of the readymade century that has direct relevance for contemporary artistic practices of the “already made”. The book combines theoretical reflection with the visual staging of art.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"panel-separator\"\u003eCONTRIBUTOR: \u003cspan class=\"views-row\"\u003e\u003cspan\u003eOlaf Nicolai\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"panel-pane pane-views pane-person-institution-relations\"\u003e\n\u003cdiv class=\"pane-content\"\u003e\n\u003cdiv class=\"view view-person-institution-relations view-id-person_institution_relations view-display-id-default view-dom-id-ef4fcca1cd4f628bb64d97b84ba34bc4\"\u003e\n\u003cdiv class=\"view-content\"\u003e\n\u003cdiv class=\"views-delimited-list\"\u003eDESIGNER: \u003cspan class=\"views-row\"\u003e\u003cspan\u003eDan Solbach\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"panel-pane pane-views pane-spector-book-related-content\"\u003e\n\u003cdiv class=\"pane-content\"\u003e\n\u003cdiv class=\"view view-spector-book-related-content view-id-spector_book_related_content view-display-id-default view-dom-id-b2c869731bac06263dc33981644ffd30\"\u003e\n\u003cdiv class=\"view-content\"\u003e\n\u003cdiv class=\"view view-spector-book-meta view-id-spector_book_meta view-display-id-default meta view-dom-id-d342df602279bd61caddd837f6985132\"\u003e\n\u003cdiv class=\"view-content\"\u003e\n\u003cdiv class=\"views-row views-row-1 views-row-odd views-row-first views-row-last masonry\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cp\u003e188 pp. with numerous black\/white images\u003cbr\u003ethread-sewn paperback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" content=\"2019-03-01T00:00:00+01:00\" datatype=\"xsd:dateTime\" property=\"dc:date\"\u003eMarch, 2019\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959051392\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv typeof=\"\" about=\"\/field-collection\/field-edition\/728\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e10.8 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e17.6 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"panel-separator\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"panel-pane pane-views pane-person-institution-relations\"\u003e\n\u003cdiv class=\"pane-content\"\u003e\n\u003cdiv class=\"view view-person-institution-relations view-id-person_institution_relations view-display-id-default view-dom-id-ef4fcca1cd4f628bb64d97b84ba34bc4\"\u003e\n\u003cdiv class=\"view-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"panel-separator\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dieter Daniels","offers":[{"title":"Default Title","offer_id":44545151729966,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/s25c-919032212000_0001_0_ee8d4b41-57c4-4a7d-b985-ea164687b32d.jpg?v=1676654681"},{"product_id":"matter-2","title":"MATTER","description":"\u003cp\u003eMatter is a constant. It was there from the beginning and it will remain long into the future. The word matter is derived from mater, the Latin word for mother: matter refers to the substance from which all things are made. In English, the word can also indicate urgency or importance—something to be concerned about. Since 2013, Aleix Plademunt has been working on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMatter\u003c\/em\u003e, his most extensive photographic project. It tackles the age-old question of existence. It delves into our origins. Matter itself is inert, motionless, unable to reproduce. But it leads to life. The Big Bang’s radical expansion created everything. During its life cycle an organism undergoes many changes—it grows, learns, evolves, and dies—but matter always remains. \u003c\/p\u003e\n\u003cp\u003eAleix Plademunt, b. 1980 in Girona, studied technical engineering and received a degree in photography from UPC, Barcelona, in 2003. Since then, he has worked on myriad personal photographic projects and featured in over forty group shows and twenty individual exhibitions, highlights include Matter at MACBA Museum (Barcelona, 2021) and Almost There at the Le Bal (Paris, 2014).\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e640 pp.\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ewith 603 black-white and colour illustrations\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003ethread-sewn softcover\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-edition\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv typeof=\"\" about=\"\/field-collection\/field-edition\/1106\"\u003e\n\u003cdiv class=\"content\"\u003e\n\u003cdiv class=\"field field-name-field-edition-number field-type-text field-label-inline clearfix\"\u003e\n\u003cdiv class=\"field-label\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e22.5 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e31 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003eEnglish\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cdiv class=\"views-field views-field-field-year-published\"\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2022-05-01T00:00:00+02:00\"\u003eMay, 2022\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e\n\u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e9783959055758\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-isbn-validate\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp style=\"text-align: center;\"\u003eBungee Space introduces MATTER \u003ciframe src=\"https:\/\/mailchi.mp\/fb9bcfe8ef6a\/new-store-hour-bungee-space-9280098\" width=\"100%\" height=\"300\" frameborder=\"0\"\u003e\n\u003c\/iframe\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aleix Plademunt","offers":[{"title":"Default Title","offer_id":44545165230382,"sku":"","price":66.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/spreads-great-unreal-10345_1080x_20e9d5f8-c33d-4011-8235-3bd81b7245ac.jpg?v=1676654824"},{"product_id":"intimacy-exposed","title":"Intimacy Exposed","description":"\u003cp\u003eThe analysis of sanitary spaces and places dedicated to personal care, as in a privacy observatory, helps with the in-depth assessment of social changes, allowing us to determine how the lives of users can be improved, how conflicts of use in public places can be resolved between populations of different sexes and ages, and how the quality of public and private health can be enhanced. Observing these issues pushes us to explore the forms and meanings of bathrooms and private spaces in relation to their different functions, including those of transgressive and informal meeting places and spaces of inevitable and forced social coexistence. This book constitutes a new step in this field of research, presenting a series of scientific and artistic interventions that proves the diverse range of uses to which ”wet rooms“ can be put in social life, the evolution of the use of furniture, and the new meanings of details and objects in domestic bathrooms and public toilets.\u003c\/p\u003e\n\u003cp\u003eThe texts, largely written for the 2018 symposium \u003cem\u003eIntimacy Exposed: Toilet, Bathroom, Restroom\u003c\/em\u003e (organized by the Department of Interior Architecture at HEAD – Genève) present a practice-based study of the recent past of modernist technologies and a vision of the future of personal and collective practices regarding the realm of the toilet. \u003c\/p\u003e\n\u003cp\u003eText: Catherine Ince, Louise Lemoine and Ila Bêka, Eva Gil Lopesino, Alexandra Midal, Philippe Rahm, Rotor-Deconstruction, Joel Sanders\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e110 pp.\u003cbr\u003eca. 100 colour illustrations\u003cbr\u003eperfect-bound softcover\u003c\/p\u003e\n\u003cspan\u003eLeipzig January, 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959055833\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 23 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLength: 30 cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eElias Erkan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eJavier Fernández Contreras, Roberto Zancan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCo-Editor: \u003c\/span\u003e\u003cspan\u003eHEAD – Genève (HES-SO)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Javier Fernández Contreras, Roberto Zancan","offers":[{"title":"Default Title","offer_id":44545255571758,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/1_c6a3a259-0989-4460-b819-4a9cc7731569.png?v=1676657069"},{"product_id":"karolina-wojtas-abzgram","title":"Karolina Wojtas: Abzgram","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn her Abzgram project, which has steadily developed since 2017, the Polish media artist Karolina Wojtas breaches every conceivable rule of photography, be it through offbeat compositions, oversaturated colours, blur, or her aggressive use of flash. She uses these sometimes found, sometimes staged scenarios to print on various materials, which transform exhibition spaces into room-sized installations that visitors can walk through. Wojtas’s complex multimedia work responds with caustic irony to the rigid Polish school system, whose imposition of rules on children has a streak of militarism to it: stand still, do not touch each other, keep your hands by your sides, look straight ahead. The artist invites readers to transport themselves back to the world of childhood via a process of re-enactment. The book is published as part of the C \/ O Berlin Talent Award 2022 with texts by Matthias Gründig; it accompanies Wojtas’s exhibition Abzgram at C \/ O Berlin.