{"title":"Set Margins'","description":"","products":[{"product_id":"graphic-design-in-the-post-digital-age-1","title":"Graphic Design in the Post-Digital Age","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"publication__description\"\u003e\n\u003cdiv class=\"publication__description\"\u003e\n\u003cdiv class=\"publication__description\"\u003e\n\u003cdiv class=\"publication__description\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cp\u003e\u003cem\u003eGraphic Design in the Post-Digital Age\u003c\/em\u003e examines the challenges and opportunities in the wake of the rapid rise of creative coding within a growing community of designers opting to make their own design tools.\u003c\/p\u003e\n\u003cp\u003eThis comprehensive overview covers educational approaches in design programs and the historic and economic contexts of programming in graphic design, as well as the implications surrounding the integration of coding with design. The book includes over twenty interviews in which major figures in design reflect upon the ways in which coding has innovated and transformed their design practice and strategies, and the directions it will take in the future.\u003c\/p\u003e\n\u003cp\u003eIntroduction text by Demian Conrad, with an essay by Silvio Lorusso, and interviews by Demian Conrad and Rob van Leijsen with Dimitri Jeanottat (CH), Ted Davis (US), Urs Hofer (CH), Jeroen Barendse (NL), Casey Reas (US), Yehwan Song (KR), Luuse \/ Marianne Plano + Léonard Mabille (FR\/BE), Sarah Garcin (FR), Tancrède Ottiger (CH), Jürg Lehni (CH), Loraine Furter (CH), Raphael Bastide (FR), Petr van Blokland (NL), Dinamo \/ Fabian Harb + Fabiola Mejía (CH), Johnson\/Kingston \/ Ivan Weiss + Michael Kryenbühl (CH), Eurostandard \/ Pierrick Brégeon + Ali-Eddine Abdelkhalek (CH), Zach Lieberman (US), Samuel Weidmann (CH), Erik van Blokland (NL), Studio Dumbar \/ Sander Sturing and Stan Haanappel (NL), Émilie Pillet (CH) and Dia Studio \/ Mitch Paone (US).\u003c\/p\u003e\n\u003cp\u003eEditorial and research team: Demian Conrad, Rob van Leijsen, David Héritier, Aviva Cashmira, Nicolas Nova, Anthony Masure, Daniel Sciboz\u003c\/p\u003e\n\u003cp\u003eGraphic Design: Johnson\/Kingston\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__categories\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eType: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDimensions: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e210 × 155 mm \/ 8.27 x6.10 inch (portrait)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePages: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e608\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eISBN: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e978-90-832706-9-2\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLanguage: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRelease date: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e20230317\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBinding: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSewn and glued\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePaper: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eG-Print 90gr. (inside pages) and Maxi Satin 300 gr. (cover)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEdition: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1500\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"publication__details\"\u003e\n\u003cdiv class=\"specs-list\"\u003e\n\u003cdl\u003e\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdl\u003e\u003c\/dl\u003e","brand":"Demian Conrad, Rob van Leijsen, David Héritier","offers":[{"title":"Default Title","offer_id":45467026161966,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_227afd55-17d4-448f-93b0-a59e26a1809d.jpg?v=1686176539"},{"product_id":"copy-of-50-anniversaries","title":"50 anniversaries","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e50-year-olds: they’re hung up in streets, stuck in dull, damp plastic sleeves; they are taped to lampposts, to electricity substations or traffic signs, or they’re attached to trees with drawing pins.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-testid=\"richTextElement\" class=\"KcpHeO tz5f0K comp-l8wyu8fl wixui-text\" id=\"comp-l8wyu8fl\"\u003e\n\u003cp class=\"font_8\"\u003eThis publication explores the typically Dutch tradition of publicly displaying home made photo collages throughout streets and neighborhoods in celebration of a person’s 50th birthday.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eAlmost reminiscent of missing pet posters, amateur portrait photographs are distributed and displayed by being taped onto lamp posts and stapled to trees by friends or relatives, at the mercy of public opinion. Exposed to judgment and ridicule by friends, family and strangers, due to the usually demeaning nature of the photographs through unflattering holiday photos and the likes, individuals are exposed, raised out of anonymity and placed in the public eye.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eTo an extent the street becomes an exhibition space for the non art-oriented person. It’s a document of the democratisation of the public domain, through a tradition which allows artistic expression and experimentation for anyone, under the gaze of a watchful even if disengaged audience.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThe presented collection of posters, possibly a study of non-intentional art under the scrutiny of the public eye, constitutes an archive and an ode to amateur, home made graphic design, made possible through the democratisation of artistic means and software such as word art, paint and clip art. A non-hierarchical demonstration of taste and aesthetic is catapulted into the streets and now gathered in the exhibition space. Perhaps involuntarily, the posters bear a sense of humour and irony to the rest of the on-looking public.\u003c\/p\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eType: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003esoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDimensions: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA4 size \/ 210 x 297 mm \/ 8.3 x 11.7 inches (portrait)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePages: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e100\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eISBN: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e978-90-832706-2-3\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLanguage: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRelease date: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e20220926\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBinding: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003esewn and glued\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFont: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAvenir\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdl\u003e\u003c\/dl\u003e","brand":"Freek Lomme","offers":[{"title":"Default Title","offer_id":45467060175150,"sku":"","price":23.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_50_012-2500x0-c-default.jpg?v=1686177397"},{"product_id":"we-are-all-now-drawing-on-strategic-universalism","title":"We Are All ….. Now - Drawing on Strategic Universalism","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e‘We Are All ….. Now’ is inspired by a rhetorical phenomenon disseminated in the media with the intention of implicating people with an agenda. Sourced and quoted from the ‘We Are All socialists Now’ dating back to 1887 up to ‘We Are All Ukrainians Now’ dated 2022, this project presents a non-exhaustive list and illustrated artist visualizations of this rhetorical device named strategic universalism by artist \/ activist \/ researcher\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/miscprojects.com\/\"\u003eDaniel Tucker\u003c\/a\u003e, presented here along with a new dialogue with the artist\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/danswang.xyz\/about\"\u003eDan S. Wang\u003c\/a\u003e.\u003c\/div\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e \u003c\/div\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-testid=\"richTextElement\" class=\"KcpHeO tz5f0K comp-l8wx3prl wixui-text\" id=\"comp-l8wx3prl\"\u003e\n\u003cp class=\"font_8\"\u003eBecause the original quotations are at times conflicting, this series of hand-drawn responses to each strategically universalist implication draws out a wide range of idiosyncratic symbolic approaches to interpretation – laying bare the struggle of different identities involved in the commitment to stand together.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"padding-left: 30px;\"\u003e“This is a delightful project about the promise and pitfalls of affiliative imaginaries. Daniel Tucker’s wry exploration of all the people and things we’ve claimed to “all be all now” should spark numerous and multifarious conversations!”\u003cbr\u003e–\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Rebecca_Zorach\" target=\"_blank\"\u003eRebecca Zorach\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"padding-left: 30px;\"\u003e“Strategic universalisms is great! Just when I thought it might get corny, it becomes more intense and interesting and goofy and quizzical and spot on and hilarious and all-too-familiar.”\u003cbr\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brian_Holmes\" target=\"_blank\"\u003e–\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Brian_Holmes\" target=\"_blank\"\u003eBrian Holmes\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\" style=\"padding-left: 30px;\"\u003e\u003cspan class=\"wixGuard\"\u003e​\u003c\/span\u003e‮“‬The circle as the framing device they share‭ ‬implies a ground\/tableau‭, ‬and I am the viewer‭, ‬outside‭, ‬above‭, ‬looking in‭… ‬but the subjectivity is very particular‭, ‬there is a strong sense of the mind of‭ ‬the situated artist thinking‭, ‬and at the same‭ ‬time a‭ (‬strategic‭) ‬universal standpoint‭, ‬like an aesthetic  ‘common sense’‬‭, ‬a mutual intelligibility of forms.‬”\u003cbr\u003e–\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/socialsciences.uchicago.edu\/directory\/eric-triantafillou\" target=\"_blank\"\u003eEric Triantafillou\u003c\/a\u003e\u003c\/p\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-testid=\"richTextElement\" class=\"KcpHeO tz5f0K comp-l8wx3prl wixui-text\"\u003eType: Softcover, Swiss bound\u003cbr\u003eDimensions: 170 x 240 mm \/ 6.69 x 9.45 inch (portrait)\u003cbr\u003ePages: 128\u003cbr\u003eISBN:  978-90-832706-4-7\u003cbr\u003eLanguage: English \u003cbr\u003eRelease date: 20221010\u003cbr\u003eBinding: Swiss binding with linen bound, sewn-glued book block \u003cbr\u003ePaper: Munken Print Cream 100 g (inside) and 300 g (cover)\u003cbr\u003eEdition: 500\n\u003cdl\u003e\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Daniel Tucker","offers":[{"title":"Default Title","offer_id":45467117617454,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/0_6d417f39-d4ef-46e5-be06-fa824e0b3aaf.jpg?v=1686178078"},{"product_id":"artist-run-europe-practice-projects-spaces","title":"Artist-Run Europe - Practice\/Projects\/Spaces","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eSince first being published in 2016, this groundbreaking study has become a key text on the subject, a practical tool for those running or wishing to set up artist-run spaces, and a source of research for artists, academics and students, seminars, symposia and publications. This 2nd edition includes an updated and expanded index of artist-run spaces, with the inclusion of 50 additional spaces, and featuring spaces from Ukraine for the first time. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003ePart how-to manual, part history, and part socio-political critique, Artist-Run Europe looks at the conditions, organisational models, and role of artist-led practice within contemporary art and society. The aim is to show how artist-run practice manifests itself, how artist-run spaces are a distinctive and central part of visual art culture, and how they present a complex, heterogeneous, and necessary set of alternatives to the art institution, museum and commercial gallery.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eIn a self-reflexive, critically questioning process, contributions discuss and analyse areas such as: What position do artist-run spaces occupy within the field of contemporary art today? Should they stand in opposition to or in parallel to other art-world structures? How is value ascribed to these often transitory practices, and is this value recognised within the field? How are these spaces organised? Can artist-run spaces develop and be sustained without the need to institutionalise? What do artist-run spaces add to the ecology of the civil society? What can we say about future (or hoped for) trajectories?