{"title":"new arrivals","description":"\u003cdiv id=\"buildify\" class=\"buildify\"\u003e\u003c\/div\u003e","products":[{"product_id":"cerro-gordo-david-black","title":"Cerro Gordo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eCerro Gordo\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a photographic study of Los Angeles, California, created over the span of a year. Inspired by how the city of Los Angeles was captured in motion pictures of the 1970s and early 1980s, photographer and director David Black explores noir themes that cut through L.A.’s sunshine veneer—crafting photographs that examine the complex existence between light and dark, and its role in our modern mythologies.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCerro Gordo\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003evisually apprehends Los Angeles’ archetypes and identity in popular culture and exposes the city’s paradoxical bent as a land of dreams and disillusionment.\u003c\/p\u003e\n\u003cp\u003eDavid Black is a Los Angeles-based photographer and director noted for his work with musicians such as Daft Punk, Cat Power, and Kendrick Lamar. His photographs can be seen in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe New Yorker\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eRolling Stone\u003c\/i\u003e, among other publications.\u003c\/p\u003e\n\u003cp\u003eEdited by J.C. Gabel\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eDesigned by Brian Roettinger\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eHat \u0026amp; Beard Press #6\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eHardcover, 96 pages \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9 x 12¼ in. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e22.86 × 31.115 cm. \u003c\/span\u003e\u003c\/p\u003e","brand":"David Black","offers":[{"title":"Default Title","offer_id":52740178195,"sku":"BK-0099","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5928.png?v=1510040613"},{"product_id":"disko","title":"Disko (Signed)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"The discos of Lithuania were once Soviet offices, detention centers, weapons storage, rare Lithuanian mushroom-packing plants... who knows? One can dream of their former incarnations and feel that, no matter how grim, they are being violently shoved into history by the hungry young bodies Andrew photographs. These fashionably thin embodiments are literally the heirs of hunger. Poured into Western jeans and poses, they look like bewildered time-travelers who emerged in these shifting prisons to liberate them for dance. Andrew's photographs capture a generation born to bewilderment: the disko kids still carry the past in their eyes and hard-to-maintain indifference, but they are the creatures of a very brief moment in time, one that will never ever exist again except in these pictures. Miksys has caught a fleeting world that emanates death and hope in the pulses of ephemeral disco lights.\" - ANDREI CODRESCU \u003c\/span\u003e\u003c\/p\u003e\nDesign by Claudia Ott \u003cbr\u003eText by Andrew Miksys \u003cbr\u003eDISKO logos by Jura Shust \u003cbr\u003eSIGNED 2nd edition copy of DISKO  \u003cbr\u003eHardcover \/ 7.5\" x 6\" (19 x 15.4cm) \/ 112 pages \/ \u003cbr\u003eSilver Glitter Cover \u003cbr\u003e47 color photographs \/ edition 1000 \u003cbr\u003ePublication Date: May 15, 2015 \u003cbr\u003eIncludes 2 new photographs and text in Lithuanian and English\n\u003cp\u003e \u003c\/p\u003e","brand":"Andrew Miksys","offers":[{"title":"Default Title","offer_id":52740201811,"sku":"BK-0093","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5865.png?v=1510040247"},{"product_id":"mood-disorder","title":"Mood Disorder (Out of Print, Collector's Pick)","description":"\u003cp\u003e\u003cem\u003eMood Disorder\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edocuments the propagation of a photograph of David Horvitz across the internet. The image—a self portrait of the artist with his head in his hands, ocean waves crashing in the background—was initially uploaded to the Wikimedia Commons, and placed on various Wikipedia pages. From there, the image began to circulate, appearing on over a hundred websites as a “stock” photo to illustrate articles on a wide range of mental health and wellness issues.\u003c\/p\u003e\n\u003cp\u003eWith a text by Ed Steck. Co-published by Chert and Motto Books, Berlin. Designed by The Future.\u003c\/p\u003e\n\u003cp\u003eNew Documents\u003c\/p\u003e\n\u003cp\u003e35 × 25 cm\u003cbr\u003e72 Pages, Staple bound\u003cbr\u003eFirst Edition (2015)\u003c\/p\u003e","brand":"David Horvitz","offers":[{"title":"Default Title","offer_id":52740211219,"sku":"BK-0094","price":46.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5932.png?v=1510039674"},{"product_id":"nine-eyes","title":"Nine Eyes","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Nine Eyes of Google Street View\u003c\/em\u003e(2008–), Jon Rafman employs a new approach to the strategy of artistic appropriation, extracting screenshots from Google Street View’s vast online archive to create singular photographs that range from the lyrical to the abject. Selected from the larger collection of images that comprise his ever-expanding project, the images in this volume illuminate in multiple dimensions our mutually constitutive relationship with images and testify to the importance of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNine Eyes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein an increasingly codified, image-saturated world.\u003c\/p\u003e\n\u003cp\u003eRafman’s photographs appear alongside essays on the work by editor Kate Steinmann, Joanne McNeil, Sohrab Mohebbi, and Gabrielle Moser, as well as a text by the artist himself, written in collaboration with Sandra Rafman.\u003c\/p\u003e\n\u003cp\u003eEdited by Kate Steinmann.\u003cbr\u003eDesigned by The Future.\u003c\/p\u003e\n\u003cp\u003eNew Documents\u003c\/p\u003e\n\u003cp\u003e24 × 33.5 cm\u003cbr\u003e80 Pages, Hard Cover\u003cbr\u003eFirst Edition (2016)\u003c\/p\u003e","brand":"Jon Rafman","offers":[{"title":"Default Title","offer_id":52740353747,"sku":"BK-0096","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/MG_5766.png?v=1510039338"},{"product_id":"sad-depressed-people","title":"Sad, Depressed, People  (Out of Print, Collector's Pick)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDavid Horvitz’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSad, Depressed, People \u003c\/em\u003elooks at a set of images circulating within stock photography collections. These photographs, in which actors are photographed holding their heads in their hands, ostensibly depressed, are here shown to contain a bizarre tension between their status as stock images and their supposedly emotional content.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSad, Depressed, People\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eincludes an introduction and glossary of terms by Laurel Ptak.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by New Documents\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e17 × 24cm\u003cbr\u003e64 Pages, Casebound\u003cbr\u003eFirst Edition (2012)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"David Horvitz","offers":[{"title":"Default Title","offer_id":52740557267,"sku":"BK-0095","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5908.png?v=1510038733"},{"product_id":"the-jungle-book-yann-gross","title":"The Jungle Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWhen the Spanish conquistador Francisco de Orellana set out on his search for cinnamon in 1541, he could not have anticipated that his travels would bring him to the bends of the world’s longest river: the Amazon. Long a witness to evangelization campaigns, infrastructure development, and natural resource extraction, the river continues to arouse greed, competition, and fascination in its visitors. Following in the footsteps of past expeditions, \u003c\/span\u003e\u003cem\u003eThe Jungle Book\u003c\/em\u003e\u003cspan\u003e is a visual experience comprising discreetly staged scenes that reveal the diverse worlds of contemporary Amazonia and its surrounding areas. Photographer Yann Gross worked with different local communities and documented the dynamic culture of the Amazon as influenced by contemporary economic and social forces. Once immersed in this world, the viewer soon forgets romantic clichés of forgotten lands and noble savages, and begins to question the guiding ideals of progress and development that inform escapist fantasies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003eAperture Foundation\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e6 3\/4 x 8 3\/4 in.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e228 pages, \u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e118 four-color images\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eFall 2016\u003c\/span\u003e","brand":"Yann Gross","offers":[{"title":"Default Title","offer_id":52740684627,"sku":"BK-0103","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5892.png?v=1510037846"},{"product_id":"the-many-lives-of-erik-kessels","title":"The Many Lives of Erik Kessels","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Many Lives of Erik Kessels presents the highly anticipated first illustrated survey of this pioneering and influential curator, editor, and artist whose varied experiments with photography and photographic archives have allowed us to reconsider the medium’s vernacular and narrative possibilities in today’s inundated image landscape. “People consume photographs,” says Kessels, “they don’t look at them anymore.” This volume is a primer on how to look—and how to better understand the hybrid practice of this artist who defies categorization. Including more than twenty of the artist’s series and features essays by Simon Baker, Hans Aarsman, and curator Francesco Zanot,\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eThe Many Lives of Erik Kessels\u003c\/em\u003e\u003cspan\u003e is published in conjunction with a major mid-career retrospective at Camera: Italian Centre for Photography in Turin, Italy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eTexts by Francesco Zanot, Hans Aarsman, Simon Baker, and Sandra S. Phillips\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan class=\"copub\"\u003eCopublished by Aperture and CAMERA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5 ¹⁄₈ x 8 ¹⁄₄ in.