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKarolina Wojtas, born 1996 in Jaroslaw (Poland), lives and works as an interdisciplinary artist in Łodz (Poland). Matthias Gründig, born 1989, lives and works as a scientist and critic in Essen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e204 pp. with numerous colour illustrations\u003cbr\u003ethreadsewn softcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig February, 2023\u003cbr\u003eISBN: 978-3-95905-7\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 18.5 cm\u003cbr\u003eLength: 24.5 cm\u003cbr\u003eLanguage(s): English, German\u003cbr\u003e\u003cbr\u003eDesign: Naroska Design\u003cbr\u003eEditor: Kathrin Schönegg, C\/O Berlin Foundation\u003cbr\u003eText: Matthias Gründig\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Karolina Wojtas, Kathrin Schönegg","offers":[{"title":"Default Title","offer_id":44545361510702,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/12eee4d36f.jpg?v=1676657807"},{"product_id":"soft-spots","title":"Soft Spots","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis publication brings together new as well as existing essays, interviews, short stories, and reports from different fields and geographies on various issues, mapping the space of Eastern Europe and beyond with a special emphasis on “beyond”. The point of departure is exhaustion–mental exaustion, cultural exhausion, material and economic exhausion–and the ensuing strategic position of weakness or softness. The texts address a variety of topics: racialization, decolonization of museums and meseology, the intricacies of cultural exchange, and the implications of radical modernist traditions of thought and aesthetics. They are accompanied by artistic interventions by Dorota Brázdovičová, Markéta Soukupová, and Tarek Lakhrissi. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e336 pp. perfect bound softcover with flaps\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeipzig September, 2022\u003cbr\u003eISBN: 9783959056809\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 11.5 cm\u003cbr\u003eLength: 23 cm\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eDesigner: Ondrej Bachor\u003cbr\u003eEditor: Rado Ištok, Renan Laru-an, Piotr Sikora, Tereza Stejskalová\u003cbr\u003eCo-publisher: tranzit.cz\u003cbr\u003eCo-Editor: Jonathan Bruun\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Rado Ištok, Renan Laru-an, Piotr Sikora, Tereza Stejskalová","offers":[{"title":"Default Title","offer_id":44546203812142,"sku":"","price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/1_6e350765-e177-49ca-ad69-d09696773bfc.png?v=1676675754"},{"product_id":"the-hobbyists","title":"The Hobbyist","description":"\u003cp\u003eWhat happens when photographers and artists incorporate hobbies into their work as a means of challenging established practices and hierarchies? How do hobbyists represent their passions photographically, not least today in our era of digital communication? The Hobbyist is the first major exhibition to explore the relationship between photography and hobby culture, in connection both to the photographing of hobbies and to photography as a hobby. From the hippy cultures and avant-garde tendencies of the 1960s’ through the 1980s’ DIY movement to today’s maker movement, The Hobbyist explores photography’s engagement with a wide variety of lively, often quirky obsessions. The book, which appears in a magazine format, brings together interviews with artists, short anecdotal texts, and in-depth essays. The Hobbyist is published in conjunction with the exhibition of the same name at the Fotomuseum Winterthur (9 September 2017 – 28 January 2018). The exhibition The Hobbyist is curated by Pierre Hourquet, Anna Planas, and Thomas Seelig with artworks by Chris Burden, Jeremy Deller and Alan Kane, Stephanie Kiwitt, Mike Mandel, NEOZOON, Lotte Reimann, Bill Owens, and others.\u003c\/p\u003e\n\u003cp\u003e102 pp. with numerous illustrations\u003cbr\u003ewire comb binding\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig September, 2017\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959051705\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 21 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLength: 28 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003ePierre Hourquet\u003cbr\u003e\u003c\/span\u003eText: Thilo König, Evgeny Morozov, NEOZOON, Therese Steffen, a. o.\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Thomas Seelig, Olivia Baeriswyl, Doris Gassert, Pierre Hourquet, Anna Planas","offers":[{"title":"Default Title","offer_id":44546262270254,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/The-Hobbyist.jpg?v=1676676983"},{"product_id":"copy-of-the-hobbyists","title":"Enghelab Street, A Revolution Through Books: Iran 1979 - 1983","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnghelab Street, Revolution Street, is located in the centre of Tehran—a main artery in the city’s cultural life with a host of bookshops. The publication presents a variety of photographic and propaganda books collected by Iranian artist Hannah Darabi. Drawing on works published between 1979 and 1983—years corresponding to the short period when freedom of speech prevailed at the end of the Shah’s regime and the beginning of the Islamic government—she takes us to the heart of an intense artistic and cultural period in Iranian history. Darabi has developed a visual essay accompanied by a critical apparatus written by Chowra Makaremi. The publication with its extensive landscape of books gives us the opportunity to look at rare printed matter for the first time. It forms part of the series Applied Publishing Studies and is produced in conjunction with the exhibition Hannah Darabi, Enghelab Street, A Revolution through Books: Iran 1979–1983, LE BAL, Paris, from 9 January to 11 February 2019. With the support of the print publishing grant by the Centre national des arts plastiques and of the European Research Council.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e540 pp. ca. 750 black-white and colour illustrations\u003cbr\u003ethread-sewn softcover\u003cbr\u003e\u003cspan\u003e\u003cbr\u003eLeipzig February, 2019\u003cbr\u003eISBN: 9783959052627\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 24 cm\u003cbr\u003eLength: 33 cm\u003cbr\u003e\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eDesigner: Fabian Bremer, Pascal Storz\u003cbr\u003eAuthor: Hannah Darabi\u003cbr\u003eEditor: Le Bal, Paris\u003cbr\u003eText: Hannah Darabi, Chowra Makaremi\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/318434944?h=52b91aafa0\" title=\"vimeo-player\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"Hannah Darabi","offers":[{"title":"Default Title","offer_id":44546274459950,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/1-hannah-darabi-rue-enghelab.jpg?v=1676678086"},{"product_id":"listen-to-lists","title":"Listen to Lists","description":"\u003cp\u003eDNA #2\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLists have been used for a long time to provide orientation in the world of music. The technological triumph of streaming ser­vices has turned the supply of music into a new consumer format that has come to dominate the way music is brought to market. However, the playlist does more than just format the music, it also structures the way people listen to it and sorts the data logs collected by streaming services. This revolution has spawned new organizational categories, aesthetic tendencies, and modes of behaviour. 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The setting for this is our daily life in all its different shapes and forms. The human body functions here as a semiotic system, an archive, a fiction, a projection screen, or an alphabet. The gaze that encounters it may manifest as an anta­gonist—be it incisive or flawed—yet it can itself disappear from view. The texts and images brought together in this volume seek to remove the body from the firing line and away from these judging and derogatory glances. They act as mirrors redirecting looks, points of view, and ideas to enable us to understand implicit and explicit processes of reading.