\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eIncludes texts by Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Gavin Wade, and Katherine Waugh. With case studies of spaces and projects:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.trianglefrance.org\/en\/\" target=\"_blank\"\u003eTriangle\u003c\/a\u003e France, \u003ca href=\"http:\/\/www.transmissiongallery.org\/\" target=\"_blank\"\u003eTransmission\u003c\/a\u003e Gallery, \u003ca href=\"http:\/\/pallasprojects.org\/\" target=\"_blank\"\u003ePallas Projects\/Studios\u003c\/a\u003e, \u003ca href=\"http:\/\/www.eastsideprojects.org\/\" target=\"_blank\"\u003eEastside Projects\u003c\/a\u003e, \u003ca href=\"http:\/\/www.catalystarts.org.uk\/\" target=\"_blank\"\u003eCatalyst Arts\u003c\/a\u003e, \u003ca href=\"http:\/\/pinkcube.no\/\" target=\"_blank\"\u003ePink Cube\u003c\/a\u003e, \u003ca href=\"http:\/\/www.secession.at\/en\/\" target=\"_blank\"\u003eSecession\u003c\/a\u003e, \u003ca href=\"http:\/\/www.dienstgebaeude.ch\/\" target=\"_blank\"\u003eDienstgebaeude\u003c\/a\u003e, \u003ca href=\"http:\/\/www.supermarketartfair.com\/\" target=\"_blank\"\u003eSupermarket\u003c\/a\u003e, \u003ca href=\"http:\/\/126.ie\/\" target=\"_blank\"\u003e126 Artist-led Gallery\u003c\/a\u003e, and The Artist-led Archive; and an expansive and detailed index of artist-run spaces in Europe.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e and an expanded and updated 40-page index of artist-run spaces in Europe.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eSecond Edition researched, edited and produced Pallas Projects, Dublin, funded by The Arts Council of Ireland\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eType: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDimensions: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e165 x 235 mm \/ 6.49 x 9.25 inches portrait\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePages: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e212\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eISBN: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e978-90-832706-6-1\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLanguage: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRelease date: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e20230313\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBinding: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSwiss binding\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mark Cullen, Gavin Murphy","offers":[{"title":"Default Title","offer_id":45468463923502,"sku":"","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_a5c38ac1-01ed-4e34-a97e-18738c293ddf.png?v=1686196139"},{"product_id":"to-live-as-an-asian-woman","title":"To Live As An Asian Woman","description":"\u003cp\u003e‘As an Asian woman, born in Germany and living in Europe since, I have encountered and witnessed racist sexual objectification. Each time I speak up, most people stand in solitary with me, however, some react aggressively; they either scoff or denounce me. Thus, as an Asian female artist, I feel a strong sense of responsibility to address racial discrimination through my work.\u003c\/p\u003e\n\u003cp\u003eThe racist and sexist comments collected in this book are based on what I have actually heard myself. It allows the reader to take account of this very sad, aggressive rejection of the human dignity of Asian woman happening every day.’\u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e– Seulbin Roh\u003c\/p\u003e\n\u003cdiv class=\"accordion__header\"\u003e\n\u003cdiv class=\"accordion__toggle\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\nType: softcover with flaps\u003cbr\u003eDimensions: 37 x 201 mm \/ 5.39 x 7.91 inch (portrait)\u003cbr\u003ePages: 44\u003cbr\u003eISBN: 978-90-833188-1-3\u003cbr\u003eLanguage: English and Korean\u003cbr\u003eRelease date: 20230422\n\n\n\n\n\n\n\n","brand":"Seulbin Roh","offers":[{"title":"Default Title","offer_id":45468556919086,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_12edcbd3-cc25-4757-9409-0560587aab2d.jpg?v=1686196526"},{"product_id":"who-can-afford-to-be-critical-an-inquiry-into-what-we-can-t-do-alone-as-designers-and-into-what-we-might-be-able-to-do-together-as-people","title":"Who can afford to be critical? - An inquiry into what we can’t do alone, as designers, and into what we might be able to do together, as people","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e‘Critical Designers’ produced by an increasing number of design schools are prompted to address social, political and environmental issues through their practices. Yet, who can afford to continue such effort after graduation?\u003c\/p\u003e\n\u003cp\u003eIn a dynamic style holding multiple voices, \u003ca href=\"https:\/\/whocanafford.cargo.site\/\" target=\"_blank\"\u003eWho Can Afford To Be Critical?\u003c\/a\u003e discusses the limits that affordability, class and labour impose upon the educational promise of holding a ‘critical’ practice. Why do we tend to ignore the material and socioeconomic constraints that bind us as designers, claiming instead that we can be powerful agents of change? In fact, where does our agency lie?\u003c\/p\u003e\n\u003cp\u003eInstead of focusing on the dream of ethical work under capitalism, could we, instead, focus first on designers’ own working conditions, targeting them as one immediate site for collective action? And can we engage politically with the world not necessarily as designers, but as workers, as activists, as citizens?\u003c\/p\u003e\nType: softcover\u003cbr\u003eDimensions: 148 x 210 mm \/ 5.82 x 8.26 inches (portrait)\u003cbr\u003ePages: 92\u003cbr\u003eISBN: 978-90-832706-3-0\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20221017\u003cbr\u003eBinding: sewn\/glued\u003cbr\u003ePaper: Multiboard Offsett \/ recycled 400 g and Perigraphica Natural Rough 90 g\u003cbr\u003eEdition: 1500\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Afonso Matos","offers":[{"title":"Default Title","offer_id":45468624552238,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_f9bdfc15-389a-4068-acea-36d889942641.jpg?v=1686197398"},{"product_id":"virophilia-the-2070-revised-edition-of-the-postnatural-cookbook","title":"Virophilia: The 2070 revised edition of the Postnatural Cookbook","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSince 2055, viruses have become an important part of our everyday food culture. Those born before 2015 may still remember the fear of the natural order that coronavirus has brought us, but now we know such fear is also irresistibly tasty. Viruses that were once exclusive to research and medical purposes are now constitutive to our natural habitat, and the care we can bring to ourselves.\u003c\/p\u003e\n\u003cp\u003eThis is the first cookbook for viruses of its kind, with recipes people could have already enjoyed many decades ago. It is an illustrated guide that showcases how the everchanging ingredients keep on sparking our taste.\u003c\/p\u003e\n\u003cp\u003e2055年以降，病毒成為日常飲食的一部份。在2015年前出生的世代也許還記得冠狀病毒引發對於自然規律之「病」的恐懼，而我們現在知道這恐懼也同時能創造無比的美味。曾經只在研究與醫療領域被討論的病毒，現已成為人類自然生存環境中不可或缺的一環。\u003c\/p\u003e\n\u003cp\u003e這是史上第一本病毒食譜。本書收錄許多人們本在幾世紀前就可能發展出、卻直至今日才廣泛流傳的菜色，記載著各種食材的流變如何在舌尖上激發出新的創意。\u003c\/p\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eType: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003esoftcover\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDimensions: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; 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font-size: 0.875rem;\"\u003eFreek Lomme\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eProofreader: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAlexandra Fraser, Chia-Wei Hsu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEditorial advisor: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFreek Lomme\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePhotography of the book: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eAnnette Behrens\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMade possible thanks to \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCultuur Eindhoven, Pei-Ying Lin\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdl\u003e\u003c\/dl\u003e","brand":"Pei-Ying Lin \/ 林沛瑩","offers":[{"title":"Default Title","offer_id":47680119439662,"sku":null,"price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_Virophilia_08-2500x0-c-default.jpg?v=1703102838"},{"product_id":"provocations-on-media-architecture","title":"Provocations on Media Architecture","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eMedia architecture, the field where media and public space meet, bring up urgent topics today:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHow does media architecture distribute suspicion and trust?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat is a collage of media architecture?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHow is media architecture vectored?\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHow can media architecture address privilege?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThese questions -or more broadly, conceptual provocations- aim to challenge the binary of techno-optimism and technological agoraphobia, offering a platform upon which to construct new, critically- and contextually rooted theories upon which media architecture might grab hold.\u003c\/p\u003e\n\u003cp\u003eIntentionally open-ended and dialogical, \u003cem\u003eProvocations on Media Architecture\u003c\/em\u003e brings together twenty-one thought leaders across architecture, visual arts, design, curation, academia, and public policy to address these ideas and themes. Authors respond with images and brief texts, incorporating the perspective of their own creative and scholarly practice. Entries range from descriptions of relevant artworks and design projects to reflections spawned from first-person encounters with media architecture in situ to scholarly analyses to AI-assisted theory. These themselves transfigure into a set of provocations, supplanting the original questions which inspired their construction, through which to encourage further theory and practice. 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With hair, earrings, scrunchies, wall plugs and gallery walls, the series talks about the feminine as a commercially constructed value, as well as the normative female body and its role in (art) history.\u003c\/p\u003e\n\u003cp\u003eAlongside the series of sculptures Doris Boerman presents three accompanying texts especially written for this publication: Fashion researcher Femke de Vries wrote an essay about self-design as a mass cultural practice, celebrities as designed surfaces and strategies of disclosure to restore trust in this ‘unreal’ system. The poem by lesbian artist, LGBTQIA+ activist and poet Joëlle Sambi compares the black woman’s skull to a battlefield on which normative and repressive standards are a constant battle to fight against whilst remaining proud and strong. Finally, the essay by visual artist and writer Timmy van Zoelen stages a dance around Doris’ sculptures by way of the curvature of her spinal column; taking the backbone for a spin in a series of playful references. These contributions respond to the series of sculptures with a wide range of topics and create a relevant network for further deliberation.\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 135 x 200 mm\/ 5.31 x 7,87 inch portrait\u003cbr\u003ePages: 72 pages (24 pp leporello, 48 pp text)\u003cbr\u003eISBN: 978-90-833501-1-0\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20231125\u003cbr\u003eBinding: Leporello\u003cbr\u003ePaper: Sirio Pearl Platinum 300 g\/m2 (cover), ups sol mat 80 g\/m2 (booklet), magno gloss 150 g\/m2 (leoprello)\u003cbr\u003eEdition: 800\u003cbr\u003eColor: leporello: full color (4\/4) text: BW + 1 PMS (2\/2) cover: 1 PMS (1\/1)\u003cbr\u003ePrinter :Gráfica Maiadouro, Maia (PT)\u003cbr\u003eFont: Area, Clementie, Alienor Display\u003cbr\u003eDetails: Leporello with spine containing a 48 pp. booklet and a 24 pp. leporello. Embossed front cover.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-testid=\"richTextElement\" class=\"KcpHeO tz5f0K comp-l8wx3prl wixui-text\"\u003e\n\u003cdl\u003e\u003c\/dl\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Doris Boerman","offers":[{"title":"Default Title","offer_id":48616730755374,"sku":null,"price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/ABE_1.jpg?v=1714758669"},{"product_id":"f̶a̶i̶r̶-kin-arts-almanac","title":"F̶a̶i̶r̶ Kin Arts Almanac","description":"\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan class=\"\"\u003eThis Almanac \u003c\/span\u003eis circling around an essential working field of our society – the field of the arts. \u003cspan class=\"\"\u003eMobilizing and voicing current issues from within the arts field to foster connectivity and relational perspectives of kin, this book addresses \u003c\/span\u003eecology, parenthood, the need to rest in a life that never stops, the urgency for space and infrastructure for artists, redistribution of resources, accessibility of the sector, artistic involvement in politics and much more.\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"\" lang=\"en-US\"\u003eIncluding the voices of more than 130 artists, writers, and activists spinning their thoughts and experiences into 12 chapters around a year, this almanac is a workbook for everyone concerned with making the arts a driving force for a better society.