\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e576 pages, \u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eOver 450 four-color images\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eHardcover with slipcase\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eSpring 2017\u003cbr\u003e\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Erik Kessels","offers":[{"title":"Default Title","offer_id":52740697427,"sku":"BK-0102","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5901.png?v=1510037653"},{"product_id":"the-photographers-playbook-jason-fulford-gregory-halpern","title":"The Photographer's Playbook","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eThe Photographer’s Playbook\u003c\/em\u003e\u003cspan\u003e features photography assignments, as well as ideas, stories, and anecdotes from many of the world’s most talented photographers and photography professionals. Whether you’re looking for exercises to improve your craft—alone or in a group—or you’re interested in learning more about the medium, this playful collection will inspire fresh ways of engaging with photographic process. Inside you will find advice for better shooting and editing, creative ways to start new projects, games and activities, and insight into the practices of those responsible for our most iconic photographs—John Baldessari, Tina Barney, Philip-Lorca diCorcia, Jim Goldberg, Miranda July, Susan Meiselas, Stephen Shore, Alec Soth, Tim Walker, and many more. The book also features a Polaroid alphabet by Mike Slack, which divides each chapter, and a handy subject guide. Edited by acclaimed photographers Jason Fulford and Gregory Halpern, the assignments and project ideas in this book are indispensable for teachers and students, and great fun for everyone fascinated by taking pictures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003eAperture Foundation\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e6 x 9 inches\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e440 pages\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003ePaperback with flaps\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eJune 2014\u003cbr\u003e\u003c\/span\u003e","brand":"Jason Fulford \u0026 Gregory Halpern","offers":[{"title":"Default Title","offer_id":52740704147,"sku":"BK-0111","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5873.png?v=1510036119"},{"product_id":"this-equals-that-jason-fulford-tamara-shopsin","title":"This Equals That","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e“\u003c\/span\u003e\u003cem\u003eThis Equals That\u003c\/em\u003e\u003cspan\u003e is printed like a children’s board book, with rounded edges and durable pages to make it a durable, child-friendly object. But its lessons aren’t limited to the young: how simple and powerful it is to recognize that a triangle and a shark are the same shape, that everything we can see is somehow connected to each other?” —\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eSpectrum Culture\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e, June 16, 2015\u003c\/span\u003e\u003c\/p\u003e\nAperture \u003cbr\u003e\u003cspan\u003e7 3\/4 × 7 3\/4 inches\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e80 pages , 40 color images\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003eSeptember 2014\u003c\/span\u003e","brand":"Jason Fulford \u0026 Tamara Shopsin","offers":[{"title":"Default Title","offer_id":52740718739,"sku":"BK-0101","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/IMG_5895.png?v=1510035600"},{"product_id":"where-weve-been-where-were-going","title":"Where We've Been \u0026 Where We're Going","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThis uniquely bound publication brings together two sets of archives—one personal, one public—through a do-si-do inspired, double-loop bind, allowing each artist book to exist separately, while still bound as one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBoardman and Mays use the photographic archive as a device to draw connections between a series of seemingly disparate events—the American road trip, the return of Halley’s Comet, and the Teacher in Space program, which invited the first civilian to leave the Earth. On January 28th 1986, at the launch of the ill-fated Challenger Mission STS-51-L, these events coalesce. In piecing together the photographic remnants, Dan Boardman and Aspen Mays explore the personal and cultural effects of bearing witness\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eConveyor Editions, in collaboration with Houseboat Press\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e8.25 x 10.125 in\u003cbr\u003e206 Pages\u003cbr\u003eEdition of 500\u003cbr\u003ePrinted CMYK on Mohawk Superfine\u003cbr\u003eDouble Wire-O Bound\u003cbr\u003eScreenprint \u0026amp; Foil Stamp Covers\u003cbr\u003eInsert includes an Appendix \u0026amp; Companion Essay\u003cbr\u003eThis book was edited by Christina Labey, and designed by\u003cspan\u003e \u003c\/span\u003e\u003ca target=\"_blank\" href=\"http:\/\/elanaschlenker.com\/\" rel=\"noopener noreferrer\"\u003eElana Schlenker\u003c\/a\u003e. Text companion written by\u003cspan\u003e \u003c\/span\u003e\u003ca target=\"_blank\" href=\"http:\/\/haikstudio.com\/\" rel=\"noopener noreferrer\"\u003eJeremy Haik\u003c\/a\u003e. 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In the spirit of the book series J\u0026amp;L Illustrated, J\u0026amp;L Video compiles films and animations from around the world with a sensibility of the real and the absurd.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan size=\"2\" color=\"#000000\" style=\"color: #000000;\"\u003eArtists include Harrell Fletcher, Ted Gesing, Amy Von Harrington, Andrew Lampert, Oliver Laric, Julie Lequin, Matt McCormick, Tim McConville, Shana Moulton, Serge Onnen, Ed Panar, Mary Robertson, Will Rogan, Catherine Ross and Joon Sung.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#FF0000\" size=\"2\" style=\"color: #000000; font-size: small;\"\u003eJ\u0026amp;L VIDEO #2\u003cbr\u003eVIDEOS AND VODKA: Selections from Video Salon\u003c\/span\u003e\u003cspan color=\"#FF0000\" size=\"2\" style=\"color: #ff0000; font-size: small;\"\u003e\u003cbr\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003eShort films by 12 artists\u003cbr\u003eCurated by Jacob Dyrenforth and Eva Respini\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: small;\"\u003e\u003cspan color=\"#FF0000\" size=\"2\" style=\"color: #ff0000;\"\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003eDVD in a 5.5\" x 7.5\" digipak with accompanying booklet\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" color=\"#000000\" style=\"color: #000000; font-size: small;\"\u003e\u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eJ\u0026amp;L Video #2 is the second in a series of DVDs published by J\u0026amp;L Books featuring short films by artists. Videos and Vodka is guest edited by artist Jacob Dyrenforth and curator Eva Respini. Video Salon, known as \"Videos and Vodka\", was a series of non-traditional screenings presented in a domestic setting. Stressing the importance of context in the viewing experience, this series aimed to bring together video makers and their viewers without the intermediary of the art market. This DVD features videos by selected artists. The accompanying booklet considers Video Salon within the history of the medium and non-traditional viewing models.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"2\" color=\"#000000\" style=\"color: #000000; font-size: small;\"\u003eArtists include \u003c\/span\u003e\u003cspan size=\"2\" style=\"font-size: small;\"\u003eGuy Ben-Ner, Ian Cooper, Tanyth Berkeley, Duke and Battersby, Christopher Miner, Ohad Meromi, Lisa Oppenheim, John Pilson, Lisi Raskin, Robin Rhode, Laura Riboli and Halsey Rodman.