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e80 pp. with black-white and colour illustrations, perfect bound softcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eLeipzig January, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959054591\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 15 cm, \u003c\/span\u003e\u003cspan\u003eLength: 23 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eHKW - Haus der Kulturen der Welt, Daniel Neugebauer\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eMalin Gewinner, Hannes Drißner, Markus Dreßen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign Concept: \u003c\/span\u003e\u003cspan\u003eOlaf Nicolai, Malin Gewinner, Hannes Drißner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText: \u003c\/span\u003e\u003cspan\u003eOlympia Bukkakis, María do Mar Castro Varela, Rain Demetri, Sabine Mohamed, Bonaventure Soh Bejeng Ndikung, Olave Nduwanje, Jules Sturm, Julius Thissen\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Haus der Kulturen der Welt, Daniel Neugebauer","offers":[{"title":"Default Title","offer_id":47078027198766,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_9cab92ca-e4aa-4d5f-ad3d-e929e26ef28c.jpg?v=1695513456"},{"product_id":"looking-at-music","title":"Looking at Music","description":"\u003cp\u003eDNA #8\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe performance of computer-generated music breaks with the codes that have been established for concerts: the audience can no longer watch as music is created, and the causal relationship between action and sound has been cut. The laptop performance has evolved into a format in which the audience stares at people staring at screens. Looking at Music examines the role that visibility plays in the experience of music. How important is the live quality to the future of musical performance? Screenshots of ”algoraves“ or virtual reality stars like Hatsune Miku reinsert visual stimuli on a variety of levels, in kuduro the musical focus is on the dance expertise—meanwhile, other musicians have long since abandoned the idea of the stage-centred spectacle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e80 pp. with \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003enumerous\u003c\/span\u003e colour illustrations, perfect bound softcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eLeipzig January, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e9783959054928\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 15 cm, \u003c\/span\u003e\u003cspan\u003eLength: 23 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEditor: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHKW - Haus der Kulturen der Welt, Lina Brion, Detlef Diederichsen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesigner: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHannes Drißner, Malin Gewinner, Markus Dreßen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesign Concept: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOlaf Nicolai, Hannes Drißner, Malin Gewinner\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eContributor: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eStefanie Alisch, Peter Kirn, Mari Matsutoya, Adam Parkinson, Terre Thaemlitz, TOPLAP\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Haus der Kulturen der Welt, Lina Brion, Detlef Diederichsen","offers":[{"title":"Default Title","offer_id":47079094354222,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_09401c28-2f28-40da-ab62-e4b92da94fa0.png?v=1695516487"},{"product_id":"re_visioning-bodies","title":"Re_Visioning Bodies","description":"\u003cp\u003eDNA #10\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis volume plunges into a number of different archives and resurfaces with physical techniques: Eliza Steinbock finds love in the Lili Elbe Archive, Europe’s largest collection of trans* and queer history; Carmen Mörsch describes how bodies that act as a medium for artistic expression communicate more than just art, inviting us to take a discrimination-wary view. Maaike Bleeker slips into the role of Neo in The Matrix and plugs a data-transfer cable into our spinal cord to ask how intellectual knowledge and physical knowing condition one another.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e80 pp. with 6 black-white and 11 colour illustrations, perfect bound softcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eLeipzig January, 2022\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN: 9783959054966\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 15 cm, \u003c\/span\u003e\u003cspan\u003eLength: 23 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEditor: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDaniel Neugebauer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAuthor: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEliza Steinbock, Maaike Bleeker, Carmen Mörsch\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eZeyno Pekünlü\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesigner: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHannes Drißner, Malin Gewinner, Markus Dreßen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesign Concept: \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eOlaf Nicolai, Hannes Drißner, Malin Gewinner\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Daniel Neugebauer, Eliza Steinbock, Maaike Bleeker, Carmen Mörsch","offers":[{"title":"Default Title","offer_id":47079243481390,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_6300c779-690d-4041-80e8-5bf0bc123807.png?v=1695517401"},{"product_id":"the-dictator-of-time","title":"The Dictator of Time: (De)Contextualizing the Phenomenon of Laterna Magica","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLaterna Magika, which combines multi-genre theatre performances and films projected onto several screens on stage, emerged as as part of the programme promoting Czechoslovakian culture for Expo 58. 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This monograph, which focuses on the period between 1958 and 1992, presents it as a phenomenon shaped by its many dichotomies: Laterna Magika is both fragmentary and complex, distractive and immersive, past and present, reproduced and live, traditional and progressive, ideological and critical of ideology, popular and elitist, discreet and voyeuristic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e408 pp. with 417 b \/ w- and colour illustrations, threadswen hardcover\u003cbr\u003e\u003cbr\u003eLeipzig March, 2023\u003cbr\u003eISBN: 9783959057097\u003cbr\u003e\u003cbr\u003eWidth: 23 cm, Length: 30 cm\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eEditor: Lucie Česálková, Kateřina Svatoňová\u003cbr\u003eDesigner: Jan Matoušek\u003c\/span\u003e\u003c\/p\u003e","brand":"Lucie Česálková, Kateřina Svatoňová","offers":[{"title":"Default Title","offer_id":47079926464814,"sku":null,"price":68.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/00_45617475-64c7-4e51-9da9-eeebef1174ab.jpg?v=1695519014"},{"product_id":"carrier-bag-fiction","title":"Carrier Bag Fiction","description":"\u003cp\u003eDNA #6\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhat if humanity’s primary inven­tions were not the Hero’s spear but rather a basket of wild oats, a medicine bundle, a story. 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Jürgen Beck’s photographs of the house approach the building as if in search of something. He captures the overgrown paths that he walks to take him to the house, while steering clear of views of the coast and the Côte d’Azur beach and avoiding long shots, as these would falsely enlarge the space, which was designed as an intimate place for work and leisure activities. This establishes a dialogue between the photographs and the architecture; just like Gray herself in the space she designed, the pictures are in search of an expression of openness that admits other forms of life and work, a flexible structure to accommodate the rhythm of the days and everyday situations. Beck directs our eye to a design that takes into consideration people’s psychological and emotional needs and gives things their own name and their own relationships. The images are accompanied by an essay by Swiss author Dorothee Elmiger, who extends Beck’s view of Gray by introducing fragments of text that switch between analysis and impressionistic accounts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJürgen Beck lives and works in Zurich, Switzerland. He graduated from the Academy of Visual Arts in Leipzig, Germany. Dorothee Elmiger is an author and translator. She writes novels, essays, montaged pieces, and texts on art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e128 pages, 97 colour illustrations, thread-sewn hardcover\u003cbr\u003e\u003cbr\u003eLeipzig March, 2023\u003cbr\u003eISBN: 9783959057066\u003cbr\u003e\u003cbr\u003eWidth: 23 cm, Length: 30 cm\u003cbr\u003eLanguage(s): English, German\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigner: Ina Kwon\u003cbr\u003eText: Dorothee Elmiger\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jürgen Beck","offers":[{"title":"Default Title","offer_id":47086398013742,"sku":null,"price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_fd531018-2c63-4103-b0ab-ca1aba833e0a.png?v=1695532873"},{"product_id":"mining-photography-the-ecological-footprint-of-image-production","title":"Mining Photography: The Ecological Footprint of Image Production","description":"\u003cp\u003ePhotography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F\u0026amp;D Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin. \u003c\/p\u003e\n\u003cp\u003eTexts: Siobhan Angus, Nadia Bozak, Boaz Levin, Christopher Lützen, Brett Neilson, Christoph Ribbat, Esther Ruelfs, Sven Schumacher, Karen Solie, Julia Wiedenmann\u003cbr\u003e\u003cbr\u003eEsther Ruelfs is an art historian and head of the Photography and New Media Collection at the Museum für Kunst und Gewerbe Hamburg (MK\u0026amp;G). Boaz Levin is a writer, freelance curator, and co-founder of the Research Center for Proxy Politics.