\u003c\/p\u003e\n\u003cp class=\"\" lang=\"en-US\"\u003eType: Wire-O, softcover wrap\u003cbr\u003eDimensions: 155 x 210 mm \/ 6.1 x 8.26 inches (portrait)\u003cbr\u003ePages: 392\u003cbr\u003eISBN: 978-90-833501-4-1\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20231016\u003cbr\u003eBinding: Wire-o\u003cbr\u003eEdition: 800\u003cbr\u003eColor: 4\/4\u003cbr\u003eFont: Adelphe, AmiamieRound, Crickx, DINdong, Fraunces, Latin Modern, STIXTwo Text, TGL 0-16\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Justine Maxelon, Kobe Matthys, Nicolas Galaezzi","offers":[{"title":"Default Title","offer_id":48616990376238,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/2_d19eb111-8f33-4c71-971e-7d7b0abab26a.jpg?v=1714759871"},{"product_id":"diagrams-of-power-1","title":"Diagrams of Power","description":"\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eWe draw diagrams to help us think, communicate and put forth what we think is important or what we want to be true. While some diagrams are seen as statements of fact, they can also further agendas by discounting other realities beneath a cloak of perceived objectivity. Diagrams of power work against representations that claim omniscience by speaking from a position, and making visible what and who gets represented and who does the representing. They also make us consider how we create and maintain relations between producers and receivers of particular forms of knowledge.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDiagrams of Power: Visualizing, Mapping, and Performing Resistance\u003c\/em\u003e, brings together the work of designers, artists, cartographers, geographers, researchers and activists who create diagrams to tell inconvenient stories that upset and resist the status quo.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEdited by Patricio Dávila. Words and works by Joshua Akers, Burak Arikan, Josh Begley, Joseph Beuys, Alexis Bhagat, Vincent Brown, Bureau d’Études, Teddy Cruz, Department of Unusual Certainties, Peter Hall, Alex Hill, W.E.B. DuBois, Patricio Dávila, Catherine D’Ignazio, Forensic Architecture, Fonna Forman, Terra Graziani, Iconoclasistas, Lucas LaRochelle, Eliana MacDonald, Julie Mehretu, Lize Mogel, Ogimaa Mikana, Margaret Pearce, Laura Poitras, Philippe Rekacewicz, Sheila Sampath, and Visualizing Impact.\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 170 x 240 mm \/6.75” x 9.5” inches (portrait)\u003cbr\u003ePages: 312\u003cbr\u003eISBN: 978-90-833501-9-6\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20230206\u003cbr\u003eBinding: sewn and glued\u003cbr\u003ePaper: Serixo 90 grams (inside) and 300 grams (cover)\u003cbr\u003eEdition: 1000\u003cbr\u003eColor: 4\/4\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003cbr\u003eFont: Suisse Works, Atlas Grotesk, Garamond Premier Pro\u003cbr\u003eImage specs: 58 images black \/ white, 382 in Full color\u003cbr\u003eDetails: black foil details on the cover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Patricio Dávila","offers":[{"title":"Default Title","offer_id":48617024880942,"sku":null,"price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_DiagramsofPower_031-2500x0-c-default.jpg?v=1713979548"},{"product_id":"design-against-design","title":"Design Against Design","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cp\u003e\u003cem\u003eDesign Against Design\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eargues for the urgent necessity of critical engagement and political resistance through graphic practice. It draws on insights from the practice of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/lokidesign.net\/\"\u003eLOKI\u003c\/a\u003e, a small graphic design studio committed to working with social movements towards radical political change. With con­versational interviews, personal and critical essays, and a wide-ranging selection of graphic works, this book unravels the real-world relationships, motivations and contradictions involved in a socially engaged design practice.\u003c\/p\u003e\n\u003cp\u003eBoth a passionate indictment of the discipline of graphic design, and a utopian love letter to its radical potential, Kevin Yuen Kit Lo’s collection of almost confessional, candid essays challenge the status quo of design writing. \u003cem\u003eDesign Against Design\u003c\/em\u003e demands that we think more intimately about the politics of visual culture under contemporary capitalism and, importantly, how we can act against it.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesign Against Design\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis organized around four key themes: Critique presents a political-economic analysis of graphic design in relationship to capitalism and considers practical ways to resist it. Practice looks critically at how designers work towards (and sometimes against) social change within both a professional studio context and alongside social movements. Materiality focuses on the craft of graphic design; on language and typography, legibility, and illegibility, on the acts of speaking and making. Autonomy considers the emotional and relational aspects of graphic design, understanding that interdependence is intricately bound to any possibility for self-determination within and beyond design.\u003c\/p\u003e\n\u003cp\u003eFeaturing interviews with Philippe and Nancy Vermes, Sandy Kaltenborn, Kaie Kellough, Chadi Marouf and Sabine Friesinger, Sarah Auches, and Jenn Clamen.\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e“In what is perhaps the most radical graphic design book of the the last years, Lo weaves the personal and political in this collection of stories showing the usefulness of design in everyday struggles. There is none of the design saviour talk we hear all too often. These are words of action.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e– Ruben Pater, author of the Politics of Design and Caps Lock\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e“This collection of essays, historical reviews, and interviews takes on the myriad critical issues involved in making design that purports to “do good.” Noting all kinds of traps, from “do-goodism” that does nothing to change the dominant order, to the continuous commodification of activist stances in a late-capitalist society, to the “named enemies” of White Supremacy, performative allyship, and historical erasure, the book alternately discusses capital, labor, and meaning without retreating into a comfortable ivory tower and closing the shades. Rather than relying on the dogma of one “ism” or another, the book is personal: The anger pulsing just under the text is clearly Kevin’s own.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e– Natalia Ilyin, author of Chasing the Perfect and Writing for the Design Mind\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e‘There are many ways that Design Against Design plays the fraught relationship between radical political commitments and graphic design. The notes range from “sad-but-true” to earnest joy in craft, and from glaring indictment to ecstatic experimentation. The book works through graphic design’s own contestability and wrestles with its capacity for antagonism, to confront us with the fact that despite what our teachers and bosses have told us, there is yet something profound to struggle with, and yet something that urgently needs to be said in design. For many of the book’s likely readers, especially the designers, Kevin’s book furnishes us with words and pictures and poems and collages and fonts and pantone swatches—as, yes—forms that enable a mutual recognition of shared struggles and feelings, and to find, as André Breton proposes, our comrades.’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e— Chris Lee, author of Immutable: Designing History\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 159 x 222 mm \/ 6.25 x 8.75 inches (portrait)\u003cbr\u003ePages: 280\u003cbr\u003eISBN: 978-90-833188-0-6\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20240129\u003cbr\u003eBinding: Sewn and glued\u003cbr\u003ePaper: Boheme Tradition 320 gr. cover + Olin Design regular nordic white 90 grams inside\u003cbr\u003eEdition: 2000\u003cbr\u003eColor: black + silver cover, inside black\u003cbr\u003ePrinter: Printon, Tallin (Est)\u003cbr\u003eFont: Gramatika by Roman Gornitsky, The Temporary State and Stanley by Ludovic Balland, Optimo\u003cbr\u003eImage specs: 277 b\/w images\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kevin Yuen Kit Lo","offers":[{"title":"Default Title","offer_id":48617066627374,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SETMARGINS_DesignAgainstDesign_071-2500x0-c-default.jpg?v=1714764454"},{"product_id":"i-shivered-violently-don-t-be-startled-in-the-night","title":"I Shivered Violently \/ Don’t be Startled in the Night...","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eBy way of gathers and gaps, leaps and snaps, this publication presents two networked essays that, between them, attempt to bring into view the poetics and possibilities of (dis)order, (il)legibility and (dis)orientation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI Shivered Violently \/ Don’t Be Startled in the Night…\u003c\/em\u003e approaches the renowned dynamic ordering and continual inventory of the Sitterwerk Foundation Kunstbibliothek (CH) as a site and a system of intrigue. In particular, these essays track the intent of a bespoke machine, fitted with an RFID scanner, that reads the shelves of the library at the end of the day. Visitors return items to the stacks at random and so, at night, an up-to-date record — and map — of the collection is created.\u003c\/p\u003e\n\u003cp\u003eThe behaviour of magnets, prompted by their role in the library’s technology used in the library, guides the attention of this publication, and is the subject of the written essay by Bryony Quinn. The visual essay, by Paul Bailey, which arranges material harvested from the Sitterwerk collection and beyond, deals with the conditions and manipulations of seeing with, and through, machines.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003eThis publication is an A4-size folder with 5 mm spine, which includes 6 A2-size posters folded to A4.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Loose-leaf, in a folder\u003cbr\u003eDimensions: A4 (210 x 297 mm \/ 8.3 x 11.7 inch)\u003cbr\u003ePages: 24pp, 6 posters, front and back\u003cbr\u003eISBN: 978-90-834041-2-7\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20240324\u003cbr\u003eBinding: Folder with inserts\u003cbr\u003ePaper: Postcard glossy (folder) and macro design mat light (posters)\u003cbr\u003eEdition: 250\u003cbr\u003eColor: full collor\u003cbr\u003ePrinter: Zwartopwit, Herenthout (BE)\u003cbr\u003eFont: DINdong designed by Clara Sambot, licensed by ByeByeBinary\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Bryony Quinn, Paul Bailey","offers":[{"title":"Default Title","offer_id":48617093464366,"sku":null,"price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/0.jpg?v=1714765298"},{"product_id":"slander-an-autotheory-of-six-malayan-films","title":"Slander! an autotheory of six malayan films","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp\u003e\u003cem\u003eWhy did we not explore the Malay world that we formerly inhabited? How did Malaya’s flourishing cinema of the 1950-60’s, a Southeast Asian counterpart of Hollywood, fade into oblivion? \u003cbr\u003e\u003c\/em\u003e\u003cem\u003ePerhaps this happened by the slander of imagination brought upon ourselves, being in constant demand to construct, upgrade, reclaim and renew. The increased silence of the past rests upon a culture that becomes complicit with silence. It presses, yet probes like a burden, partially self-imposed through the everyday.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"Basisalinea\"\u003e\u003cspan lang=\"EN-US\"\u003eThis book is a study of six films made between 1958–1963 in pre-independence Singapore, as told through the fictional persona of Remy Shah. In his story, Shah applies characteristics of both fiction and theoretical essays, along timestamps and still images of film sequences. It is a book of autotheory; a kind of meta-novel which is at once a diary, a thesis, and a meditation. The artist novel addresses how we perceive both images in films through the lens of time, and coloniality and history through the lens of film.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eBelieving in the capacity of art to dynamically narrate points and connections, artist Jeremy Sharma–using the pseudonym Remy Shah–samples history by means of film, painting, writing, philosophy and more, while intertwining them with cultural and personal positions that are contemporaneous with socio-economic topics and matters of affection, both pressing and beautiful. In revitalizing screenshots from past films, he poetically sutures fragments of an archive to become an assemblage that continuously resists identification. As fact, fiction, notes and anecdotes, the information age finds historical, cultural, and personal resonances in the present.