\u003c\/span\u003e\u003c\/p\u003e","brand":"J \u0026 L","offers":[{"title":"Default Title","offer_id":295121453075,"sku":"BK-0097；BK-0098","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/CANON_Canon_EOS_5D_Mark_II_21703212-21744280356_515b71b2-a047-4ad8-90ea-865284eb6fb5.png?v=1510044608"},{"product_id":"3-projects","title":"3 Projects","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCLASSIC \u0026amp; Galerie Olivier Robert present  \u003cbr\u003eCatalog of Asger Carlsen‘s first solo show in Paris \u003cbr\u003eCopublished by CLASSIC \u0026amp; Galerie Olivier Robert \u003cbr\u003eIntroduction by Laure Flammarion \u003c\/p\u003e\n\u003cp\u003eFirst edition of 300 copies\u003cbr\u003eLatex dust jacket \u003cbr\u003eSoft cover – 32 pages \u003cbr\u003eB\u0026amp;W offset printing – 20x27cm\u003c\/p\u003e\n\u003cp\u003e© CLASSIC \u0026amp; Galerie Olivier Robert 2014\u003c\/p\u003e","brand":"Asger Carlsen","offers":[{"title":"Default Title","offer_id":295346176019,"sku":"BK-0090","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/CANON_Canon_EOS_5D_Mark_II_22083116-22124184384.png?v=1510045097"},{"product_id":"164-on-the-equater","title":"164 on the Equater","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003ePresented body of work is \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003ean exploration of authorial intervention and implied narrative\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e. It was created in Indonesia, over the course of two months of 2014. Charles and Thomas collected a series of photographs, \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003econstructing a surrealistic world of their own\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe series \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003econtains documentary-style images, juxtaposed with photogs having an intentionality of studio-based reality\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e, composed from the documentary and fiction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePhotography by Charles Negre \u0026amp; Thomas Rousset\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eEdited and designed by Études Studio\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePublished by Études Books, Paris\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eImage post production by Janvier\u003c\/p\u003e\n\u003cp\u003eFirst edition, 500 copies\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eNovember 2015, printed in EU\u003c\/p\u003e\n\u003cp\u003e©2015, Études Books for this edition\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e©2015, Charles Negre \u0026amp; Thomas Rousset for the images\u003c\/p\u003e\n\u003cp\u003eSpecificities :\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e80 pages full color offset\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e24 x33 cm \/ 9,5’’x13’’\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSoft cover + PVC dust cover\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eText Insert - Language: English \/ French\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePublication date: November 2015\u003c\/p\u003e","brand":"Charles Negre \u0026 Thomas Rousset","offers":[{"title":"Default Title","offer_id":308551450643,"sku":"BK-0092","price":42.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/CANON_Canon_EOS_5D_Mark_II_22218988-22260056398.png?v=1510130959"},{"product_id":"citizen","title":"CITIZEN","description":"\u003cp\u003eYoung Swedish photographer Marten Lange’s work has often been likened to an almost scientific process of collecting and collating specimens from the natural world. His handsome book for Paris imprint Etudes, \u003ci\u003eCitizen\u003c\/i\u003e, shifts positions. Featuring a series of crisp, black-and-white portraits of pigeons, the book displays an anthropomorphic sensibility from the start. Framed as classic busts, there’s a particular sadness or pathos to these images – an isolation and desperation. We can’t help but impose our own emotional and very human baggage. The allegorical potential of the title, \u003ci\u003eCitizen\u003c\/i\u003e, leads us down another path. Perhaps a reflection on society, this succinct book poses questions of restriction and potential. These pigeons may be free from the cage, but we corral and trap them with our expectations, conventions and mythologies.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePhotography by Mårten Lange\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eEdited and designed by Études Studio\u003c\/p\u003e\n\u003cp\u003ePublished by Études Books, Paris\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eImage post production by Janvier\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eFirst edition, 500 copies\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMay 2015, printed in EU\u003c\/p\u003e\n\u003cp\u003e©2015, Études Books for this edition\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eand Mårten Lange for the images.\u003c\/p\u003e\n\u003cp\u003eSpecificities :\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e32 pages full color offset\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e22 x28 cm | 8.5’’ x 11’’\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eGreen cloth cover with embossing on front,\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eFive dust cover variations\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003ePublication date: May 2015\u003c\/p\u003e","brand":"Mårten Lange","offers":[{"title":"Default Title","offer_id":308657225747,"sku":"BK-0091","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/CANON_Canon_EOS_5D_Mark_II_22237228-22278296400.png?v=1510132453"},{"product_id":"ekaterina","title":"Ekaterina","description":"\u003cp\u003eWinner Foam Paul Huf Award 2017\u003c\/p\u003e\n\u003cp\u003eRomain Mader’s work explores themes of gender-representation, loneliness and romance by creating fictional narratives within his images. In Ekaterina Romain travels to the imaginary city of EKATERINA and documents his search for a girlfriend,  clumsily posing with mail-order brides and passing through a series of fictional towns meeting numerous “Ekaterinas” until he finally finds his bride.\u003c\/p\u003e\n\u003cp\u003eExplaining his reasoning for making himself the protagonist Romain Mader’s says: 'It's too easy to mock people. It's better to pose myself and be the main character in my work. This way, there's irony and vulnerability.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003eMÖREL Book, London \u003cbr\u003eLimited Edition of 750 \u003cbr\u003e204 Pages \u003cbr\u003e15.5 X 21 cm\n\u003cp\u003e \u003c\/p\u003e","brand":"ROMAIN MADER","offers":[{"title":"Default Title","offer_id":308817133587,"sku":"BK-0088","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/CANON_Canon_EOS_5D_Mark_II_21915500-21956568368.png?v=1510081668"},{"product_id":"hotel-1-1a-1bis","title":"Hotel 1 1a 1bis","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e'If one were looking to tie this work down via iconography (precisely the wrong approach), one might be tempted to see Angeletti as here pursuing a semi-oblique feminist agenda orbiting around performance, role-play, adornment, containment. But she seems more interested in scrambled typologies and the uneasy pleasures of, to quote René Magritte, the treachery of images. If pre-existing, these photographs meant one thing in a catalogue, museum or wherever, and now they signify something else or, intrinsically, nothing at all: detached, rivulets in a larger directional flow. 'Thanks, Internet,' such work murmurs. Like many artists in their twenties, Angeletti wants to denote that presiding context without directly addressing it, performing its knock-on effect on materialist media.' Extract by Martin Herbert,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrieze Magazine\u003c\/em\u003e, Oct. 2012\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003eMÖREL Book\u003cspan\u003e, London\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eLimited Edition of 500\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e102 Pages\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e20 X 29.7 cm\u003c\/div\u003e","brand":"MARIE ANGELETTI","offers":[{"title":"Default Title","offer_id":308925169683,"sku":"BK-0087","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/CANON_Canon_EOS_5D_Mark_II_19322028-19370072_313.png?v=1510086084"},{"product_id":"windows-mirrors-tabletops-signed","title":"Windows Mirrors Tabletops (Rare \u0026 Signed)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eLucas Blalock plays with the conventions of photography by exploring its limits and inherent contradictions. He examines not only the photograph’s subject but also the internal information of its making. Transposing Bertholt Brecht’s theory of alienation into photography by making the mechanics of the tools of production an evident part of the picture, Blalock then forces the viewer to question the conflicting realities set before them and, in turn, the contemporary condition of photography itself.\u003cbr\u003e\u003cbr\u003eIncludes a conversation between David Campany and Lucas Blalock\u003c\/span\u003e\u003c\/p\u003e\nMÖREL Book\u003cspan\u003e, London\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003eLimited\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eEdition of 1000\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e238 pages\u003cbr\u003eHard Cover\u003cbr\u003e20 X 25 cm \u003c\/span\u003e\u003c\/div\u003e","brand":"Lucas Blalock","offers":[{"title":"Default Title","offer_id":309054308371,"sku":"BK-0085","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/CANON_Canon_EOS_5D_Mark_II_22039788-22080856379.png?v=1510132732"},{"product_id":"market-tote","title":"Market Tote","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003eLeather in \u003cspan\u003ePorcelain\u003c\/span\u003e, cutted on one whole piece of leather, including a linen pouch with waxed-cotton cord. Some stretch and shedding may occur. \u003cbr\u003eWipe with dry cloth or professionally clean. \u003cbr\u003eDesign by Various Projects\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eLeather, Linen\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eOne Size, \u003c\/span\u003e12\" W x 21\" H x 8\" D\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(30cm W x 53cm H x 20cm D)\u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eUnisex \u003c\/span\u003e \u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eMade in New York\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003estyled with\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ca href=\"https:\/\/3ssstudios.com\/collections\/knitwear\/products\/paper-sweater-2-yarns-1\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCrista Seya Paper Sweater 2 yarns Mustard\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/3ssstudios.com\/collections\/clothing\/products\/pressed-trousers\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCrista Seya Pressed Trousers\u003c\/a\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch5\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maharam","offers":[{"title":"Default Title","offer_id":369904484371,"sku":"WA-MHR-0001","price":185.