\u003c\/p\u003e\n\u003cp\u003e176 pp. with 20 black-white and 74 colour illustrations, thread-sewn paperback\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig July, 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959056564\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 19 cm, \u003c\/span\u003e\u003cspan\u003eLength: 25 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eBoaz Levin, Esther Ruelfs, Tulga Beyerle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eStudio Pandan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConcept: \u003c\/span\u003e\u003cspan\u003eBoaz Levin, Esther Ruelfs\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Boaz Levin, Esther Ruelfs, Tulga Beyerle","offers":[{"title":"Default Title","offer_id":47089376854318,"sku":null,"price":46.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_2772fb5c-95f3-49ac-aae7-d70c0a61427a.png?v=1695568573"},{"product_id":"ikonar-archival-constellations","title":"IKONAR: Archival Constellations","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIkonar is a nickname given to Josef Koudelka by a group of Roma he encountered. It refers to him as a “maker of icons”, because they used his famous photographs of Roma communities as quasi-religious icons in their place of prayer. However, Koudelka is not merely a globally respected “maker of photographs”, he is also a prolific “collector of images”. IKONAR. Archival Constellations, which covers the period from 1960 to 2012, makes a range of materials available, some of them unpublished. They were selected from the 30,000-plus 35 mm contact sheets in Koudelka’s archive. Published in conjunction with the exhibition at Photo Elysée in Lausanne, it presents portfolios of core series of his work shot in 35 mm format, interleaved with seven thematic constellations that are a logical extension of his archive. It thus allows parallel visual explorations of his work and the evolving processes of creation. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJosef Koudelka, b. 1938 in Boskovice, Czech Republic, lives in Paris. In 1971 he became a member of the Magnum photo agency. Koudelka has won numerous accolades, including France’s Grand Prix National de la Photographie (1987), the Henri Cartier-Bresson Award (1991), and the International Center of Photography’s Infinity Award (2004). Stuart Alexander is an independent photo historian and is editorial director at Delpire \u0026amp; Co, Paris. Tatyana Franck was director of Photo Elysée between 2015 and January 2022. Lars Willumeit works as a curator for Photo Elysée in Lausanne, Switzerland.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e264 pp. with 350 black-white and 40 colour illustrations, thread-sewn hardcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig November, 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959056304\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 24 cm, \u003c\/span\u003e\u003cspan\u003eLength: 33 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthor: \u003c\/span\u003e\u003cspan\u003eJosef Koudelka\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eFabian Bremer, Pascal Storz\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Josef Koudelka","offers":[{"title":"Default Title","offer_id":47089439113518,"sku":null,"price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/ikonar-copy.jpg?v=1695569404"},{"product_id":"i-seem-to-live-vol-2-the-new-york-diaries-1969-2011","title":"I Seem to Live [vol.2] The New York Diaries 1969-2011","description":"\u003cp\u003eThe second volume of Jonas Mekas’s autobiography \u003cem\u003eI Seem to Live. The New York Diaries, 1969–2011\u003c\/em\u003e continues with the meticulous description of his dense life in New York’s underground art scene. It begins with the seventies, a time when the Chelsea Hotel was a central hub of creativity and a temporary home for the filmmaker and critic. In 1970, Mekas cofounded Anthology Film Archives with Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage. Later, he bought the Courthouse building at 32 Second Avenue where Anthology remains today. Jonas Mekas finished editing his autobiography’s last volume when he was over ninety years old. Published posthumously, \u003cem\u003eI Seem to Live. The New York Diaries, 1950–2011\u003c\/em\u003e stands on an equal footing with his cinematic oeuvre.  The second and concluding volume of his diaries, contains an extensive index of names.\u003c\/p\u003e\n\u003cp\u003eJonas Mekas (1922–2019) was born in Lithuania and arrived in New York in 1949 via post-war DP camps in Germany. Co-founder of the Anthology Film Archives, Mekas was a filmmaker, writer, and poet, as well as a tireless advocate for experimental art and a New York City legend.\u003c\/p\u003e\n\u003cp\u003e1560 pp. with 350 black-white illustrations, thread-sewn softcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig November, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959052900\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 16 cm, \u003c\/span\u003e\u003cspan\u003eLength: 21.5 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eAnne König\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAuthor: \u003c\/span\u003e\u003cspan\u003eJonas Mekas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eFabian Bremer, Pascal Storz\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Jonas Mekas, Anne König","offers":[{"title":"Default Title","offer_id":47089550885166,"sku":null,"price":46.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_e9940d92-16a7-48dc-8d70-5eb984f8d087.png?v=1695570082"},{"product_id":"wolfen","title":"Wolfen","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first multilayer colour film was developed in 1936 at the Agfa Filmfabrik Wolfen; the factory, now operating as ORWO Filmfabrik (ORiginal WOlfen), became the most important producer of colour film in East Germany. Today, all that is left at the site is the small company Filmotec, which produces a special archival film with long-term stability that can be inscribed with digital data in the form of QR codes. The photo book Wolfen is made up of a mix of different layers: photographs taken by Tobias Zielony in Wolfen-Bitterfeld; the storing of these images in Filmotec’s archive film format; and a text that switches between essay and science fiction in a bid to express an untold story, a story of darkness and cold, of dwindling work in the film factory, most of which was carried out by women — or by forced labourers in the period up to 1945. In the era of analogue film, photographic processing had to be done in the dark: Zielony’s work tackles this idea on a biographical, physical, and historical level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e212 pages with numerous colour illustrations, hardcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig March, 2023\u003cbr\u003eISBN: 9783959057073\u003cbr\u003e\u003cbr\u003eWidth: 22 cm, Length: 32.5 cm\u003cbr\u003eLanguage(s): English, German\u003cbr\u003e\u003cbr\u003eEditor: Marta Herford\u003cbr\u003eAuthor: Tobias Zielony\u003cbr\u003eDesigner: Lyosha Kritsouk\u003cbr\u003eEssay: Daniel Muzyzuck, Kathleen Rahn\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Marta Herford, Tobias Zielony","offers":[{"title":"Default Title","offer_id":47090866815278,"sku":null,"price":46.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/wolfen_katalog_kachel-768x576.jpg?v=1695578030"},{"product_id":"the-fall-apollo-alles-vol-1","title":"The Fall \/ Apollo \/ Alles vol. 1","description":"\u003cp\u003eIn summer 2021, the Museum Folkwang in Essen showed the work of Tobias Zielony in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionied the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/p\u003e\n\u003cp\u003eSpector Books has consistently supported Zielony's work from the start of his carrier. In 2008 we published\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTrona\u003c\/em\u003e, now in its third edition, followed by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManitoba\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJenny Jenny\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2013), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVele\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It was published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. Six protagonists of the new literary generation – Sophia Eisenhut, Joshua Gross, Dora Koderhold, Enis Maci, Mazlum Nergiz, and Jakob Nolte – Have agreed to take part in this project. \u003c\/p\u003e\n\u003cp\u003e112 pp., thread-sewn softcover with flaps\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig September, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959054829\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 12 cm, \u003c\/span\u003e\u003cspan\u003eLength: 17.6 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English, German\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eThomas Seelig, Museum Folkwang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eFabian Bremer, Pascal Storz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText: \u003c\/span\u003e\u003cspan\u003eJoshua Gross\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographer: \u003c\/span\u003e\u003cspan\u003eTobias Zielony\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Thomas Seelig, Museum Folkwang","offers":[{"title":"Default Title","offer_id":47091423019310,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/fall_1.png?v=1695582151"},{"product_id":"maskirovka-golden-vol-2","title":"Maskirovka \/ Golden vol. 2","description":"\u003cp\u003eIn summer 2021, the Museum Folkwang in Essen showed the work of Tobias Zielony in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionied the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/p\u003e\n\u003cp\u003eSpector Books has consistently supported Zielony's work from the start of his carrier. In 2008 we published\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTrona\u003c\/em\u003e, now in its third edition, followed by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManitoba\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJenny Jenny\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2013), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVele\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It was published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. Six protagonists of the new literary generation – Sophia Eisenhut, Joshua Gross, Dora Koderhold, Enis Maci, Mazlum Nergiz, and Jakob Nolte – Have agreed to take part in this project. \u003c\/p\u003e\n\u003cp\u003e128 pp., thread-sewn softcover with flaps\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig September, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959055314\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 12 cm, \u003c\/span\u003e\u003cspan\u003eLength: 17.6 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English, German\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eThomas Seelig, Museum Folkwang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eFabian Bremer, Pascal Storz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText: \u003c\/span\u003e\u003cspan\u003eDora Koderhold\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographer: \u003c\/span\u003e\u003cspan\u003eTobias Zielony\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Thomas Seelig, Museum Folkwang","offers":[{"title":"Default Title","offer_id":47092063863086,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/2-1_90699d63-e1b4-46e1-a47e-b80ff8e35be1.png?v=1695586017"},{"product_id":"ha-neu-vele-hansha-vol-3","title":"Ha Neu \/ Vele \/ Hansha vol. 3","description":"\u003cp\u003eIn summer 2021, the Museum Folkwang in Essen showed the work of Tobias Zielony in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionied the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/p\u003e\n\u003cp\u003eSpector Books has consistently supported Zielony's work from the start of his carrier. In 2008 we published\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTrona\u003c\/em\u003e, now in its third edition, followed by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManitoba\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJenny Jenny\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2013), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVele\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It was published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. Six protagonists of the new literary generation – Sophia Eisenhut, Joshua Gross, Dora Koderhold, Enis Maci, Mazlum Nergiz, and Jakob Nolte – Have agreed to take part in this project. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e136\u003c\/span\u003e pp., thread-sewn softcover with flaps\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig September, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959055314\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 12 cm, \u003c\/span\u003e\u003cspan\u003eLength: 17.6 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English, German\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eThomas Seelig, Museum Folkwang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eFabian Bremer, Pascal Storz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText: \u003cmeta charset=\"utf-8\"\u003eSophia Eisenhut\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographer: \u003c\/span\u003e\u003cspan\u003eTobias Zielony\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Thomas Seelig, Museum Folkwang","offers":[{"title":"Default Title","offer_id":47092502724910,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/3-1_8687ba8e-3440-4f87-be5b-2a8fae0feac0.png?v=1695590724"},{"product_id":"the-citizen-hurds-bank-vol-4","title":"The Citizen \/ Hurd's Bank vol. 4","description":"\u003cp\u003eIn summer 2021, the Museum Folkwang in Essen showed the work of Tobias Zielony in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionied the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/p\u003e\n\u003cp\u003eSpector Books has consistently supported Zielony's work from the start of his carrier. In 2008 we published\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTrona\u003c\/em\u003e, now in its third edition, followed by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManitoba\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJenny Jenny\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2013), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVele\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It was published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. Six protagonists of the new literary generation – Sophia Eisenhut, Joshua Gross, Dora Koderhold, Enis Maci, Mazlum Nergiz, and Jakob Nolte – Have agreed to take part in this project. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e128\u003c\/span\u003e pp., thread-sewn softcover with flaps\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig September, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959055314\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 12 cm, \u003c\/span\u003e\u003cspan\u003eLength: 17.6 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English, German\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eThomas Seelig, Museum Folkwang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eFabian Bremer, Pascal Storz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText: \u003cmeta charset=\"utf-8\"\u003eEnis Maci\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographer: \u003c\/span\u003e\u003cspan\u003eTobias Zielony\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Thomas Seelig, Museum Folkwang","offers":[{"title":"Default Title","offer_id":47093048410414,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/4-2_211f52dc-720b-4043-8c97-b8d1c05d5657.png?v=1695591765"},{"product_id":"the-street-big-sexyland-al-akrab-zgora-vol-5","title":"The Street \/ Big Sexyland \/ Al-Akrab \/ Zgora vol. 5","description":"\u003cp\u003eIn summer 2021, the Museum Folkwang in Essen showed the work of Tobias Zielony in a large survey exhibition, featuring photographs and video work from the last twenty years. One of the key themes in Zielony's artistic work is youth culture, its relationship to background, status, and fashion, and the definition of identity associated with this in a realm where the realities of the medium are shifting. Digital culture has revolutionied the ways in which photographic images can communicate, fundamentally altering the idea of the self and self-representation. In Zielony's works, the subjects of his pictures appear as self-aware participants in this process of interaction – engaging in a global exchange of social codes and self-images, irrespective of the cultural and social differences between the people involved.\u003c\/p\u003e\n\u003cp\u003eSpector Books has consistently supported Zielony's work from the start of his carrier. In 2008 we published\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTrona\u003c\/em\u003e, now in its third edition, followed by\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManitoba\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJenny Jenny\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2013), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVele\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014). This sustained process of close collaboration has given rise to an unusual idea for the catalogue for the Essen exhibition. It was published as a series of six small volumes, each showing two to four works in full and accompanied by a text that creates a counterpoint to these works in the form of an essay or piece of fiction. Six protagonists of the new literary generation – Sophia Eisenhut, Joshua Gross, Dora Koderhold, Enis Maci, Mazlum Nergiz, and Jakob Nolte – Have agreed to take part in this project. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e128\u003c\/span\u003e pp., thread-sewn softcover with flaps\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig September, 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959055314\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 12 cm, \u003c\/span\u003e\u003cspan\u003eLength: 17.6 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English, German\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eThomas Seelig, Museum Folkwang\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eFabian Bremer, Pascal Storz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText: \u003cmeta charset=\"utf-8\"\u003eMazlum Nergiz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographer: \u003c\/span\u003e\u003cspan\u003eTobias Zielony\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Thomas Seelig, Museum Folkwang","offers":[{"title":"Default Title","offer_id":47093242986798,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/5-1_bad29d7a-0bf0-4c6d-a546-f2fcb094c398.png?v=1695592742"},{"product_id":"staging-the-moon-resource-extraction-beyond-earth","title":"Staging the Moon: Resource Extraction Beyond Earth","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom the development of human settlements on the Moon to the mining of asteroids for rare minerals and metals – the wild imaginaries of extraction-driven growth have, quite literally, transcended the boundaries of Earth. This shifting of resource exploitation from the exhausted Earth to its “invisible” hinterland – the Moon, celestial bodies, and ultimately, other planets – calls for an urgent debate on the impact this shift will have on our understanding of land, resources, and commons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eStaging the Moon: Resource Extraction Beyond Earth is a publication of the Luxembourg Pavilion at the 18th International Architecture Exhibition of La Biennale di Venezia. It critically unpacks the space-mining project from the perspective of resources, offering another way of seeing the Moon that goes beyond the current optics of the Anthropocene. Francelle Cane is an architect, researcher, and curator. Armin Linke is an artist working with photography and film. Marija Marić is an architect, researcher, and curator.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e92 pages, 6 black and white + 61 colour illustrations, softcover\u003cbr\u003e\u003cbr\u003eLeipzig May, 2023\u003cbr\u003eISBN: 9783959057424\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 24 cm, Length: 34 cm\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eEditor: Marija Marić, Francelle Cane\u003cbr\u003eDesigner: OK-RM\u003cbr\u003eText: Francelle Cane, Marija Marić\u003cbr\u003ePhotographer: Armin Linke, Ronni Campana\u003c\/span\u003e\u003c\/p\u003e","brand":"Marija Marić, Francelle Cane","offers":[{"title":"Default Title","offer_id":47126979084590,"sku":null,"price":46.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_f6afb491-2654-4abc-85b8-1d7bf0966ae8.png?v=1695783912"},{"product_id":"panoptikum","title":"Panoptikum","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHerbert List was fascinated by the ”artificial humans“—life-size figures moulded in wax—on display at the Panoptikum in Vienna’s Prater. In 1944, he photographed these waxworks, depicting them as “corpses set in position and daubed with make-up—frozen in poses of the utmost intensity, they are inhabitants of a Sleeping Beauty castle.” List took a string of fairytale scenes, historical tableaux, and medical subjects and combined them with a trenchant text to create an illustrated book that is now being published for the first time, more than seventy-five years later, in a bibliophile edition based on List’s original draft. An accompanying volume of commentary places the work in the context of his artistic oeuvre and the history of Präuscher’s Panoptikum in Vienna, where popular scientific interest was mixed in the nineteenth century with a sensationalist fascination for erotica and exotica. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHerbert List (1903 – 1975) emigrated from Germany in 1936 as an artist influenced by surrealism and the New Objectivity. He then took pictures in southern Europe and lived in Athens until the German invasion. After the war, he became increasingly interested in portraiture, reportage, and street photography and worked for the Magnum agency.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e192 pp. with 112 black-white illustrations, thread-sewn hardcover with detachable booklet\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeipzig July, 2022\u003cbr\u003eISBN: 9783959056090\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 25 cm, Length: 29.5 cm\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eEditor: Monika Faber, Andreas Nierhaus, Peer-Olaf Richter\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Herbert List","offers":[{"title":"Default Title","offer_id":47127237951790,"sku":null,"price":68.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_351eb1e6-a3a7-47ba-8887-1a5065be1797.png?v=1695785420"},{"product_id":"elina-birkehag-d-for-daughter","title":"Elina Birkehag: D for Daughter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeep in the woods in Dalarna, Sweden, scattered among stumps and newer-growth trees stand centuries-old Scotch pines – thick, gnarled, and covered with carvings. The messages inscribed in their trunks are from female shepherds who, from the 17th to the early 20th centuries, would leave their villages to live and work together on the fäbod (summer farm) and lead their families’ cattle out to graze. While in the pastures, these young women, many of them teenagers, carved the date, their initials, and notes to each other, leaving the trunks scrawled with a kind of teenage freneticism, a coded language, an assertion of their existence: HERE WE DRAW OUR NAMES. The artist Elina Birkehag went into the forest with her camera and searched for the trees. She photographed the marks the young women had left in the bark. Her book connects us with the female shepherds and enables us to “read” the trees.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith contributions by Amelia Groom \u0026amp; M. Ty, Quinn Latimer, Meg Miller, Jungmyung Lee, Matilda Kenttä \u0026amp; Linnea Rutz, and Jennie Tiderman Österberg.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eElina Birkehag is an artist working with inscriptions in relation to the body, technology, and time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e304 pp., 45 black and white + 112 colour illustrations, softcover\u003cbr\u003e\u003cbr\u003eLeipzig June, 2023\u003cbr\u003eISBN: 9783959057394\u003cbr\u003e\u003cbr\u003eWidth: 17 cm, Length: 24 cm\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eEditor: Elina Birkehag, Laslo Strong\u003cbr\u003eDesigner: Laslo Strong\u003cbr\u003eText: Elina Birkehag\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Elina Birkehag, Laslo Strong","offers":[{"title":"Default Title","offer_id":47128060461358,"sku":null,"price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1-1_e233bd35-6aaa-4e27-a881-ce11a7f735ff.png?v=1695787959"},{"product_id":"clearing-the-depths-the-dream-of-the-reich","title":"Clearing the Depths: The Dream of the Reich","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing on from a number of projects that have drawn on various archive collections of functional photography (police, military, and urban planning archives), Arwed Messmer here turns to his own personal photographic archive. He looks back at the massive upheavals in East Germany and Berlin after the reunification of Germany in 1990. For this project, Messmer uses hitherto unpublished pictures and re-edits existing groups of works, creating new arrangements and new relationships between the different series. Problematic aspects of recent German history are exposed, highlighting the return of nationalist thinking in a reunited Germany. There are also views of the reconstruction of Berlin, with the first images showing the demolition of East Germany’s post-war modernist heritage. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the early 1990s, Arwed Messmer, b. 1964, turned his attention to the changes taking place in Berlin and East Germany, making this a focus of his work as a documentary urban photographer. He has mounted large-scale exhibitions and authored publications on East Berlin in the 1950s, the Berlin Wall, the Stasi archives, and left-wing terrorism in West Germany. Falk Haberkorn, b. 1974 in Berlin, works as an independent artist in Leipzig. Maren Lübbke-Tidow, b. 1968, is an art historian and political scientist. She works as a freelance photography critic, writer, and curator in Berlin.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e163 pp., with folding panels and a booklet, numerous b\/w and color illustrations, thread-bound hardcover with Swiss brochure\u003cbr\u003e\u003cbr\u003eLeipzig July, 2023\u003cbr\u003eISBN: 9783959055727\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 21.5 cm, Length: 33.5 cm\u003cbr\u003eLanguage(s): English, German\u003cbr\u003e\u003cbr\u003eEditor: Arwed Messmer\u003cbr\u003eAuthor: Arwed Messmer, Maren Lübbke-Tidow, Falk Haberkorn\u003cbr\u003eDesigner: Carsten Eisfeld\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Arwed Messmer","offers":[{"title":"Default Title","offer_id":47136457195822,"sku":null,"price":78.