\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 150 x 228 mm \/ 5.9 x 9 inches portrait\u003cbr\u003ePages: 360\u003cbr\u003eISBN: 978-90-834041-3-4\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20240422\u003cbr\u003eBinding: book block with dust-jacket\u003cbr\u003ePaper: Alaska White GC1 200gsm (cover), Curious Translucent Clear 150gsm (dust jacket), Sora Press Cream 70gsm (inside)\u003cbr\u003eEdition: 1000\u003cbr\u003eColor: Black + 1 PMS\u003cbr\u003ePrinter: UAB Petro ofsetas, Vilnius, LT\u003cbr\u003eFont: Arial, Delvon Black, Minion Pro, Rakesly\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Remy Shah \/ Jeremy Sharma","offers":[{"title":"Default Title","offer_id":49678761591086,"sku":null,"price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_b6923627-4cbd-4108-ae2e-28cc189511f5.png?v=1734583554"},{"product_id":"a-bestiary-of-the-anthropocene-1","title":"A Bestiary of the Anthropocene","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp\u003eEqually inspired by medieval bestiaries and observations of our damaged planet, \u003cem\u003eA Bestiary of the Anthropocene\u003c\/em\u003e is a compilation of hybrid creatures of our time. Designed as a field handbook, it aims at helping us observe, navigate, and orientate into the increasingly artificial fabric of the world.\u003c\/p\u003e\n\u003cp\u003ePlastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, Sars-Covid-2, decapitated mountains, drone-fighting eagles, standardised bananas… each of these specimens are symptomatic of the rapidly transforming “post-natural” era we live in. Often without us even noticing them, these creatures exponentially spread and co-exist with us.\u003cbr class=\"\"\u003e\u003cbr class=\"\"\u003e\u003cem\u003eA Bestiary of the Anthropocene\u003c\/em\u003e seeks to capture this precise moment when the biosphere and technosphere merge and mesh into one new hybrid body. What happens when technologies and their unintended consequences become so ubiquitous that it is difficult to define what is “natural” or not? What does it mean to live in a hybrid environment made of organic and synthetic matter? What new specimens are currently populating our planet at the beginning of the 21st century?\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEdited and introduced by Nicolas Nova \u0026amp; DISNOVATION.ORG, with texts by Geoffrey C. Bowker, Alexandre Monnin, Pauline Briand, Benjamin Bratton, Michel Lussault, Pierre-Olivier Dittmar, The Center for Genomic Gastronomy, Anna Lowenhaupt Tsing, Matthieu Duperrex, and Aliens in Green. Featuring illustrations by Maria Roszkowska (DISNOVATION.ORG).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eType: Softcover\u003cbr\u003eDimensions: 118 x 167 mm \/ 4.65 x 6.57 inch (portrait)\u003cbr\u003ePages: 256\u003cbr\u003eISBN: 978-90-834041-8-9\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20230424\u003cbr\u003eBinding: sewn-glued\u003cbr\u003ePaper: Genesis Black (cover 270 grams, inside 120 grams)\u003cbr\u003eEdition: 2500\u003cbr\u003eColor: metallic silver on black\u003cbr\u003ePrinter: Booxs, Almkerk (NL)\u003cbr\u003eImage specs: 90 duotone (silver on black) illustrations\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Maria Roszkowska, Nicolas Nova, Nicolas Maigret","offers":[{"title":"Default Title","offer_id":49788294103342,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_2125e85b-5b9a-4d15-94aa-fe4857b15840.png?v=1734584160"},{"product_id":"designerly-ways-of-knowing-1","title":"Designerly Ways of Knowing","description":"\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"publication__description\"\u003e\n\u003cp\u003ea working inventory of things a designer should know\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign thinking has created divisions in the discipline: either designers are too theory driven or simply practitioners. Those feeling lost can easily turn to a language meant to inspire creative production in easy to pitch ways, where rhetoric uses design to keep power at bay, to celebrate hegemonic beliefs which are used to indoctrinate designers in bad education, incapable of imagining different futures. If you take away the post-its, the A3 papers and the markers, can designers think?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLed by Antonio Gramsci’s advice that knowing thyself requires compiling an inventory, design critic, educator and researcher Danah Abdulla pays tribute to the late architect, activist and critic Michael Sorkin, whose original list “Two Hundred and Fifty Things an Architect Should Know” inspired this updated version targeted at designers. The iterative list is not meant to be a definitive how to guide, but to spark conversations, to prompt critical thinking and to help designers reconfigure their discipline. This is a guidebook slash notebook of things designers should think about in order for them to know.\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 110 mm x 175 mm \/ 4.33 x 9.88 inch portrait\u003cbr\u003ePages: 64\u003cbr\u003eISBN: 978-90-834498-8-3\u003cbr\u003eLanguage: English\u003cbr\u003eBinding: glued\u003cbr\u003eFont: Jane (Monkey Type)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEditor: Danah Abdulla\u003cbr\u003eAuthor: Danah Abdulla\u003cbr\u003eGraphic design: Rob van Leijsen, Sonia Dominguez\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Danah Abdulla","offers":[{"title":"Default Title","offer_id":49793100513582,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_797c7793-3585-4d76-a814-5a16c6145187.png?v=1738526910"},{"product_id":"what-design-can-t-do-essays-on-design-and-disillusion-3","title":"What Design Can’t Do: Essays on Design and Disillusion","description":"\u003cp\u003eDesign is broken. Young and not-so-young designers are becoming increasingly aware of this. Many feel impotent: they were told they had the tools to make the world a better place, but instead the world takes its toll on them. Beyond a haze of hype and bold claims lies a barren land of self-doubt and impostor syndrome. Although these ‘feels’ might be the Millennial norm, design culture reinforces them. In conferences we learn that “with great power comes great responsibility” but, when it comes to real-life clients, all they ask is to “make the logo bigger.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"colour\"\u003e\u003cspan class=\"font\"\u003e\u003cspan class=\"size\"\u003eThis book probes the disillusionment that permeates design. It tackles the deskilling effects provoked by digital semi-automation, the instances of ornamental politics fashioned to please the museum-educational complex, the nebulous promises of design schools. While reviving historical expressions of disenchantment, Silvio Lorusso examines present-day memes and social media rants. To depict this disheartening crisis, he crafts a new critical vocabulary for readers to build upon. What this exposé reveals is both worrying and refreshing: rather than producing a meaningful order, design might be just about inhabiting chaos.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"colour\"\u003e\u003cspan class=\"font\"\u003e\u003cspan class=\"size\"\u003eWhat was once a promising field rooted in problem-solving has become a problem in itself. The skill set of designers appears shaky and insubstantial – their expertise is received with indifference, their know-how is trivialised by online services, their work is compromised by a series of unruly external factors. If you see yourself as a designer without qualities; if you feel cheated, disappointed or betrayed by design, this book is for you.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"colour\"\u003e\u003cspan class=\"font\"\u003e\u003cspan class=\"size\"\u003eType: softcover\u003cbr\u003eDimensions: 130 x 200 mm \/ 5.11 x 7.87 inch (portrait)\u003cbr\u003ePages: 352\u003cbr\u003eISBN: 978-90-833501-3-4\u003cbr\u003eLanguage: English\u003cbr\u003eBinding: sewn and glued\u003cbr\u003ePaper: Holmen book cream 80gr, Munken print white 300gr\u003cbr\u003eEdition: 4000\u003cbr\u003eColorCover: Bright Red U, 012 U (yellow), Black. Inside black.\u003cbr\u003ePrinter: Balto, Vilnius (LT)\u003cbr\u003eFont: HAL Timezone\u003cbr\u003eImage specs: 75 black\/white images\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Silvio Lorusso","offers":[{"title":"Default Title","offer_id":50768247488814,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/01.png?v=1712277869"},{"product_id":"to-hold-your-heart-in-your-teeth-women-s-work-1","title":"To Hold Your Heart in Your Teeth, Women’s Work","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003e\u003ci\u003eTo Hold Your Heart In Your Teeth\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a Romanian proverb that means to brave forward despite fear.\u003c\/p\u003e\n\u003cp\u003eMade by generations of women, the folk garment of the Romanian blouse secured its language through times of fierce changes. This book is a cultural-historical biography of the blouse, from Neolithic beginnings in northeastern Romania and western Ukraine, through the period of folk revival, the communist era, and the post-communist immigration out of the region.\u003c\/p\u003e\n\u003cp\u003eWeaving personal narrative with this historical research, Simona Bortiș-Schultz, author and designer of this book, is a New York-based child of this immigration.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTo Hold Your Heart In Your Teeth\u003c\/i\u003e is an homage as it stands in solidarity with generations of resilient women, writing out the design qualities of this feminine fortitude, and the charm of the garment they made to survive.\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 159 mm x 235 mm \/ 6,22 x 9,21 inch (portrait)\u003cbr\u003ePages: 214\u003cbr\u003eISBN: 978-90-833501-6-5\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20231127\u003cbr\u003eBinding: Swiss bound\u003cbr\u003ePaper: Cordenons So Wool White Merinos 250 gr. (cover) and Munken Print White 18 90 gr. (inside)\u003cbr\u003eEdition: 1250\u003cbr\u003eColor: 5\/5 cmyk + pms 485\u003cbr\u003ePrinter: Printon, Tallin (EST)\u003cbr\u003eFont: Museo Sans and MachoModular\u003cbr\u003eImage specs: 58 Full color images, 17 black\/white images\u003cbr\u003eDetails: Swiss bound, sewn and glued book block, red yarn, loosely coming out of glue, flap on front cover, 1\/0 debossing on front cover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Simona Bortis-Schultz","offers":[{"title":"Default Title","offer_id":50768293134638,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_ToHoldYourheart_044-2500x0-c-default.jpg?v=1714763935"},{"product_id":"the-upside-down-museum-practice-based-institutional-critique-working-up-from-the-actual-museum-floor","title":"the upside-down museum: practice-based institutional critique, working up from the actual museum floor","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp dir=\"ltr\"\u003eIn defiant response to the mechanisms, habits, and status of the museum, artist Aldo Giannotti’s concepts and props, initially conceived in sketchbooks, transform into tangible institutional realities, reshaping the museum’s social and spatial architecture and sometimes literally breaking its walls. This realignment establishes accountability, on the spot and without holding back, to meet real needs.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis is a practice-based institutional critique based in ongoing, in-person practice, working up from the actual floor. Through dialogue with the museum staff, guards, and visitors, Giannotti develops an inclusive engagement with the institution and its underlying purpose.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe book surveys numerous cases and obstacles that threaten the sustainability of long-standing habits in museology. It emphasizes working on the ground rather than from office spaces, focusing on accountability in the very spaces where the museum functions. It presents a challenge to the art world, offers insight to those who passively endorse the existing order of public art, and serves as a mediator between current art workers and outdated art systems.\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003ci\u003e“This book arrives at a critical moment when museums, their traditional systems, structures, codes, and how they value their greatest assets –the people who work within and the people who visit them–demand critical reflection and expansive reimagining, practically and conceptually in radically changing times.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003eWendy Woon,\u003cbr\u003eartist, NYU Visual Arts Administration faculty member, and former education director at The MoMA, New York; the MCA Chicago; and Art Gallery of Hamilton.\u003ci\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003ci\u003e“Aldo Giannotti is a subversive artist disguised as a draftsman. He uses humor (drawing \u0026amp; performance) as a wake up call.\u003cspan class=\"Apple-converted-space\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003eWake up!”\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003eDan Perjovschi,\u003cbr\u003eartist, writer, cartoonist\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eType: hardcover\u003cbr\u003eDimensions: 170 x 210 mm \/ 6.69 x 8.28 inches (portrait)\u003cbr\u003ePages: 160\u003cbr\u003eISBN: 978-90-833501-7-2\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20231221\u003cbr\u003eBinding: flexibinding\u003cbr\u003ePaper: Lessebo Zero Offset\u003cbr\u003eEdition: 1750\u003cbr\u003eColor: black + pms 2995U\u003cbr\u003ePrinter: Platform P, Rotterdam (NL)\u003cbr\u003eFont: Inclusive Sans by Olivia King\u003cbr\u003eImage specs: 110 b\/w images\u003cbr\u003eDetails: rounded corners of the cover, soft-touch varnish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aldo Giannotti, Andrea Steves, Freek Lomme","offers":[{"title":"Default Title","offer_id":50768303685934,"sku":null,"price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_TheUpsideDownMuseum_125-1000x0-c-default.jpg?v=1714762645"},{"product_id":"steve-a-framework-for-ai-and-identity-design-2","title":"Steve: A Framework for AI and Identity Design","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp\u003eThis book maps out what AI brings to graphic design, and to identity design in particular. It offers support to designers seeking practical advice, ethical frameworks and more.