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/R0060287.png?v=1510269016"},{"product_id":"october-bag-etudes-blue","title":"Etudes October Tote Bag Blue","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eLarge tote bag made from Études Blue cotton twill,\u003c\/span\u003e with screen printed white Études logo.\u003c\/p\u003e\n100% cotton\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMachine washable at 30°\u003cspan\u003e \u003c\/span\u003e \u003cbr\u003eOne Size, 45 cm \/ 35 cm\/ 10 cm,\u003cspan\u003e \u003c\/span\u003eHandles 75 cm \u003cbr\u003eUnisex  \u003cbr\u003eMade in Portugal","brand":"ÉTUDES","offers":[{"title":"OS","offer_id":370922291219,"sku":"MA-ETS-0066","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/etudes-studio-october-bag-etudes-blue-8901-1469961213_7dc688f5-46fa-4db4-8c18-dac2fff3aa5f.png?v=1539916990"},{"product_id":"october-bag","title":"Etudes November Tote Bag Black","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eLarge tote bag made from black cotton twill,\u003c\/span\u003e with screen printed white Études logo.\u003c\/p\u003e\n100% cotton\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMachine washable at 30°\u003cspan\u003e \u003c\/span\u003e \u003cbr\u003eOne Size, 45 cm \/ 35 cm\/ 10 cm,\u003cspan\u003e \u003c\/span\u003eHandles 75 cm \u003cbr\u003eUnisex  \u003cbr\u003eMade in Portugal\n\u003ch5\u003e\u003cstrong\u003eStyled with\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ca href=\"https:\/\/3ssstudios.com\/collections\/hats\/products\/italian-flipucci-mohair-hat-2\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePronounce Italian Flibucci Mohair Hat Coffee\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/3ssstudios.com\/collections\/knitwear\/products\/echo-wool-camel-sweater\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eÉtudes Echo Wool Camel Sweater\u003c\/span\u003e\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/3ssstudios.com\/collections\/bottom\/products\/makeshift-pm-navy\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eÉtudes Makeshift Pm Trousers\u003c\/a\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ÉTUDES","offers":[{"title":"OS","offer_id":371631390739,"sku":"MA-ETS-0071","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/etudes-studio-october-bag-black-8899-1469961137.png?v=1539917030"},{"product_id":"october-europa","title":"October Europa Blue","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLarge tote bag made from blue cotton twill, with embroidered European logo. Screen printed Études Studio logo.\u003c\/p\u003e\n100% cotton\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMachine washable at 30°\u003cspan\u003e \u003c\/span\u003e \u003cbr\u003eOne Size, 45 cm \/ 35 cm\/ 10 cm,\u003cspan\u003e \u003c\/span\u003eHandles 75 cm \u003cbr\u003eUnisex  \u003cbr\u003eMade in Portugal\n\u003ch5\u003e\u003c\/h5\u003e","brand":"ÉTUDES","offers":[{"title":"OS","offer_id":372115374099,"sku":"MA-ETS-0072","price":82.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/etudes-studio-october-europa-etudes-blue-8801-1469726019.png?v=1510275215"},{"product_id":"television-alpaca-navy","title":"Television Alpaca","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLarge navy alpaca scarf.\u003c\/p\u003e\n\u003cp\u003e60% Alpaca, 25% Virgin Wool, 15% Pa\u003cbr\u003eHand wash\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eOne Size. Dimensions: 300 x 50 cm\u003cbr\u003eFabric from Italy\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eMade in Italy\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch5\u003e\u003cstrong\u003eStyled with\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/3ssstudios.com\/collections\/top\/products\/page-europa-t-shirt\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eÉtudes Page Europa T-shirt\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/3ssstudios.com\/collections\/bottom\/products\/corner-denim\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eÉtudes Corner Denim Stone\u003c\/a\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch5\u003e\u003c\/h5\u003e","brand":"ÉTUDES","offers":[{"title":"Default Title","offer_id":373014790163,"sku":"MA-ETS-0068","price":117.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/1702-ETUDES-N11-SCARVES-3091_r.png?v=1510278248"},{"product_id":"les-lies","title":"Les Lies","description":"\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003eLeslie Zhang is a very active young photographer in China for recent years. His photography works often featured in Vogue, T magazine, i-d and other maga- zines. This photobook named LesLies is a collection of his new works taken from 2015 to 2017.\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cbr\u003e\u003cspan\u003e“While going through the images that he thoughtfully puts together in this book, I found myself once again savouring a film—not just stills—and inbetween there was a path of secret synergy.” \u003c\/span\u003e\u003cspan\u003e– Chen Zhou,2017 \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003eImageless, Wuxi, China \u003cbr\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eSize: 215*280 mm \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eLimited Edition: 600 \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Leslie Zhang","offers":[{"title":"Default Title","offer_id":1143629250579,"sku":"","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/leslies.jpg?v=1517727719"},{"product_id":"summer-time-下河","title":"Summer Time \/ 下河","description":"\u003cdiv class=\"page\" title=\"Page 8\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eIn summer days , to those who live in the south of Guizhou province, the coolest thing is to go into mountains and dive into the water of valley. The young photographer 214 also enjoys this, he loves to take photos when he gets down into the river to escape from the summer heat.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eAbout this series of photos, photographer Zhang Jungang(K1973) commented: \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003e214’s photographs, is a kind of creative practice using ordinary stuff, about unpredicted beauty. Or in another words, his photographs is to express an inexplicable praise to the mother nature through photography language. Or in another words\u003c\/span\u003e\u003cspan\u003e， \u003c\/span\u003e\u003cspan\u003eso-called 214’s photographs, is to nap-of-the-earth close to \u003c\/span\u003e\u003cspan\u003ethe surface of reality, to avoid dangerous clichés, to hit the light and wonder.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cdiv class=\"page\" title=\"Page 8\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eImageless, Wuxi, China\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eSize: 160*225 mm \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eLimited Edition: 300 \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"214","offers":[{"title":"Default Title","offer_id":1143646879763,"sku":"","price":38.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/c5964b685919f0dd75a60c663ae9934e.jpg?v=1517727658"},{"product_id":"maiden-vovage","title":"Maiden Voyage","description":"\u003cdiv class=\"page\" title=\"Page 10\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003eAmiko Li is a visual artist lives between New York and Shanghai. He created a beautiful photo series titled ——\u003c\/span\u003e\u003cspan\u003e《\u003c\/span\u003e\u003cspan\u003eMaiden Voyage\u003c\/span\u003e\u003cspan\u003e》\u003c\/span\u003e\u003cspan\u003eover the past five years. This work is the diary of a vision of a magic world. These portraits, self-portraits, discovered still lives and florid fragments in \u003c\/span\u003e\u003cspan\u003e《\u003c\/span\u003e\u003cspan\u003eMaiden Voyage\u003c\/span\u003e\u003cspan\u003e》 \u003c\/span\u003e\u003cspan\u003eform a private diary.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003eWe cooperated with Amoki Li to edit his works into a book. \u003c\/span\u003e\u003cspan\u003eIt is unique new photobook containing “gilded tableaux of pure delightful uncertainty” builds a distinctive and alluring world around a young photographer’s vision.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eImageless, Wuxi, China\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003e \u003c\/span\u003e\n\u003cdiv class=\"page\" title=\"Page 10\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eSize: 190*240 mm \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"column\"\u003e\u003cspan\u003eLimited Edition: 300 \u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Amiko Li","offers":[{"title":"Default Title","offer_id":1143649173523,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/maidonvoyage.jpg?v=1517730246"},{"product_id":"imageless-iv","title":"Imageless IV","description":"\u003cdiv class=\"page\" title=\"Page 22\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eImageless, Zineless\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn this book, we selected 8 young and talented Chinese photographers' work.