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_488cecd8-0510-4ec3-8e4a-ddafaad91677.png?v=1695830874"},{"product_id":"arch-contemporary-feminist-spatial-practices","title":"ARCH+ Contemporary Feminist Spatial Practices","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor decades, the call for equality and equal opportunity has been heard within the hierarchical world of architecture. The number of those actively working for change is growing. Their goal is to turn architecture into an ethically responsible and socially and ecologically sustainable practice. The publication proceeds from the question of how forms of social injustice are entwined on different spatial levels. As its enquiry unfolds, it becomes clear that the fight for gender equality in the built environment must now be linked to other forms of campaigning for social justice (anti-racism, anti-colonialism, the fight against transphobia and homophobia, etc.). As a political medium, architecture can help honour a new pledge of freedom based on a transformative idea of fairness.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eARCH+ is Germany’s leading magazine for discourse in the fields of architecture and urbanism.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e232 pp. ca. 70 b \/ w and 180 colour illustrations, softcover\u003cbr\u003e\u003cbr\u003eLeipzig May, 2023\u003cbr\u003eISBN: 9783959057011\u003cbr\u003e\u003cbr\u003eWidth: 23 cm, Length: 29 cm\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eEditor: ARCH+, Melissa Makele, Anh-Linh Ngo, Torsten Lange, Charlotte Malterre-Barthes, Daniela Ortiz dos Santos, Gabrielle Schaad\u003cbr\u003eDesigner: Meiré und Meiré\u003cbr\u003eText: Beatriz Colomina, Silvia Federici, Afaina de Jong, Lesley Lokko, Kate Macintosh, Jane Rendell, Mabel O. Wilson\u003c\/span\u003e\u003c\/p\u003e","brand":"ARCH+","offers":[{"title":"Default Title","offer_id":47139764535598,"sku":null,"price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_24d53564-3517-4008-b507-4ccf3d5977bf.png?v=1695849404"},{"product_id":"arch-the-great-repair-politics-for-a-society-of-repair-a-reader","title":"ARCH+ The Great Repair: Politics for a Society of Repair— A Reader","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe modern capitalist era, with its emphasis on growth and progress and an economic system based on consumption, wastage, and resources being bled dry, has led to the ruthless exploitation of people and nature. As a counter to this, “The Great Repair” project puts forward the idea of a repair society centred on practices of care, maintenance, and mending\u003cem\u003e. The Great Repair: The Politics of the Repair Society — A Reader\u003c\/em\u003e presents a theoretical introduction to the project, which arose as a\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecollaboration between ARCH+, the Akademie der Künste, Berlin, the Department of Architecture at ETH Zurich, and the Department of Geography and Spatial Planning at the University of Luxembourg. It will be followed in autumn 2023 by an exhibition and event programme at the Akademie der Künste, which will be accompanied by an exhibition catalogue.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eARCH+ is Germany’s leading magazine for discourse in the fields of architecture and urbanism.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e192 pages \u003c\/span\u003e\u003cspan\u003eca. 50 b \/ w- and 90 colour illustrations, \u003c\/span\u003e\u003cspan\u003esoftcover\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLeipzig May, 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959057134\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWidth: 23 cm, \u003c\/span\u003e\u003cspan\u003eLength: 29 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eARCH+, Christian Hiller, Markus Krieger, Alex Nehmer, Anh-Linh Ngo, Florian Hertweck, Milica Topalović, Marija Marić, Nazlı Tümerdem\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eStan Hema\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eText: \u003c\/span\u003e\u003cspan\u003eKader Attia, Jason W. Moore, Sarah Nichols, Raj Patel, Olúfémi O. Táíwò, Paulo Tavares, Oxana Timofeeva\u003c\/span\u003e\u003c\/p\u003e","brand":"ARCH+","offers":[{"title":"Default Title","offer_id":47139880796462,"sku":null,"price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_2773e933-10aa-465c-9029-27c220e5e37b.png?v=1695850275"},{"product_id":"arch-open-for-maintenance","title":"ARCH+ Open for Maintenance","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eOpen for Maintenance\u003c\/em\u003e is published in conjunction with the exhibition of the same name, which is curated by ARCH+ and the SUMMACUMFEMMER BÜRO JULIANE GREB collective and will feature in the German Pavilion at the 18th Venice Architecture Biennale. The project proceeds from the idea that sustainable practice can only be brought about by a major social shift. Architecture that seeks to overcome wastage, consumption, and the profligate use of resources must also prioritize the repair and upkeep of existing buildings, while acknowledging the work involved in this and according it greater value. It should be based on the principle of maintenance and give pride of place to the mundane task of caring for what is.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eARCH+ is Germany’s leading magazine for discourse in the fields of architecture and urbanism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e208 pp. ca. 200 colour illustrations, softcover\u003cbr\u003e\u003cbr\u003eLeipzig May, 2023\u003cbr\u003eISBN: 9783959057035\u003cbr\u003e\u003cbr\u003eWidth: 23 cm, Length: 29 cm\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eEditor: Franziska Gödicke, Christian Hiller, Melissa Makele, Anh-Linh Ngo, Anne Femmer, Juliane Greb, Petter Krag, Florian Summa\u003cbr\u003eDesigner: Stan Hema\u003cbr\u003eText: Marco Baravalle, Rebiennale \/ R3B, Assemblea Sociale per la Casa, Haus der Materialisierung, Kotti \u0026amp; Co, CRCLR House, Bellevue di Monaco\u003c\/span\u003e\u003c\/p\u003e","brand":"ARCH+","offers":[{"title":"Default Title","offer_id":47140002660654,"sku":null,"price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_4ed86e22-6183-4e1a-8343-4c605b5bcc10.png?v=1695850835"},{"product_id":"border-environments","title":"Border Environments","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOver the past fifteen years, the Centre for Research Architecture at Goldsmiths, University of London, has brought together established and emergent scholars who convene to work with each other and share their ideas and insights. These assemblies have produced a space of critical encounter for developing new investigative methods, expanded spatial practices, and speculative propositions designed to respond to and intervene in the urgent political conditions of our time. This new series invites the reader into this ever-evolving pedagogical context. Each book is organized around a specific spatial issue and brings together a heterogeneous range of materials and contributors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first work in the series, \u003cem\u003eBorder Environments\u003c\/em\u003e, explores the entanglement of ecology and migration. It examines the interplay between discriminatory politics, emergent technologies, and bordering practices within the context of (constructed) natures by highlighting a variety of interventions, investigative techniques, visual projects, and modes of witnessing that address the role of both human and more-than-human actors in border struggles. As such, the book is also a provocation that can be used to identify and organize new lines of struggle connecting environmental and mobility justice.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e172 pp.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20 b \/ w- and 100 colour illustrations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ethreadsewn softcover\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLeipzig May, 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959056861\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 16 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLength: 23 cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eRiccardo Badano, Tomas Percival, Susan Schuppli\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eAriadna Serrahima, Diego Bustamante\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Riccardo Badano, Tomas Percival, Susan Schuppli","offers":[{"title":"Default Title","offer_id":47679574475054,"sku":null,"price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_e15ebf73-fea1-4a9f-a46d-7cb39f286ee1.jpg?v=1703095745"},{"product_id":"bildanalytische-photographie-image-analytical-photography-1968-1974","title":"Bildanalytische Photographie Image-Analytical Photography 1968–1974","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTimm Rautert’s Image-Analytical Photography cycle may be considered one of the key photographic works of the 1960s and 1970s. It was produced at a time of radical discourse about the role of art in society. Drawing on the influence of conceptual art, which was still in its infancy at the time, Rautert focused on the conditions surrounding his own creative process, the question of authorship, original and copy, and the role of the viewer. His cycle of works deals with issues that, in view of the technical means photography had at its disposal and its notional claim to depict the world realistically and truthfully, assumed particular importance and urgency—as they still do today, especially given the digital image worlds that we now occupy.