\u003c\/p\u003e\n\u003cp\u003eA visual identity is made up of visual elements that, together, create an atmosphere around a client, reflecting its values and views of the world and society. This book investigates the working processes of visual identity projects, and their augmentation through machine learning. Through a deep focus on the creative process, it proposes how to integrate the designer’s perspective in the development of new digital tools, resulting in the playfully named conceptual framework, Steve.\u003c\/p\u003e\n\u003cp\u003eThe book reveals fruitful ways to augment identity design through machine learning, demonstrating that designers do not need to be replaced by automation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBased on interviews with Studio FM, Serious Business, Off Office, Kellenberg-White, Studio Temp, Zaina, Post Noviki, Parco Studio, Studio Mucca, Studio Dumbar, Base Design, Aktiva, Left Loft, e-Types, Bld Studio, Pentagram Hudson Powell, Field Systems, London, Leslie David, Other Means and Roosje Klap.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 125 x 210 mm \/ 4.92'' x 8.26'' inch (portrait)\u003cbr\u003ePages: 330\u003cbr\u003eISBN: 978-90-834041-7-2\u003cbr\u003eLanguage: English\u003cbr\u003eBinding: Sewn and glued\u003cbr\u003ePaper: Munken Polar Rough (90grams inside, 300 grams cover)\u003cbr\u003eColor: Starling\u003cbr\u003ePrinter: Balto Print UAB, Vilnius (LT)\u003cbr\u003eImage specs: 11 full color, 3 black\/white, 10 duotone\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Melani De Luca","offers":[{"title":"Default Title","offer_id":50768311812398,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_367a8b75-1adf-4425-a627-be28a51d8b31.png?v=1734563637"},{"product_id":"war-with-myself-1","title":"War with Myself: Essays on Design, Culture \u0026 Violence","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cp\u003eWAR WITH MYSELF is a wide-ranging collection of essays spanning design, authenticity, Empire, decolonization, and history. Hot on the heels of his books The Impossibility of Silence: Writing for Designers, Artists \u0026amp; Photographers and The Failed Painter (or Unchained by Material Anxiety), designer, writer and teacher Ian Lynam’s latest body of work is an urgent and impassioned examination of the contemporary condition.\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e\u003cspan\u003e“Joyfully and skillfully straddling the line between creator and critic, theorist and practitioner, formalist and rebel, American and expatriate, serious analyst and humorous deconstructor, Ian Lynam always brings a wholly original perspective to his writing on design. The insights are always fresh, and the stakes \u003c\/span\u003e\u003cspan\u003eare always extremely high.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e– W. David Marx, author of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eStatus and Culture: How Our Desire for Social Rank Creates Taste, Identity, Art, Fashion, and Constant Change\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e\u003cspan\u003e“Lynam adeptly juggles platters of diverse knowledge that include history, theory, philosophy, humanities, and the gamut of pop culture.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e– Louise Sandhaus, author of \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEarthquakes Mudslides Fires \u0026amp; Riots: California \u0026amp; Graphic Design, 1936-1986\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e\u003cspan\u003e“Ian Lynam is the Hunter S. Thompson of design writing.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cspan\u003e– Sereina Rothenberger, Jan Van Eyck Academie\/Vermont College of Fine Arts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-testid=\"richTextElement\" class=\"KcpHeO tz5f0K comp-l8wx3prl wixui-text\"\u003e\n\u003cdl\u003e\u003c\/dl\u003e\nType: softcover\u003cbr data-mce-fragment=\"1\"\u003eDimensions: 105 mm x 175 mm \/ 4.1 x 6.9 inches portrait\u003cbr data-mce-fragment=\"1\"\u003ePages: 238\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-90-834041-1-0\u003cbr data-mce-fragment=\"1\"\u003eLanguage: English\u003cbr data-mce-fragment=\"1\"\u003eRelease date: 20240304\u003cbr data-mce-fragment=\"1\"\u003eBinding: sewn and glued\u003cbr data-mce-fragment=\"1\"\u003ePaper: Inside: Offsett 90 grams, cover Serixo 250 grams\u003cbr data-mce-fragment=\"1\"\u003eColor: cover 2\/0, inside 1\/1\u003cbr data-mce-fragment=\"1\"\u003ePrinter: Printon, Tallin (ETS)\u003cbr data-mce-fragment=\"1\"\u003eFont: The Gooper, Elpy, and Entendre families of typefaces. Gooper was designed by Kyle Benson. Elpy and Entendre were designed by Ian Lynam.\u003cbr data-mce-fragment=\"1\"\u003eImage specs: 53 b\/w images\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ian Lynam","offers":[{"title":"Default Title","offer_id":50768314368302,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_Warwithmyself_050-2500x0-c-default.jpg?v=1714759108"},{"product_id":"configurations-of-time-imagining-other-temporalities-in-the-artist-residency","title":"Configurations of Time: Imagining Other Temporalities in the Artist Residency","description":"\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp\u003eThis book offers an alternate lens to rethink how we process art—and life—inside residency time. If you have done a residency, or are going to take part in one; if you are passionate about supporting artists’ processes in the best possible ways; or if you are fascinated by theories of time and how artists have worked with time, then this project amalgamates many threads to help you arrive at possible future ways of thinking.\u003c\/p\u003e\n\u003cp\u003eLooking beyond the conventional and managerial, Angela Serino sets out in search of what is put in motion by the experience of being “in residence” that is not instantly visible or quantifiable. In a culture where the pressure to produce tangible results is paramount, \u003cem\u003eConfigurations of Time\u003c\/em\u003e holds space for an environment that values process in its own right, unlearning and research. Finding inspiration from a wide range of artists’ works and conceptualisations of time in science and cultural theory, such as Carlo Rovelli, Lisa Baraitser, and María Puig de la Bellacasa, Serino looks at how time is spent in residencies through the different and overlapping concepts of space time, care time, and soil time.\u003c\/p\u003e\n\u003cp\u003eThrough speculative storytelling and fostered by analytical hypotheses and first-hand experiences, this book offers an alternative reference guide. It creates a highly poetic space, providing insights into the ethics of the residency field in today’s accelerated and contested times.\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 140 x 215 mm \/ 5.51'' x 8.46'' inch (portrait)\u003cbr\u003ePages: 112\u003cbr\u003eISBN: 978-90-834041-9-6\u003cbr\u003eLanguage: English\u003cbr\u003eRelease dateL: 20240819\u003cbr\u003eBinding: sewn and glued\u003cbr\u003ePaper: Munken Print Cream 1.5, 80 gms (inside) and Munken Print Rough, 300 gms (cover)\u003cbr\u003eEdition: 1500\u003cbr\u003eColor: 4\/4 inside, 1 pms cover\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003cbr\u003eFont: CMU Serif, Acumin\u003cbr\u003eImage specs: 17 full color images, 20 black-white images.\u003cbr\u003eDetails: Foil of title on cover\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Angela Serino","offers":[{"title":"Default Title","offer_id":50768324559150,"sku":null,"price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_29a170d3-6f3b-44df-b609-cce1fd17c6c6.png?v=1734583868"},{"product_id":"a-visible-distance-craft-creativity-and-the-business-of-design","title":"A Visible Distance: Craft, Creativity, and the Business of Design","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003eThis design guidebook speaks to students, educators, and seasoned professionals, as it provides tactical strategies \u0026amp; creative support to tackle the complexities of balancing intuition and taste, technical and personal capability, strategic business decisions in design work and the demands of modern brand building.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cp\u003eProviding tactical strategies and creative support to tackle the complexities of balancing intuition and taste, technical and personal capability, strategic business decisions in design work and the demands of modern brand building, this book speaks to students, educators, and seasoned professionals.\u003c\/p\u003e\n\u003cp\u003ePart personal memoir and part professional manual by Matt Owens,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Visible Distance, Craft, Creativity, and the Business of Design\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a reality check to challenges when building a practice in graphic design or branding. These lessons and learnings span the recent decades: from his roots in DIY, punk, and skateboarding in the later 80s, to the advent of the commercialization of the internet in the late 1990s, building and growing a creative agency, to the present disruption of artificial intelligence, automation, and distributed hybrid teams.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Visible Distance\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a testimony to learning new things and embracing fundamental changes in popular culture, tools, technologies, and processes to make your own way in design.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e\u003cem\u003e“They don’t teach you a lot about business or how to start a company in design school, at least not at the public university that I went to. If I would have had Matt’s book when I decided to co-found a design office eight years ago my wandering neuroticism would have cooled down about 20 degrees and questions would have been answered by a source that’s proven their weight in gold. A Visible Distance gets to the point, by example, with real topics that design students and young professionals should be reading more of, instead of bookmarking Instagram portfolios and Tik Tok trends.” \u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 40px;\"\u003e– Jesse Reed. Partner. Order\u003c\/p\u003e\n\u003cp\u003eType: softcover with flaps\u003cbr\u003eDimensions: 6 x 9 inches \/ 152.4 x 228.6 mm\u003cbr\u003ePages: 236\u003cbr\u003eISBN: 978-90-834041-4-1\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date :20240428\u003cbr\u003eBinding: Sewn and glued\u003cbr\u003ePaper :Olin Design white 90 gm2 and Fuego Felt 260 gm2.\u003cbr\u003eEdition: 4000\u003cbr\u003eColor: 4\/4\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003cbr\u003eFont: ABC Diatype from Dinamo Typefaces and Editorial New by Pangram Pangram Foundry.\u003cbr\u003eImage specs: 34 full color images\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Matt Owens","offers":[{"title":"Default Title","offer_id":50768333046062,"sku":null,"price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/AVisibleDistance_1.png?v=1752737698"},{"product_id":"care-where-no-one-does-2","title":"Care where no-one does","description":"\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp class=\"product__subtitle\"\u003eA grassroots style guide to progressive cultural production, anticipating neoliberal to national conservative times.\u003cspan\u003e\u003ca data-people-trigger=\"\" href=\"https:\/\/www.setmargins.press\/network\/freek-lomme\/\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product__body\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cp\u003eUrging a grassroots style based on activist engagement, entrepreneurship, design and more, this book offers opposing perspectives on independent, progressive cultural production out of small initiative, sustainable and growing. It pushes a truly liberal-minded exchange, moving from neoliberal capitalism into the era of national conservatism.\u003c\/p\u003e\n\u003cp\u003eSomething in-between a bunch of columns, a pamphlet and a bundle of essay’s, formal frameworks and cultures of an independent, truthful undercurrent to move upwards are considered.\u003c\/p\u003e\n\u003cp\u003eThe rhetorical facade of technocratic capitalism, as built by politics, marketing, the invisible hand of the electorate and more, will be criticized and put into perspective along its goal: the needs of progressive cultural production.\u003c\/p\u003e\n\u003cp\u003eThe book offers no evidence but shares experiences and perspectives with analytical support, which equally brings a rhetorical style to be distrusted. It could speak to anyone interested in mobilizing energy to change the hegemony and may equally speak to people interested in civil society and democracy. The book hopes to spark a different economy to production: one based on trust and engagement wherever possible!