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e They are Deng Yun, Chen Zhuo, Tao Siqi, Yang Yanyuan, Xing Lei, Ning Kai\u0026amp;Sabrina Scarpa, Zhang Jian, Liu Yuan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Imageless","offers":[{"title":"Default Title","offer_id":1143660707859,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/X.jpg?v=1517730155"},{"product_id":"the-guesthouse-of-cascades-瀑布招待所","title":"THE GUESTHOUSE OF CASCADES \/ 瀑布招待所","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cu\u003e\u003cb\u003eBook Info\u003c\/b\u003e\u003c\/u\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn “Waterfall Hotel”, faint clues lead readers on a journey between reality and illusion, beginning from a hotel built in the 90s of the last century in deep mountain. The unknown present moments are mixed with the past memories and experience. The “beasts” in gaps appear gradually clear beyond the images. Every page of the book is like a slice of time. It forms a whole with flowing structure through folding\/expanding, covering\/separating, stitching\/cutting. From “direct” photography, to photos adding fictional elements, and to 3D modeling and animation using photo as materials, what this book presents is not one series of her works, but a new works produced by grabbing and selecting from her complex images. The process is following roads hidden behind her creations all the time. Like “waterfall” in the title, the images naturally flow and tilt to form narratives, to form cliffs and shoals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cu\u003e\u003cb\u003eAbout  Wenxin Zhang\u003c\/b\u003e\u003c\/u\u003e\u003cbr\u003e\u003cspan\u003eWenxin Zhang was born in 1989 and currently lives and works in Anhui. She has received her MFA degree at California College of the Arts in 2013. Zhang was a receiver of the Magnum Foundation Atlantic Philanthropies Grant in 2015, and she was selected as British Journal of Photograph’s 2016 New Talent. She was also a finalist in 2014 Three Shadows Photography Award and the 2014 Leica Oskar Barnack Newcomer Award. She has also participated in artist residencies and exhibitions in both China and overseas. Zhang utilizes video, CG, photography and installation, as well as combines writing and music to create process-oriented perceptual experience that usually starts from everyday experience and then grows into the continuous reflections on time and transcendence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSize: 285mm*160mm\u003cbr\u003e116 pages\u003cbr\u003eFirst Edition: 800\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eSigned copy available.\u003c\/span\u003e\u003c\/p\u003e","brand":"Zhang Wenxin \/ 张文心","offers":[{"title":"Default Title","offer_id":1149799890963,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/f3de267098ac94591601eeda601111c5.jpg?v=1517728698"},{"product_id":"time-from-different-sources-images-from-ciman-village","title":"TIME FROM DIFFERENT SOURCES: IMAGES FROM CIMAN VILLAGE","description":"\u003cspan style=\"font-weight: 400;\"\u003eThis book is shortlisted in 2017 Arles Author Book Award.  Signed copy available.\u003c\/span\u003e\u003cbr style=\"font-weight: 400;\"\u003e\n\u003cp style=\"font-weight: 400;\"\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003e\u003cstrong style=\"font-style: inherit;\"\u003eAbout the Artist\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eCheng Xinhao,  born in Yunnan Province in 1985, got his Ph.D. from the College of Chemistry and Molecular Engineering in PKU in 2013. As one of the finalists of 2015 Three Shadow Photography Award he won the Shiseido Photographer Prize. His book The Naming of a River was shortlist as the first book award by Aperture- Paris Photo. Now he lives and works as an artist in Kunming, Yunnan.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cb\u003e\u003cstrong style=\"font-style: inherit;\"\u003eAbout the Book\u003c\/strong\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThis is our second publication for artist Cheng Xinhao.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eIn the body of works Cheng uses polyphonic narrative to present the reality of a Naxi village in Southwest China during urbanization. This book, as response of the “comprehensive” series, is visualized polyphony. It’s no exaggeration to say that this is a handmade book in mass production.\u003c\/p\u003e\n\u003cb\u003e\u003cstrong\u003eStatement by the Artist\u003c\/strong\u003e\u003c\/b\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003eFrom the Jade Dragon Mountain, there flows a river called \"the Green Dragon \u003c\/span\u003eRiver\". The Green Dragon River flows through a village called \"Ciman\". Ciman Village has been existed before the largest city, Lijiang in this area. Lijiang was built by a group migrant from the north, and the migrants called themselves the Naxi. The Naxi went on to build the city of Lijiang, and thus became locals. Lijiang became the gateway of Tibet from the Han lands, and at that time, Ciman Village was the first stop as the trading caravans entered Lijiang city. The horses and caravans stopped at the village to rest. The business of the village flourished. As time goes, new roads were built bypassing the village; horses were replaced by cars, and thus Ciman regained its peace. Every year, the waters of the Qinglong (Green Dragon) River rise and fall. Sometimes the river breaks its banks and floods the surrounding fields. The crops in the fields sprout, thrive, ripen and decay at their appointed times, year in and year out. The Naxi have lived on farming for generations. Each year in April, the village is filled with pear blossoms.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\"\u003eToday, Ciman Village is still the first town you pass as you enter Lijiang area. \u003c\/span\u003eThe Huangshan Great Bridge connecting the highway sweeps over the head of the village. The city has grown, while the village has shrunk. Few fields are seen along the banks of the Qinglong River today. The residents of Ciman Village no longer work the fields, and they seem to have accepted the constant roar of traffic over their heads. The days still pass on. The Naxi People, singing their ancient songs, gradually grow old. The youngs gradually leave this place. In the empty space where the city has yet to reach, a new village has risen on the eastern bank of the Qinglong River. People from other provinces have set up shop here, firing bricks, fixing cars, raising pigs and recycling scrap.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIf the city does not come here soon, these new migrants may settle permanently, becoming the new locals. The seemingly tranquil village is being rapidly changed. Here, times from different sources unfold in parallel in everyday life, struggle against each other, and finally homogenized, or find their ways to live together. This artwork is a response to these contingencies of urbanization. The four components of the artwork speak respectively of geological time, contemporary time in the village, historical time in the village, and the tension of the physical body existing within this time. I attempt to reconstruct these coexisting contemporary situations through a polyphonic narrative approach. Instead of a simplified narrative, the complex reality could be represented with its full complexity and flexibility through this method. In the process, the perspective of a fictitious figure and multiple threads are constructed. They rise from unnoticed details, and entangle each other as the narrative progresses, expanding and contracting against each other until all of the images are linked together. Through this way, folding forms in the overarching narrative, while eddies and undercurrents emerge in the linear timeline. Eventually, these images form an analysis of reality that uncovers the discourse lying concealed under its smooth surface.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan\u003eBy \u003c\/span\u003e\u003ca href=\"http:\/\/chengxinhao.me\/\"\u003eCheng Xinhao\u003c\/a\u003e\u003cspan\u003e╱程新皓\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003ca href=\"http:\/\/jiazazhi.com\/\"\u003eJiazazhi Press\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSize: 305mm x 255mm x 40mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e174 pages, Leatherette Hardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFirst Edition: 800,  Published in May 2017\u003c\/span\u003e\u003c\/p\u003e","brand":"Cheng Xinhao \/ 程新皓","offers":[{"title":"Default Title","offer_id":1149848256531,"sku":"","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/chengxinghao.jpg?v=1517728663"},{"product_id":"qu-jing-鼩鼱","title":"QU JING ／ 鼩鼱","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAbout the artist \u003c\/p\u003e\n\u003cp\u003eLin Shu, born in Fujian Province, now lives and works in Beijing. His series “Di Da” (Drip) was listed in the first Three Shadow Photography Award. His another series “Toxic” was exhibited in Japan and France, and was published by zen foto gallery.\u003c\/p\u003e\n\u003cp\u003eAbout the book  \u003c\/p\u003e\n\u003cp\u003e鼩鼱 (Qu Jing) means shrew. This book tells about growth. After moving to Beijing for five years, Lin Shu wanted to put his pictures taken during life and travel into a book. He tries to express through these personal images everyone’s experience of loss and gain, let go and possession, sorrow and joy, during their growth. Brought up in Southeast China, Lin Shu was obsessed by animals in his childhood. Once occasionally he found a shrew (“Qu Jing” in Chinese) in a garden, and tried to catch it but failed. His girlfriend, who appears a lot in this book, is also a “shrew” he tries to catch all the time.