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book is published in conjunction with the exhibition Bildanalytische Photographie, 1968 –1974 at the Kupferstich-Kabinett Dresden (1 July to 25 September 2016), where the entire cycle will be presented for the first time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e56 pp.\u003cbr\u003ewith 37 black-white and 10 colour illustrations\u003cbr\u003ethread-sewn softcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeipzig July, 2016\u003cbr\u003eISBN: 9783959051088\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 16 cm\u003cbr\u003eLength: 21 cm\u003cbr\u003e\u003cbr\u003eLanguage(s): English, German\u003cbr\u003e\u003cbr\u003eEditor: Kunstfonds\/Staatliche Kunstsammlungen Dresden, Stephanie Buck\u003cbr\u003e\u003cbr\u003eDesigner: Joachim Bartsch, Timo Grimberg, Toni Schönbuchner, a r c\u003cbr\u003eText: Stephanie Buck, Linda Conze, Rebecca Wilton\u003cbr\u003eArtist: Timm Rautert\u003cbr\u003ePhotographer: Timm Rautert\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"views-field views-field-field-specs\"\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Timm Rautert","offers":[{"title":"Default Title","offer_id":47679806112046,"sku":null,"price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_8fe89dbd-c4a4-412d-9931-daaab98269f6.png?v=1703098062"},{"product_id":"days-of-blood-days-of-fire-reprint-1","title":"Days of Blood, Days of Fire (reprint)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis book—a photographic chronology of the Iranian revolution—covers sixty-four days: from the beginning of the large anti-Shah demonstrations in Tehran on December 10, 1978, to the withdrawal of the Iranian military on February 11, 1979. It captures the joys and uncertainties of the people as they move from the massive Tasu’a and Ashura demonstrations to the joyous celebrations of the Shah’s departure finally to the the revolution’s victory. The book is comprised of 135 photographs by Bahman Jalali, who is best known for his Iran-Iraq war photography, along with sixteen by his wife Rana Javadi, a photographer in her own right, and a handful of others. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eDays of Blood, Days of Fire\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas published in 1979 by Zamineh, the only independent publishing house at that time in Tehran. This book was Zamineh’s first publication and went on to become a best seller twice before losing its publication license. After fourty years Spector Books is publishing\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDays of Blood, Days of Fire\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas a reprint.\u003c\/p\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e120 pp.\u003cbr\u003ewith 153 photographs\u003cbr\u003ethread-sewn paperback\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003eLeipzig\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"date-display-single\" property=\"dc:date\" datatype=\"xsd:dateTime\" content=\"2020-11-01T00:00:00+01:00\"\u003eNovember, 2020\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003eEdition Number: 1\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"field-content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional\"\u003eWidth:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e21.9 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-views-conditional-1\"\u003e\n\u003cspan class=\"views-label views-label-views-conditional-1\"\u003eLength:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003e21.7 cm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"views-label views-label-field-languages\"\u003eLanguage(s):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"field-content\"\u003ePersian, English\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"views-field views-field-field-languages\"\u003e\n\u003cspan class=\"field-content\"\u003e\u003cspan class=\"field-content\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"views-label views-label-field-isbn-validate\"\u003eISBN:\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e9783940064455\u003c\/div\u003e","brand":"Bahman Jalali","offers":[{"title":"Default Title","offer_id":48014106689838,"sku":null,"price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/11_59870dd0-0b56-4cf6-bdb8-3a0062aad98a.png?v=1709089825"},{"product_id":"ape-culture","title":"Ape Culture","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003eApe Culture\u003c\/em\u003e traces the long cultural and scientific obsession with humanity’s closest relatives. In the Western historical representations of modernity, depictions of apes were traditionally used to show the absence of culture. Standing as a liminal figure separating humans and animals, the ape has, since ancient times, played a central role in the narrative of civilisational progress. This book, which appears in conjunction with the exhibition of the same nameseeks, however, to go beyond the mere examination of apes as signifiers of difference. The juxtaposition of artworks with documents taken from popular culture and the history of primatology gives the reader an insight into what the science historian Donna Haraway has termed the “primate order” — a hall of mirrors reflecting the scientific and cultural projections that turned the ape from an instrument of humanity’s self-definition into an integral element in testing out the possibility of reconstructing human “nature”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e220 pp.\u003cbr\u003ewith numerous black\/white and colour illustrations\u003cbr\u003ethread-sewn softcover\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cbr\u003eLeipzig July, 2015\u003cbr\u003eISBN: 9783959050067\u003cbr\u003eEdition Number: 1\u003cbr\u003e\u003cbr\u003eWidth: 18 cm\u003cbr\u003eLength: 25.4 cm\u003cbr\u003e\u003cbr\u003eLanguage(s): English\u003cbr\u003e\u003cbr\u003eEditor: Anselm Franke, Hila Peleg\u003cbr\u003eDesigner: Studio Matthias Görlich\u003cbr\u003eText: Christophe Boesch, Cord Riechelmann\u003c\/span\u003e\u003c\/p\u003e","brand":"Anselm Franke, Hila Peleg","offers":[{"title":"Default Title","offer_id":48022922723630,"sku":null,"price":39.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/a-1.png?v=1709604711"},{"product_id":"re-reading-the-manual-of-travelling-exhibitions-unesco-1953","title":"Re-reading the Manual of Travelling Exhibitions, UNESCO, 1953","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Manual of Travelling Exhibitions published by UNESCO in 1953 is a handbook on organizing touring exhibitions. Aimed at museums and other public institutions, it formulates a “grammar” of how to exhibit, ranging from organizational questions to reflections on exhibition design. From today’s perspective the manual reads like the manifesto of a modernity whose continuity was still unbroken in the immediate post-war period. This extensively annotated reprint of the Manual of Travelling Exhibitions is intended, on the one hand, to contextualize and critically examine the historical source and, on the other, to show different ways of updating it. The contents of the manual share the same importance as the inherent gaps it contains, the book’s design, and the photographic logic of the images.\u003c\/p\u003e\n\u003cp\u003eThe book project was developed within the Department of Exhibition Design and Scenography at the Karlsruhe University of Arts and Design under the direction of Andreas Müller and Aaron Werbick.\u003c\/p\u003e\n\u003cp\u003e247 pp.\u003cbr\u003ereproductions from the original and 20 further illustrations\u003cbr\u003ethread-sewn paperback\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLeipzig November, 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9783959051361\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEdition Number: 1\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWidth: 23.5 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLength: 31 cm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLanguage(s): English\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEditor: \u003c\/span\u003e\u003cspan\u003eAndreas Müller, Lydia Kähny, Sophie Lichtenberg, Aaron Werbick, Maxim Weirich\u003c\/span\u003e\u003cbr\u003eText: Martin Beck, Clémentine Deliss, Kurt Eckert, Jochen Eisenbrand, Rike Franke, Helene Hermann, Lydia Kähny, Tina Köhler, Moritz Küng, Sophie Lichtenberg, Jonathan Maho, Vanessa Joan Müller, Andreas Müller, Jennifer Tobias, Gitte Villesen, Nader Vossoughian, Florian Walzel, Grant Watson, Joanna Weddell, Maxim Weirich, Aaron Werbick\u003cbr\u003e\u003cspan\u003eDesigner: \u003c\/span\u003e\u003cspan\u003eLena Thomaka, Johannes Hucht\u003c\/span\u003e\u003c\/p\u003e","brand":"Andreas Müller, Lydia Kähny, Sophie Lichtenberg, Aaron Werbick, Maxim Weirich","offers":[{"title":"Default Title","offer_id":48023013753134,"sku":null,"price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/00_955d2b27-386f-4cea-9738-143d472f2dd6.png?v=1709187165"}],"url":"https:\/\/3ssstudios.com\/collections\/spector.oembed?page=4","provider":"Bungee Space by 3standardstoppage","version":"1.0","type":"link"}