\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 125 x 197 mm \/ 4.92 x 7.75 inch (portrait)\u003cbr\u003ePages: 116\u003cbr\u003eISBN: 978-90-834041-5-8\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20240729\u003cbr\u003eBinding: Swiss bound\u003cbr\u003ePaper: Olin Design Regular white, cover 300 gms, inside 90 gms\u003cbr\u003eColor: Black\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003cbr\u003eFont: Tonka by Celine Hurka, Lao MN and AdornoNoveau by Salvador Rodriguez Diego Aravena\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Freek Lomme","offers":[{"title":"Default Title","offer_id":50768385638702,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_d435a5e0-af83-4d78-87ea-b77fc141d5c2.png?v=1734562955"},{"product_id":"algoffshore-the-art-of-automating-tax-evasion-1","title":"ALGOFFSHORE: The Art of Automating Tax Evasion","description":"\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp\u003eThe ALGOFFSHORE series of flowcharts (RYBN.ORG, 2017- 2021) presents five ready-to-use strategies for evading taxes or social and environmental obligations. En passant, these flowcharts document how contemporary financial engineering allows multinationals and enterprises to optimize profits, render transactions opaque, maximize anonymity, and circumvent all kinds of regulations hindering the smooth circulation—and ultimately the accumulation—of capital. As such, the present publication can be seen as a tactical manual for the art of evasion.\u003c\/p\u003e\n\u003cp\u003eWith an article by Pekko Koskinen and interviews of Citizens Against Bank Exploitation), Le Freeport, Melle Smets, Lora Verheecke.\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 135 x 216 mm \/ 5.31 x 8.50 inch\u003cbr\u003ePages: 172\u003cbr\u003eISBN: 978-90-834498-2-1\u003cbr\u003eLanguage: English\u003cbr\u003eBinding: clothbound, otabind\u003cbr\u003ePaper: Olin colours Storm Grey 120g (inside), Olin colours Storm Grey 170g (dust jacket), Olin colours Storm Grey, 320g (cover)\u003cbr\u003eColor: black\/white\u003cbr\u003ePrinter: BALTO print, UAB, Vilnius (LT).\u003cbr\u003eFont: Allianz\u003cbr\u003eImage specs: 53 black\/white diagrams\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"rybn.org","offers":[{"title":"Default Title","offer_id":50768403726638,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_f51c1613-e79b-4368-b777-9d735c661acc.png?v=1734585406"},{"product_id":"can-you-feel-it-effectuating-tactility-and-print-in-the-contemporary","title":"Can you feel it? Effectuating tactility and print in the contemporary","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp\u003eHands reaching and feeling, noses sniffing, eyes scrolling: the magic at book shops and at book fairs is also very much a tactile one. But what exactly is the tactile, in a world in which a rising technocracy exploits the designed environment we feel? Who authorizes and who writes, what tradition do we stand in and how can we touch base?\u003c\/p\u003e\n\u003cp\u003eThis reader explores how our interaction with printed matter affects us through theory, thoughts, and practices in the field of graphic design, materiality, philosophy, science and art. Although the core of this book rests upon theory and thoughts, with eight writings from scientists and philosophers to a paper-specialist and art writers, this book also compiles practice-based experiments by six international artists and includes animated introductions of printing techniques in the form of fictionalized characters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited with introduction and afterword by Freek Lomme\u003cbr\u003eText by Lars Bang Larsen, Christopher Breu, Johanna Drucker, Alessandro Ludovico, Esther Krop, Rik Peters, Marieke Sonneveld.\u003cbr\u003eArtists: Sema Bekirovic (NL), Matthieu Blanchard (FR), Lieven De Boeck(BE), Frederic Geurts (BE), Ulrike Mohr (DE),Thomas Rentmeister (DE).\u003cbr\u003eAuthor of fictional interviews: Juliette Pepin\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eType: softcover\u003cbr\u003eDimensions: 148 x 105 mm \/ 6 x 4 inch\u003cbr\u003ePages: 192\u003cbr\u003eISBN: 978-90-832706-0-9\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20220917\u003cbr\u003eBinding: Sewn-glued\u003cbr\u003ePaper: Inside 144 pp EOS 80 grs (A) 48 pp Maxi Gloss 130 grs(B) Cover 2x4 pp Starline Greyback 250 grs(C)\u003cbr\u003eEdition: 1000\u003cbr\u003eColor: (A) 1\/1 1 pms (B) 32 pp 1\/1 in different pms (B) 16 pp 4\/4 fc. (C) 1\/1 black\/1 pms.\u003cbr\u003ePrinter: Raddraaier, Amsterdam (NL)\u003cbr\u003eFont: ITC Century Std and Akzidenz Grotesk Pro\u003cbr\u003eImage specs: 10 full color, 10 b\/w and 12 duotone images\u003cbr\u003eDetails: spine covered with Brillianta linnen purple 4118 with silkscreen in 1 colour\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Freek Lomme","offers":[{"title":"Default Title","offer_id":50768785211694,"sku":null,"price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_59c98f6e-0eef-481d-8377-f63377e0e7de.png?v=1752746437"},{"product_id":"diagrammatic-writing","title":"Diagrammatic writing","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp class=\"font_8\"\u003eDiagrammatic writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex, as a space of semantically generative relations, has rarely (if ever) been subject to so highly focused and detailed a study. The text and graphical presentation are fully integrated, co-dependent, and mutually self-reflexive.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eThis small book work should be of interest to writers, bibliographers, designers, conceptual artists, and anyone interested in the meta-language of diagrammatic thought in graphic form.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 140 x 215 MM \/ 5.51 x 8.46 inch\u003cbr\u003ePages: 36\u003cbr\u003eISBN: 978-90-832706-1-6\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20230118\u003cbr\u003eBinding: sewn\/glued\u003cbr\u003ePaper: Munken Print Cream 100 g (inside) and 300 g (cover\u003cbr\u003eEdition: 800\u003cbr\u003eColor: b\/w\u003cbr\u003ePrinter: Printon, Talinn (Est)\u003cbr\u003eFont: Hoefler Text\u003cbr\u003eImage specs: no images\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Johanna Drucker","offers":[{"title":"Default Title","offer_id":50768816701742,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_27134136-2ee8-4071-897b-746ac2dc4cf0.png?v=1752746987"},{"product_id":"is-this-the-way-the-universe-works-555-verses-77-verses","title":"Is this the way the universe works? (555 Verses \/ 77 Verses)","description":"\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cdiv class=\"product__header\"\u003e\n\u003cdiv class=\"product__title\"\u003e\n\u003cp\u003eThis is a performative book containing performative tanrenga poems to be read out loud. A tanrenga poem looks like a tanka, a five lined Japanese poetry form but it isn’t. It’s a conversation between a three line haiku like poem and a two line poem written by another writer in response, in this case British artist-curator Gavin Wade and poet Paul Conneally.\u003c\/p\u003e\n\u003cp\u003e77 Verses (Is this the way the universe works?) is a collection of such conversations written in and of and out of the woods in Drenthe.\u003c\/p\u003e\n\u003cp\u003e(555 Verses) is a collection of such conversations written in and out of Twitter from 2017–2023.\u003c\/p\u003e\n\u003cp\u003e555 Verses: of plants from Triangle Garden, Birmingham.\u003cbr\u003eThe plants are outstanding examples of adaptation strategies in response to changes in environmental conditions including many cacti and succulents and bananas.\u003c\/p\u003e\n\u003cp\u003e77 Verses: of plants and rocks from the wood in Bronneger (NL).\u003cbr\u003eThese include pines and oaks and hunabeds (prehistoric megalithic funerary monuments).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTry reading each verse out loud twice, and listen for the rhythms and cuts. Hear them and connect with the wood, the people that wrote them. Their lives. The past and the present. The future too.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eType: softcover\u003cbr\u003eDimensions: 105 x 148 mm \/ 4.13 x 5.83 inches (portrait)\u003cbr\u003ePages: 400\u003cbr\u003eISBN: 978-90-833188-8-2\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20230722\u003cbr\u003eBinding: Sewn and glued with an open spine, coloured yarn.\u003cbr\u003ePaper: Magno Volume 115 grams\u003cbr\u003eColor: Recto\/Verso Quadri LE-UV, 400 pages, about 380 images (full bleed)\u003cbr\u003ePrinter: Advisor: Trudy Dorrepaal, Printer: Buroform, Mechelen (BE)\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Gavin Wade, Paul Conneally","offers":[{"title":"Default Title","offer_id":50768824828206,"sku":null,"price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_3ca77bd1-c4d1-4464-a42c-58d3c6756d14.png?v=1752747533"},{"product_id":"the-failed-painter-or-unchained-by-material-anxiety","title":"The Failed Painter Or: Unchained by Material Anxiety","description":"\u003cp class=\"font_8\"\u003eThe g̶r̶a̶p̶h̶i̶c̶ d̶e̶s̶i̶g̶n̶e̶r̶ Failed Painter is a personal book about material anxiety in Graphic design’s creative work. It speaks of fascination for singular and multiple production processes, perfectibility, and imperfectability in times of virtual surface and hunger for authenticity.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eWriting out of the persona ‘The Failed Painter’, this book is a collection of essays on design and art spanning culture, race, nation, and sheer vandalism from the author of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.setmargins.press\/books\/the-impossibillity-of-silence\/\"\u003eThe Impossibility of Silence: Writing for Designers, Artists \u0026amp; Photographers\u003c\/a\u003e. Within this highly curated, yet varied assortment of approachable writing on aesthetics: space exploration, mercenaries, puberty, instant nostalgia, precarious labor, and of course, zombies.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eType: Softcover\u003cbr\u003eDimensions: 105 mm x 175 mm \/ 4.1 x 6.9 inches (portait)\u003cbr\u003ePages: 220\u003cbr\u003eISBN: 978-90-833188-2-0\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20230320\u003cbr\u003eBinding: Sewn-glued\u003cbr\u003ePaper: Serixo 250 gr. (cover) and 90 gr. 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This is his report on an open-ended process of identifying and crafting the material of kinship.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCrafty, personal, and entangled with tradition, Fadhel’s research and own making share stories out of and surrounding the rural community of Risa—the former home of his great-grandfather. Here, a dialogical and productive patchwork unfolds, exploring tradition, evolution, and adaptation. This process—akin to queering—includes expected and unexpected entanglements of care and rooting.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAdditional texts help put this process into perspective. Textile artist Raisa Kabir, author Tanya Harrod, lecturer Helena Hansson and curator Marcia Harvey Isaksson shed light on cross-cultural dynamics, queering, kinship and more.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Whilst I am vastly separated from the living conditions of my Swedish great-grandfather, growing up as a queer person with a mixed cultural heritage, in a working-class environment, the recurrent need to conform, find meaning and belonging has continued to colour my desire to make. Through my great-grandfather’s lived experience as an artisan, I have sought to decipher tradition in the context of my primary culture: the Swedish. Throughout this book, I have strived to explore its most dominant traits as it filters through a new type of lived experience: my own. Instead of the felt tensions between my multiple cultures being put against each other, they could merge as part of this storytelling. As the outward manifestation of an ever-evolving, internal contemplation, craft continues to be the process through which I make sense of the world—a process that continuously seeks to reflect the creation of a space in which to exist and belong.’\u003c\/em\u003e \u003c\/p\u003e\n\u003cp style=\"text-align: right;\"\u003e– Fadhel Mourali\u003c\/p\u003e\n\u003cp\u003eType: softcover\u003cbr\u003eDimensions: 120 x 190 mm \/ 4.72 x 7.48 inch (portriat)\u003cbr\u003ePages: 320\u003cbr\u003eISBN: 978-90-834993-0-7\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20240212\u003cbr\u003eBinding: Swiss binding\u003cbr\u003ePaper: Munken LYNX 300 gsm and Holmen 70 gms\u003cbr\u003eColor: full color\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003cbr\u003eImage specs: 261 full color, 15 black \/ white images\u003c\/p\u003e","brand":"Fadhel Mourali","offers":[{"title":"Default Title","offer_id":50768851501358,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_a536a296-57f3-4d64-b421-0bbd32172871.png?v=1752748785"},{"product_id":"energy-fields-vibrations-of-the-pacific","title":"Energy Fields: Vibrations of the Pacific","description":"\u003cdiv class=\"elementToProof\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003energy Fields: Vibrations of the Pacific\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a relational atlas that considers a multiplicity of readings that use vibration and energetic materials as a primary way of knowing.