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eBy Lin Shu\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by JZZP\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSize: 260 x 185 x 20mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e96 pages, Cloth-bound Hardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFirst Edition: 400 normal edition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAll are signed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished in December 2015\u003c\/span\u003e\u003c\/p\u003e","brand":"Lin Shu \/ 林舒","offers":[{"title":"Default Title","offer_id":1149857923091,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/qujing.jpg?v=1517728635"},{"product_id":"toothbrushes","title":"Toothbrushes","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003ci\u003eToothbrushes\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eby Maxime Guyon\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eDespite their very basic functions, toothbrushes typify a highly diversified, and often cryptic, universe. Design, terminology and features embedded in these everyday objects remind some recent technological developments. This applies in particular to optical fibers whose products sound almost supernatural. Starting from this observation, the goal was to show how extrapolations are pivotal in the creation of a collective imagination. Thus, the principle adopted was to select and apply the enigmatic products descriptions made by optical fibers manufacturers to the toothbrushes photographed by Maxime Guyon. This lexical substitution brings together two regimes of contemporary commodities that belong to radically different regimes but, in many aspects, share the same languages. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAbout Artist\u003cbr\u003e\u003c\/b\u003e\u003cspan\u003eFoam Talent 2016 winner \u003c\/span\u003e\u003ca href=\"http:\/\/maximeguyon.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eMaxime Guyon\u003c\/a\u003e\u003cspan\u003e (France) is currently living and working between Paris, France and Lausanne, Switzerland. Maxime Guyon graduated from the prestigious art school ECAL. His modernist, sharp and colourful images concentrate on the technological evolutions in modern society.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eConcept and photography by Maxime Guyon\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished by Same Paper \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTexts by Joël Vacheron\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigned by Jinkui Zhou\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFirst Edition, 400 Copies\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e72 Pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e31 x 26 cm (book 19 x 14 cm)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePUR Binding\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in Shanghai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished in Hong Kong\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeptember 2017\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eISBN 9789887755913\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e© 2017 Maxime Guyon \u0026amp; Same Paper\u003c\/span\u003e","brand":"Maxime Guyon","offers":[{"title":"Default Title","offer_id":1149880696851,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/toothbrushes.jpg?v=1517730889"},{"product_id":"le-luxe","title":"Le Luxe","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAmerican artist Roe Ethridge's latest book takes its title from the French \"C'est pas du luxe\", an ironic phrase which alludes to the superfluous nature of luxury whilst proclaiming how essential it is to existence. Such paradoxes are fluently woven through Ethridge's oeuvre and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLe Luxe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eencompasses his practice from the past decade, without ever slipping into the moribund gravitas of a retrospective.\u003c\/p\u003e\n\u003cp\u003ePlumbing his diverse image inventories, from personal images and magazine commissions to an archive of online screen shots, the book continues his exploration of picture-making that disavows the potential for creating a finished work. Ethridge para-phrases Eggleston when he states that he is \"at war with the finished\" in an era of digital photography straining towards idealisation. The pristine conditions of photography are undermined in the book's design and riff on Henri Matisse's apposite aphorism \"exactitude is not truth\" (Matisse titled two of his paintings\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLe Luxe\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eComposed in three parts,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLe Luxe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtains an unusual backdrop, the everyday of the artist, who worked from November 2005 to January 2010 on one commission documenting a building in downtown Manhattan on a site adjacent to the World Trade Centre. This narrative offers an uneasy balance to the fissures between analogue and digital and Ethridge's consistent undermining of his own certainties.\u003c\/p\u003e\n\u003cp\u003eRoe Ethridge was born in 1969 in Miami and received a BFA in Photography at The College of Art in Atlanta, GA. Ethridge's images emanate from his direct experience of the world. His focus is multiple and restless as he works to capture the vivid and intimate details of his various locales. In doing so, he moves freely among the classic genres of the photographic medium - portrait, landscape, and still life.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSecond edition\u003c\/p\u003e\n\u003cp\u003e206 pages\u003cbr\u003e200 colour plates\u003cbr\u003e25 cm x 28.5 cm\u003cbr\u003eEmbossed hardcover\u003c\/p\u003e\n\u003cp\u003ePublication date: September 2012\u003c\/p\u003e\n\u003cp\u003eISBN 9781907946080\u003c\/p\u003e","brand":"Roe Ethridge","offers":[{"title":"Default Title","offer_id":6922332274753,"sku":"","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/luxe2nd1_1.jpg?v=1520805217"},{"product_id":"copy-of-le-luxe","title":"Kodachrome","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn 1978 Luigi Ghirri self-published his first book, an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas long been out of print and on the 20th anniversary of Ghirri’s death, MACK is proud to publish the second edition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Ghirri fights to maintain our ability to see. His works are powerful devices for the re-education of the gaze. They alter the perception we have of the world without proposing a single path to follow, rather they provide us with the tools we need to find the one we’re looking for.’\u003c\/em\u003eFrancesco Zanot\u003c\/p\u003e\n\u003cp\u003ePart amateur photo-album, Ghirri presents his surroundings in tightly cropped images, making photographs of photographs and recording the Italian landscape through it’s adverts, postcards, potted plants, walls, windows, and people. His work is deadpan, reflecting a dry wit, and is a continuous engagement with the subject of reality and of landscape as a snapshot of our interaction with the world.\u003c\/p\u003e\n\u003cp\u003eThis new edition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e, alongside French and German translations of the original texts from the book (which were published in English and Italian).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory… to the point at which we might merge with them… The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eLuigi Ghirri\u003c\/p\u003e\n\u003cp\u003eBorn in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992.\u003c\/p\u003e\n\u003cp\u003ePhotography critic and curator Francesco Zanot has been working with some of the most renowned European and international photographers, including Alec Soth and Olivo Barbieri, for over 10 years. He has participated in multiple conferences and seminars on photography in different institutions such as Columbia University in New York and the American Academy in Rome. He is associate editor of Fantom, photographic quarterly magazine based in Milan and New York.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e16 page booklet with a new essay by Francesco Zanot in Italian, English, French and German; and translations of the original texts in French and German\u003c\/p\u003e\n\u003cp\u003e104 pages\u003cbr\u003e92 colour plates\u003cbr\u003e20.2 cm x 27 cm\u003cbr\u003ePaperback with booklet insert\u003c\/p\u003e\n\u003cp\u003ePublication date: November 2012\u003c\/p\u003e\n\u003cp\u003eISBN 9781907946240\u003c\/p\u003e","brand":"Luigi Ghirri","offers":[{"title":"Default Title","offer_id":7006709186625,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/kodachrome_1_1.jpg?v=1520805434"},{"product_id":"sacrifice-your-body","title":"Sacrifice Your Body","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"notbold\"\u003e\n\u003cp\u003eRoe Ethridge’s practice is that of a restless maverick and his constantly evolving visual sensibility has spawned a myriad of copyists in what has become known as ‘the new school of synthetic photography’.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eIn this his latest artist book, Ethridge conflates a rich array of photographic tropes, combining personal documentary images made in western Palm Beach County, his mother’s childhood home, with surreal collage works, and a series discarded from a Chanel fashion shoot. These are interwoven with what appears to be a carefully directed scene depicting a teeth-white Durango SUV sinking into and then being retrieved from a canal. The clash of visual styles, histories and meaning establish a flatline of dissonance underscored by the touchline admonition of the neon title - SACRIFICE YOUR BODY.