\u003c\/p\u003e\n\u003cp\u003eAs the most dynamic tectonic plate on the face of the planet, the Pacific has been a hotbed of activity caused by volcanic, seismic, nuclear, and other vibrant forces. It is these events and their resulting vibrations that have helped artists, scientists, and cultural historians cultivate a wide ranging but interdependent approach to knowledge creation and sensory practices. This edition sets out a series of texts and artistic methodologies that speak to the variable social, political, geological, scientific, and cultural ways in which vibration is used to understand this region and to shape its very nature.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText by Akanksha Tiwary, Rana X. Adhikari, Lawrence English, Marcus Herse, Vanessa Kwan, W. Patrick McCray, Robert Takahashi Novak, Patrick J. Reed, Enrique Rivera, Fiona Shen.\u003cbr\u003eContributing artists Lauren Bon and the Metabolic Studio, Jeneen Frei Njootli, Channing Hansen, Virginia Katz, Len Lye, Minoru Sato, Rachel Shearer, Kyle Slabb, Akio Suzuki, Malena Szlam, Alba Triana, Mo H. Zareei, David Haines \u0026amp; Joyce Hinterding, Ross Manning, Steve Roden and Annea Lockwood \u0026amp; Bob Bielecki.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis publication is published in conjunction with the exhibition Energy Fields: Vibrations of the Pacific, curated by Lawrence English and Robert Takahashi Novak and presented September 15, 2024 – January 19, 2025 at Chapman University, Los Angeles.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eType: Hardcover with dust jacket\u003cbr\u003eDimensions: 203 x 254 mm \/ 8” x 10.5”\u003cbr\u003ePages: 208\u003cbr\u003eISBN: 978-90-834498-0-7\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20240902\u003cbr\u003eBinding: Hardcover\u003cbr\u003ePaper: Inside paper: Sorapress Cream 70g and Maxi Satin 100g. Endsheets Rainbow, 160g. 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These colossal structures now hold the last remnants of civilization. High above the scorching plains of Antarctica, in one of these vertical habitats, Security Captain Elevii A. Tarkka is tasked with a seemingly unremarkable investigation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat We Owe the Dead\u003c\/em\u003e is a gripping detective novel set in a dystopian surveillance society. 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Designer, educator, critic, and historian Ian Lynam explores graphic design in Japan from its foundations in the graphic arts to the immediate pre-digital design era. Fracture is grounded by a number of essays that help readers understand the tremendous cultural shifts that have happened in Japan since it re-opened to the West, exploring modernity, imperialism, gender, commercialism, sexuality, and aesthetics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe need-to-know names of Japanese graphic design from the late 19th century to the pre-digital decade, presented alongside more than 500 color images of vintage ephemera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith \u003ci\u003eFracture\u003c\/i\u003e, author Ian Lynam presents a survey of Japanese design across a century as told through the biographies of its most influential creators. The chronology begins less than two decades after Japan’s opening to the West, ending a 200-year isolationist policy. Lynam features the stories of more than 90 pacesetters shaping the country’s modern aesthetic. We meet Hani Motoko, considered Japan’s first female journalist, who commissioned Frank Lloyd Wright to build the “Hall for Tomorrow” schoolhouse in Toshima City, Tokyo. Amid the national propaganda of the interwar period, a vision of the modern Japanese woman emerges in the advertisements of Hisui Sugiura and Tada Hokuu. The 1964 Olympics marked a watershed moment for Japanese design on the international stage, with Yusaku Kamehura’s “red circle” logo and the design of pictograms used in the competition for the first time. Finally, the survey concludes with the rise of women’s liberation or \u003ci\u003eribu\u003c\/i\u003e, and the state of graphic design at the threshold of the digital age.\u003cbr\u003eIllustrated with children’s book pages, travel posters, maps, product advertisements, erotic magazine covers and more, \u003ci\u003eFracture\u003c\/i\u003e functions as a visual treasure trove of Japanese ephemera while also introducing readers to the creative minds behind these formative designs.\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eIan Lynam\u003c\/b\u003e (born 1972) holds an MFA in graphic design from California Institute of the Arts. He is a faculty member at Temple University Japan Campus as well as at Vermont College of Fine Arts. 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The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun.\u003c\/p\u003e\n\u003cp\u003eStill, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over?\u003c\/p\u003e\n\u003cp\u003eIn this book, Alessandro Ludovico re-reads the history of media technology, cultural activism and the avantgarde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. 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By examining the pioneering work of early net critic Geert Lovink and the influencer-style approach of internet theorist Joshua Citarella, as well as the practices of Alex Quicho and Sophie Public, this essay delves into the diverse strategies internet researchers adopt to share their work and sustain their careers more or less independently in today’s era defined by the attention economy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCharting the rise of subscription-based platforms and the increasing importance of engagement-driven metrics, Becoming the Product uncovers the tension between intellectual critique and the pressures of commodification. As the lines blur between rigorous schola\u003cem\u003ership, aesthetic branding, and market-driven content, Becoming the Product\u003c\/em\u003e investigates the future of critical internet research and the sustainability of critical thinking as we know it in the digital age.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eType: softcover\u003cbr\u003eDimensions: 124 x 193 mm \/ 4.9 x 7.6 inch (portrait)\u003cbr\u003ePages: 164\u003cbr\u003eISBN: 978-90-835325-1-6\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20250522\u003cbr\u003eBinding: Sewn and glued\u003cbr\u003ePaper: Maestro print\u003cbr\u003eEdition: 1250\u003cbr\u003eColor: 2+2, PMS: 1 (PANTONE Cool Gray 1 U)\u003cbr\u003ePrinter: BALTO print, UAB, Vilnius (LV)\u003cbr\u003eFont: Aktiv Grotesk, Adobe Myungjo Std\u003cbr\u003eImage specs: 0 images, a few diagrams\u003cbr\u003eDetails: Selected parts of the cover in Kurz Colorit 99015\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Morgane Billuart","offers":[{"title":"Default Title","offer_id":50768981917998,"sku":null,"price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_69a6755d-e51f-4301-b55f-d55eaa8b6a79.png?v=1752759307"},{"product_id":"what-is-post-branding-how-to-counter-fundamentalist-marketplace-semiotics-3","title":"What is post-branding? - How to Counter Fundamentalist Marketplace Semiotics","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003ePost-Branding empowers better design of public communication for civic and activist groups by replacing corporate branding’s predatory principles with a new set of strategies embedded in a new culture of craft. A new way of being and knowing, for a new way of relating with the world.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eBrands aren’t just intruding on culture, they are our culture. They are the sponsored mechanisms for constructing and manipulating meaning and human identity. But should we cede such a fundamental human need to the market? If not, why not, and is there an alternative?\u003cbr\u003e\u003cbr\u003e\u003ci\u003eWhat is Post Branding?\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a work of ‘practical theory’. It is a compact ‘pocket-book’ format publication composed of four main sections. The first, ‘DIS-BRANDED’, is a text of 20 short page-long chapters exposing the ideological underbelly and real-world impact of branding. The second, ‘MIXED MESSAGES’, is a provocative visual essay illuminating the texts’ main themes. The third, ‘MANUAL’, presents a framework for a critical alternative to corporate branding, humorously appropriating found instructional diagrams as a brand manual satire. This section also includes examples of completed contemporary projects that have implemented post-branding principles. The book concludes with ‘CONTEXT’, featuring a conversation with cultural theorist Brian Holmes and an argument with design historian Steven Heller.\u003cbr\u003e\u003cbr\u003ePart design experiment, part critical theory, and part how-to-manual, \u003ci\u003eWhat is Post-Branding?\u003c\/i\u003e introduces a creative counter to branding’s neoliberal orthodoxy.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\"\u003e‘As we grapple with the concepts and tools of 21st century communications, What is Post-Branding? arrives as a key to the crisis of imagination in which it seems easier to imagine the end of nature than the fundamental system and technological changes needed to shift onto a path of real sustainability.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan lang=\"EN-US\"\u003eIt invites a bright future of infinite potential built on collaborative communcations as an antidote to corporate competition’s bleak zero sum branding game.’\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cspan lang=\"EN-US\"\u003eMike Townsley, Communications Director, Greenpeace International\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003ci\u003e\u003cspan lang=\"EN-US\"\u003e‘Rarely do designers fully understand the proper social, cultural and political significance of branding. This book is the exception – it is a critical, extremely witty and creatively produced antidote to branding’s hype. It is a guide through the minefield of mass communication and identity design. In a time that is truly disorientating for both creatives and the general public, “What is Post-Branding” should be read, not just by anyone interested in the subject, but everyone who is concerned about where we are heading as a society, and about how we can stay human.’\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eJonathan Barnbrook, Barnbrook Design \/ VirusFonts\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eType: softcover\u003cbr\u003eDimensions: 105 x 165 mm or 9 x 11.75 inches (portrait)\u003cbr\u003ePages: 272\u003cbr\u003eISBN: 978-90-832706-7-8\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20230318\u003cbr\u003eBinding: Otabind (softcover)\u003cbr\u003ePaper: Munken print White, 90 and 300 grams\u003cbr\u003eEdition: 2500\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003cbr\u003eFont: Dot Receipt (custom), Inter (open source)\u003cbr\u003eImage specs: 138 full color images, 29 duotone images and 39 bw. images\u003cbr\u003eDetails: UV matt varnish, UV high-gloss spot varnish (first edition) and black foil for type (second edition)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Oliver Vodeb, Jason Grant","offers":[{"title":"Default Title","offer_id":50769238294830,"sku":null,"price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/1_21b4fc9f-bcd5-471e-bbab-82f9d63a32e0.png?v=1752768351"},{"product_id":"the-design-comedy-the-decent-through-inferno","title":"The Design Comedy: The Decent Through Inferno","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDesign is a hellmouth of disappointment and a harrowing pit of professional failure. In this paraphrase of Dante’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eDivine Comedy\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, Otto von Busch, a pitiful design professor, searches for the design workshop at Parsons. Proving inaccessible, the lost professor falls into despair. However, a recently fired workshop technician, Virgil, appears to know the way. They descend the crumbling corridors of design’s collapse, through the ruins and anguish of broken promises, failed research, self-absorbed design theorists, and hypocritical designers, to the very nadir of design’s inferno.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIntroduction by Nicola Masciandaro\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCommentary by Aaron Sechler\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eType: softcover\u003cbr\u003eDimensions: 105 x 210 mm \/ 4.13 x 8.26 inch (portrait)\u003cbr\u003ePages: 112\u003cbr\u003eISBN: 978-90-834993-6-9\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20250328\u003cbr\u003eBinding: sewn and glued\u003cbr\u003ePaper: Cordenons Stardream Crystal 285 g, Holmen TRND 2.0 80 g\u003cbr\u003eEdition: 2000\u003cbr\u003eColor: 1\/1 pms 269U\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003cbr\u003eFont: Miller Text, Aktiv Grotesk\u003cbr\u003eImage specs: 15 pms 269U illustrations\u003cbr\u003eDetails: Sewn glued, Cover has flaps on both sides ( W 408mm x H 220mm), Ebossing (DOWN TO THE COVER) ON COVER\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Otto von Busch","offers":[{"title":"Default Title","offer_id":51097647743278,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_DesignComedy_001.png?v=1758450961"},{"product_id":"how-many-female-type-designers-do-you-know-i-know-many-and-talked-to-some","title":"How Many Female Type Designers Do You Know? I Know Many and Talked to Some!","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eA pioneering appraisal of female typographers, with historical research and interviews with contemporary practitioners\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis book surveys the past and present of women working in typography. The first section looks at the statistics, data and an overview of the field apropos of gender, supplemented with biographies of female type designers that worked in the 19th and early 20th centuries. These women contributed to the industry significantly, but are rarely mentioned in histories of the subject.\u003c\/p\u003e\n\u003cp\u003eThe second portion of the volume comprises a series of interviews with 14 women that are either currently working as type designers or are in other ways involved in the field of type design: Gayaneh Bagdasaryan, Veronika Burian, Maria Doreuli, Louise Fili, Martina Flor, Loraine Furter, Jenna Gesse, Golnar Kat Rahmani, Indra Kupferschmid, Briar Levit, Zuzana Licko, Ana Regidor, Fiona Ross and Carol Wahler.\u003c\/p\u003e\n\u003cp\u003eThe final part of the book presents a showcase of typefaces designed by women.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdited with text by Yulia Popova. \u003cbr\u003eInterviews with Gayaneh Bagdasaryan, Veronika Burian, Maria Doreuli, Louise Fili, Martina Flor, Loraine Furter, Jenna Gesse, Golnar Kat Rahmani, Indra Kupferschmid, Briar Levit, Zuzana Licko, Ana Regidor, Fiona Ross, Carol Wahler.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDimensions: 115 x 205 mm \/ 4.5 x 8 in.\u003cbr\u003ePages: 320 pg\u003cbr\u003eISBN: 978-90-835325-4-7\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20250630\u003cbr\u003eBinding: Hardcover\u003cbr\u003ePaper: 100gms Munken Pure 1,13, 230gsm cardboard, single sided coated.\u003cbr\u003eEdition: 1500\u003cbr\u003eColor: 128 pages full color, 192 pages 1\/1\u003cbr\u003ePrinter: AB KOPA, Vilnius (LT)\u003cbr\u003eFont: Geometria by Gayaneh Bagdasaryan, Vyacheslav Kirilenko. Released 2013. This font is provided for this project by Brownfox. Maiola by Veronika Burian. Released 2010. Via Adobe Fonts.\u003cbr\u003eImage specs: 95 color \/ 78 bw.\u003cbr\u003eDetails: Soft touch lamination\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yulia Popova","offers":[{"title":"Default Title","offer_id":51097657639214,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/HowmanyFemaleTypeDesigners_001.png?v=1758451403"},{"product_id":"through-witnessing-threading-the-critiquing-making-teaching-of-design","title":"Through Witnessing: Threading the critiquing, making, teaching of design","description":"\u003cdiv id=\"comp-lbuwu0ut\" class=\"comp-lbuwu0ut MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv class=\"\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" data-testid=\"inline-content\"\u003e\n\u003cdiv data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\" data-testid=\"mesh-container-content\"\u003e\n\u003cdiv id=\"comp-lbexl3js\" class=\"comp-lbexl3js MazNVa rYiAuL\"\u003e\n\u003cdiv class=\"j7pOnl\" data-testid=\"linkElement\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cspan class=\"\"\u003eThis book names and wrestles with design and institutional design education’s pseudo-neutral relationship with colonial capitalist world orders and what it means to teach and design today. It slowly weaves together ideas on designing as a mechanism of maintenance\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"\"\u003eand teaching against bureaucratic inertia\u003c\/span\u003e\u003cspan class=\"\"\u003e.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eHow does design give form to social fictions? How does design and the professionalization of design schooling maintain the priorities of nations and capital?\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\u003cspan class=\"\"\u003eEngaging in pedagogical expressions of rage, generosity, forgiveness, slowness, and chaos; contributions of lecture, essay and interview reflect on the weight of being, the possibilities and sometimes impossibilities towards un-doing and un-maintaining the enduring legacies of colonial powers.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"auto\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eIncluding contributions by:\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eUzma Z. Rizvi, Ahmed Ansari, Kelly Walters, Hayfaa Chalabi, Maya Ober, Lauren Williams, Elaine Lopez, Danielle Aubert, Silvio Lorusso and John Jennings\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: softcover\u003cbr\u003eDimensions: 171 x 241 mm \/ 6.75\" x 9.5\" inches (portrait)\u003cbr\u003ePages: 144\u003cbr\u003eISBN: 978-90-833501-2-7\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20241124\u003cbr\u003eBinding: Otabind\u003cbr\u003ePaper: Munken Print White 90 g (inside) and 300 g (cover)\u003cbr\u003eEdition: 2.000\u003cbr\u003eColor: 5 PMS\u003cbr\u003ePrinter: Printon, Tallin (Est.)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Nida Abdullah, Chris Lee, Xinyi Li","offers":[{"title":"Default Title","offer_id":51097685000494,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/ABE_SetMargins_ThroughWitnessing_01.png?v=1758452569"},{"product_id":"artist-run-europe-practice-projects-spaces-2nd-edition","title":"Artist-Run Europe: Practice\/Projects\/Spaces (2nd Edition)","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eSince first being published in 2016, this groundbreaking study has become a key text on the subject, a practical tool for those running or wishing to set up artist-run spaces, and a source of research for artists, academics and students, seminars, symposia and publications. This 2nd edition includes an updated and expanded index of artist-run spaces, with the inclusion of 50 additional spaces, and featuring spaces from Ukraine for the first time. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003ePart how-to manual, part history, and part socio-political critique, Artist-Run Europe looks at the conditions, organisational models, and role of artist-led practice within contemporary art and society. The aim is to show how artist-run practice manifests itself, how artist-run spaces are a distinctive and central part of visual art culture, and how they present a complex, heterogeneous, and necessary set of alternatives to the art institution, museum and commercial gallery.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eIn a self-reflexive, critically questioning process, contributions discuss and analyse areas such as: What position do artist-run spaces occupy within the field of contemporary art today? Should they stand in opposition to or in parallel to other art-world structures? How is value ascribed to these often transitory practices, and is this value recognised within the field? How are these spaces organised? Can artist-run spaces develop and be sustained without the need to institutionalise? What do artist-run spaces add to the ecology of the civil society? What can we say about future (or hoped for) trajectories?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eIncludes texts by Jason E. Bowman, AA Bronson, Noelle Collins, Valerie Connor, Mark Cullen, Céline Kopp, Joanna Laws, Freek Lomme, Megs Morley, Gavin Murphy, Gavin Wade, and Katherine Waugh. With case studies of spaces and projects:\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.trianglefrance.org\/en\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eTriangle\u003c\/a\u003e France, \u003ca href=\"http:\/\/www.transmissiongallery.org\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eTransmission\u003c\/a\u003e Gallery, \u003ca href=\"http:\/\/pallasprojects.org\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003ePallas Projects\/Studios\u003c\/a\u003e, \u003ca href=\"http:\/\/www.eastsideprojects.org\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eEastside Projects\u003c\/a\u003e, \u003ca href=\"http:\/\/www.catalystarts.org.uk\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eCatalyst Arts\u003c\/a\u003e, \u003ca href=\"http:\/\/pinkcube.no\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003ePink Cube\u003c\/a\u003e, \u003ca href=\"http:\/\/www.secession.at\/en\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eSecession\u003c\/a\u003e, \u003ca href=\"http:\/\/www.dienstgebaeude.ch\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eDienstgebaeude\u003c\/a\u003e, \u003ca href=\"http:\/\/www.supermarketartfair.com\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eSupermarket\u003c\/a\u003e, \u003ca href=\"http:\/\/126.ie\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003e126 Artist-led Gallery\u003c\/a\u003e, The Artist-led Archive; an expansive and detailed index of artist-run spaces in Europe\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e and an expanded and updated 40-page index of artist-run spaces in Europe.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eSee\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/artist-run.eu\/\"\u003eArtist-Run Europe\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efor the up to date list of artist run spaces, and much, much more!\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"Body\"\u003e\u003cspan lang=\"EN-US\"\u003eSecond Edition researched, edited and produced Pallas Projects, Dublin, funded by The Arts Council of Ireland\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"Body\"\u003e \u003c\/p\u003e\n\u003cp class=\"Body\"\u003eType: Softcover\u003cbr\u003eDimensions: 165 x 235 mm \/ 6.49 x 9.25 inches portrait\u003cbr\u003ePages: 212\u003cbr\u003eISBN: 978-90-832706-6-1\u003cbr\u003eLanguage: English\u003cbr\u003eRelease date: 20230313\u003cbr\u003eBinding: Swiss binding\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Gavin Murphy, Mark Cullen","offers":[{"title":"Default Title","offer_id":51097692307758,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/files\/SetMargins_ArtistrunEurope_01.png?v=1758453393"},{"product_id":"cross-cultural-chairs-2","title":"Cross Cultural Chairs","description":"\u003cdiv class=\"comp-lbuwu0ut MazNVa rYiAuL\" id=\"comp-lbuwu0ut\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product__content richtext\"\u003e\n\u003cdiv data-testid=\"inline-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent\" class=\"\"\u003e\n\u003cdiv data-testid=\"mesh-container-content\" data-mesh-id=\"comp-l8wx0pmtinlineContent-gridContainer\"\u003e\n\u003cdiv class=\"comp-lbexl3js MazNVa rYiAuL\" id=\"comp-lbexl3js\"\u003e\n\u003cdiv data-testid=\"linkElement\" class=\"j7pOnl\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eHow people sit and are seated: an anthropology of chair design.\u003c\/p\u003e\n\u003cp\u003eThe anatomy of our bodies requires sitting; but do we design seats in the same way? Has our meaning of sitting been colonised by Modern design? And how is the diverse, social-cultural act of sitting itself reflected in this functional commodity?\u003c\/p\u003e\n\u003cp\u003eIn observing and analysing social and cultural differences through chairs from eight cultures in the most populated countries, Sicilian designer Matteo Guarnaccia went on a field research to portray each country, in collaboration with selected local design studios, to situate each cultural context into the form of a chair. This project diversifies the supposedly mundane parts of chair-culture and chair design, to open the conversation of identity, community and a reality divided into a global and local conglomerate expression through chairs.\u003c\/p\u003e\n\u003cp\u003eIntroduction by FormaFantasma and Aldo Cibic followed by contributed texts by Tulio Amarante, Ana Elena Mallet, Hisashi Ikai, Ayos Purwoaji, Shell Xu, Spandana Gopal, Alexandra Sankova and Wale Lawal.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eType: softcover\u003cbr\u003eDimensions: 170 x 240 mm \/ 6.69 x 9.44\u003cbr\u003ePages: 388\u003cbr\u003eISBN: 978-90-833501-0-3\u003cbr\u003eLanguage: English\u003cbr\u003eBinding: Swiss bound\u003cbr\u003ePaper: Munken Print White 300 g. (cover) and Holmen Book White 70 g. 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It presents the research process through six actions: research by making, research of context, participatory research, reflecting on research, documenting research and making public. Each action is equally important and can be your starting point.\u003c\/p\u003e\n\u003cp\u003eThe guide introduces the circular model of doing research visually, with many examples, images and practical tools. 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As long as this thesis persists, the commentary keeps the reader on edge, engaging in its own material logic, only to diverge from it—reaching a peak of utmost emancipation, ultimately to: comment on it.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHarnessing historical gaps, predication, speculation, and the shifting boundaries between objects and texts, Bernstein’s textual and design inferences are far from incidental deviations. They propel the commentary into something beyond a mere study of influence, raising intriguing questions: What other objects might have influenced certain literary forms? How can the interplay between design and literature uncover the structures that shape interpretation and meaning? 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