\u003c\/p\u003e\n\u003cp\u003eEthridge's storytelling invokes a sense of discomfit akin to David Lynch’s film-making, a lucid undermining of veracity and morality and the ingrained materiality that underpins American life.\u003c\/p\u003e\n\u003cp\u003eRoe Ethridge, born in 1969 in Miami, Florida, lives and works in New York. His work has been shown extensively at institutions around the world, including MOMA\/PS1 (2000), Barbican Center, London (2001), Carnegie Museum of Art (2002), Institute of Contemporary Art, Boston (2005), The Whitney Biennial (2008), Museum of Modern Art, New York (2010), Les Recontres D’Arles, France (2011). Solo exhibitions include the Institute of Contemporary Art, Boston, Garage, Moscow, and Le Consortium, Dijon, France (curated by Anne Pontegnie). In 2011 he was shortlisted for the Deutsche Börse Photography Prize.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e128 pages\u003cbr\u003e21.6 cm x 28.8 cm\u003cbr\u003eFlexibound embossed hardcover\u003c\/p\u003e\n\u003cp\u003ePublication date: February 2014\u003c\/p\u003e\n\u003cp\u003eISBN 9781907946615\u003c\/p\u003e","brand":"Roe Ethridge","offers":[{"title":"Default Title","offer_id":7006721900609,"sku":"","price":62.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/syb-cover_1_61917f8c-d080-4d71-bfa2-87c935bf8b26.jpg?v=1520806059"},{"product_id":"almost-there","title":"Almost There (Out of Print)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003ci\u003eUnderstanding the world requires you to keep a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. We need to bring it within the scope of our senses, to stabilise and fix it. When it has been fixed we call it knowledge\u003c\/i\u003e.\u003cbr\u003eKarl Ove Knausgård,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eA Death in the Family\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eAleix Plademunt’s photographic project\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlmost There\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas spurred on by the arrival of a postcard, 101 years late.\u003c\/p\u003e\n\u003cp\u003ePlademunt's images play with scale as he explores time and distance, pulling both notions in the most extreme directions. The journeys begin within as Plademunt looks to his own being and the buildings blocks of his physical existence, from images of his red blood cells to his father in his youth. The narrative then reaches outwards, exploring the classic American documentary tradition of the road trip and the Solar System and beyond to the M79 globular cluster, located 42,000 light years from Earth.\u003c\/p\u003e\n\u003cp\u003ePlademunt’s work has always been rooted in the landscape, and in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlmost There\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehe builds on this with an interrogation of the possibilities of the photographic, pushing the boundaries of each photographic tradition he encounters.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAlmost There\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a book work which presents a challenging constellation of images; vast Canadian terrains precede archeological images of Neanderthal remains, which settle between found objects. Landscapes and skyscapes partner animals and interiors, all culminating in an overriding sense of distance and displacement.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAlmost There\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a constant return journey, an exploration of what is closest and what is furthest away. Ultimately Plademunt communicates his frustration, of never being close enough and never being far enough away, just managing to be almost there.\u003c\/p\u003e\n\u003cp\u003eAleix Plademunt was born in Girona, Catalonia, in 1980. In 1998, he started to study Technical Engineering but switched to study Photography at the Polytechnic University of Catalonia after two years. He is the recipient of many awards including a scholarship to study at the Universidad de las Americas, and the Fotopress09 Scholarship to create the project\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDubaiLand\u003c\/i\u003e. He has had solo exhibitions across the world including France, Spain, Venezuela and the UK and he’s been part of group exhibitions Germany, America, Cambodia and Spain amongst others.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003eCo-published with Ca l'Isidret Edicions\u003c\/p\u003e\n\u003cp\u003e116 pages\u003cbr\u003e66 tritone plates\u003cbr\u003e19 cm x 25 cm\u003cbr\u003ePrinted paper hardcover\u003cbr\u003ePublication date: September 2013\u003c\/p\u003e\n\u003cp\u003eISBN 9781907946547\u003c\/p\u003e","brand":"Aleix Plademunt","offers":[{"title":"Default Title","offer_id":8829967892545,"sku":"","price":150.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/plademunt_almostthere_01.jpg?v=1526688004"},{"product_id":"between-the-shell","title":"Between the Shell (Out of Print)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePaul Salveson’s photographs were born in New York and Virginia between 2006 and 2011. Constructing images in domestic environments from items found in arm’s reach, the results are absurdist constructions in which commonplace objects are jocosely rendered in polychromatic puzzles.\u003c\/p\u003e\n\u003cp\u003eSalveson describes his photographic process as 'unfolding like a private performance in an empty house, or after everyone falls asleep... my engagement emerges from a perspective that precedes familiarity, disregarding the functions and cultural associations that objects are assigned. I try to process my surroundings with an alien mind.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ca href=\"http:\/\/firstbookaward.com\/2013\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eWinner of the 2013\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/firstbookaward.com\/2013\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFirst Book Award \u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003e  \u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003e76 pages\u003cbr\u003e38 colour plates\u003cbr\u003e19 cm x 26 cm\u003cbr\u003eBoard book\n\u003cp\u003ePublication date: November 2013\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eISBN 9781907946431\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paul Salveson","offers":[{"title":"Default Title","offer_id":8830070292545,"sku":"","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/between_the_shell_1.jpg?v=1526688785"},{"product_id":"does-yellow-run-forever","title":"Does Yellow Run Forever?","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003ePaul Graham’s Does Yellow Run Forever?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecomprises a series of photographs touching upon the ephemeral question of what we seek and value in life – love, wealth, beauty, clear-eyed reality or an inner dream world?\u003c\/p\u003e\n\u003cp\u003eThe work weaves in and out of three groups of images: photographs of rainbows from Western Ireland, a sleeping dreamer, and gold stores in the United States. The imagery leads us from reality to dream and illusion, between fact and spectral phenomena, each entwined one within the other.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDoes Yellow Run Forever?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erefuses to reduce the world to a knowable schema, but instead embraces the puzzle - that there are no singular meanings, direct answers, or gold waiting at the end of the rainbow. Yet, there are startling visions in the everyday, be they ‘beautiful’ or ‘ugly’, that there are dreams worth dreaming, magical scenes to be seen, and true moments of wonder to be found as we shiver the mirror of life.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e96 pages\u003cbr\u003e31 colour plates\u003cbr\u003e13.5 cm x 19 cm\u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cbr\u003eEmbossed hardcoverPublication date: September 2014\u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"_2RlBO\"\u003eISBN 9781910164068\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Paul Graham","offers":[{"title":"Default Title","offer_id":8830291148865,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Paul-Graham_cov.jpg?v=1526799272"},{"product_id":"thomas-struth","title":"Thomas Struth","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"pagetextcolumn\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eThe irreconcilable coexistence of two nations determines every aspect of reality... No image exists that overcomes this division.\u003cbr\u003eUlrich Loock\u003c\/p\u003e\n\u003cp\u003eThis book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as “a particle of the conflict of the region”, to photograph, fragment by fragment, the conflicted political and social landscape. Ulrich Loock proposes in his essay in the book that this series of images is unified by “strata of antitheses [which] reveal themselves as a matrix running through the work”, as Struth attempts to grasp the circumscribed reality of a region where coexistence has failed, a reality that is inaccessible to photography.\u003c\/p\u003e\n\u003cp\u003eIn some ways, this extraordinary body of work is a departure from Struth’s traditional practice: all exposures are related to one single geographical and political reality, as if Struth found every aspect of his photographic vision in one place, and as though Israel and the West Bank were a geographical container for the scope of the human condition.\u003c\/p\u003e\n\u003cp\u003eGerman photographer Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of cities, landscapes, portraits, and architectural interiors. He trained at the Kunstakademie Düsseldorf (1973–80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule für Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including Thomas Struth: Photographs 1978–2010(2010), and Thomas Struth: Unconscious Places (2012).\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e60 pages\u003cbr\u003e16 colour plates\u003cbr\u003e31.5 cm x 29.5 cm\u003cbr\u003eHardcover\u003c\/p\u003e\n\u003cp\u003ePublication date: November 2014\u003c\/p\u003e\n\u003cp\u003eISBN 9781910164129\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bookpageSpec\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Thomas Struth","offers":[{"title":"Default Title","offer_id":8830313889857,"sku":"","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Thomas_Struth_COV.jpg?v=1526799217"},{"product_id":"lago","title":"Lago","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"pagetextcolumn\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e“…I know it happened, and I have enough information about it to reconstruct the whole scene to my own satisfaction, but the person to whom it happened is somewhere so far off that I only know it’s me because I can see his face, and because I’m the one remembering.”\u003c\/em\u003eJohn Darnielle,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWolf in White Van\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLago\u003c\/em\u003e, Ron Jude returns to the California desert of his early childhood as if a detective in search of clues to his own identity. In a book of 54 photographs made between 2011 and 2014, he attempts to reconcile the vagaries of memory (and the uncertainty of looking) with our need to make narrative sense of things. Using a desolate desert lake as a theatrical backdrop, Jude meanders through the arid landscape of his youth, making note of everything from venomous spiders to discarded pornography. If one considers these traces to be a coded language of some sort, Jude’s act of photographing and piecing them together becomes a form of cryptography – like a poetic archeology that, rather than attempting to arrive at something conclusive, looks for patterns and rhythms that create congruity out of the stuttering utterances of the visible world. According to Jude, “these harmonies, when we’re lucky enough to find them, are probably the closest we can get to discovering actual ‘meaning’ and grasping the potency of place.”\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e96 pages\u003cbr\u003e55 colour plates\u003cbr\u003e24.1 cm x 29.2 cm\u003cbr\u003eEmbossed and printed linen hardcover\u003c\/p\u003e\n\u003cp\u003ePublication date: September 2015\u003c\/p\u003e\n\u003cp\u003eISBN 9781910164341\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bookpageSpec\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ron Jude","offers":[{"title":"Default Title","offer_id":8830372413505,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Ron-Jude_LAGO_18.jpg?v=1526691044"},{"product_id":"the-voyage-of-discovery","title":"The Voyage of Discovery","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eA few hundred years hence, in this same place, another traveller, as despairing as myself, will mourn the disappearance of what I might have seen, but failed to see. I am subject to a double infirmity: I am hurt by everything I see, and I constantly reproach myself for not looking as much as I should.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eClaude Lévi-Strauss, \"Tristes Tropiques\"\u003c\/p\u003e\n\u003cp\u003eCarly Steinbrunn’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Voyage of Discovery\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eposes as the scientific report of a mission to discover and describe unknown worlds. The photographs present an inventory of findings, with an encyclopaedic curiosity reminiscent of the expeditionary narratives of James Cook and the travelogues of Claude Lévi-Strauss.\u003c\/p\u003e\n\u003cp\u003eTouching upon the realms of geography, botanics, anthropology and zoology, Steinbrunn’s body of work borrows from the varied approaches of the scientific register, and from the history of photography. Echoing Le Gray and Blossfeldt to evoke the aesthetic catalogue of photography’s own evolution, Steinbrunn also enfolds found images to question the transparency of the medium, where a photograph is simultaneously an index of reality and a fabrication.\u003c\/p\u003e\n\u003cp\u003eSteinbrunn’s project is wilfully inconclusive, offering only signs to a pathway through a territory that exists only within the universe of her book. Ultimately, the work bears reference to that particular history which links photography to exploration – the successive conquests of the sea, the air and outer space – and Steinbrunn suggests that, in an age where every island has been charted, every frontier has been breached, the only journey left is inside the image itself.\u003c\/p\u003e\n\u003cp\u003eCarly Steinbrunn (b, 1982) is a French artist who lives and works in London.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Voyage of Discovery\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis her first book. She is currently developing\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Astronomical Unit,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein collaboration with the Société Française de Photographie in Paris, a project inspired by Jules Janssen’s journey to Japan in 1874 attempting to photograph the transit of Venus.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bookpageSpec\"\u003e\n\u003cp\u003e96 pages\u003cbr\u003e21 cm x 26 cm\u003cbr\u003eSoftcover with jacket\u003c\/p\u003e\n\u003cp\u003ePublication date: September 2015\u003c\/p\u003e\n\u003cp\u003eISBN 9781910164334\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Carly Steinbrunn","offers":[{"title":"Default Title","offer_id":8837682397249,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/A-voyage_cover_copy_copy.jpg?v=1526798477"},{"product_id":"a-handful-of-dust","title":"A Handful of Dust","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Waste Land.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“I will show you fear in a handful of dust.”\u003c\/p\u003e\n\u003cp\u003eAnd what if dust is really the key to the intervening years? Why do we dislike it? Is it cosmic? We are stardust, after all. Is it domestic? Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. But it has a story to tell from the other side.\u003c\/p\u003e\n\u003cp\u003eCampany’s connections range far and wide, from aerial reconnaissance and the American dustbowl to Mussolini’s final car journey and the wars in Iraq.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill accompany Campany’s exhibition of the same name, curated for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"ttp:\/\/en.le-bal.com\/fr\/mh\/les-expositions\/upcoming-exhibitions\/a-handful-of-dust\/\"\u003eLe Bal, Paris\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(16 October 2015 – 17 January 2016), with works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Gerhard Richter, Xavier Ribas, Nick Waplington, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e232 pages\u003cbr\u003e180 colour plates\u003cbr\u003e20 cm x 24 cm\u003cbr\u003ePaperback\u003cbr\u003e2 books\u003c\/p\u003e\n\u003cp\u003ePublication date: May 2017\u003c\/p\u003e\n\u003cp\u003eISBN 9781910164969\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"bookpageSpec\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"David Campany","offers":[{"title":"Default Title","offer_id":8837715558465,"sku":"","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/campany1.jpg?v=1526798752"},{"product_id":"shelter-island","title":"Shelter Island","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eShelter Island\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecomprises a body of work made by Roe Ethridge during a summer stay in Long Island, New York. Renting an all-American kit house, Ethridge and his family discovered objects stowed in the garage, things discarded by a different family and from a different moment in time. The faded objects, which are leitmotifs of an Americana of the past, speak of a lifetime of childhood summers: dusty Cola bottles, a plastic bat or fallen kite. In Ethridge’s work, the passage of time, and youth itself, is both acutely personal and stylised, in images that are at once synthetic and spontaneous, laden with familiar photographic tropes which are shown to us askance.\u003c\/p\u003e\n\u003cp\u003eRoe Ethridge, born in 1969 in Miami, Florida, lives and works in New York. His work has been shown extensively at institutions around the world, including MOMA\/PS1 (2000), Barbican Center, London (2001), Carnegie Museum of Art (2002), Institute of Contemporary Art, Boston (2005), The Whitney Biennial (2008), Museum of Modern Art, New York (2010), Les Recontres D’Arles, France (2011). Solo exhibitions include the Institute of Contemporary Art, Boston, Garage, Moscow, and Le Consortium, Dijon, France (curated by Anne Pontegnie). In 2011 he was shortlisted for the Deutsche Börse Photography Prize.\u003c\/p\u003e\n\u003cp\u003ePrevious monographs include\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"text-decoration: underline; color: #674ea7;\"\u003e\u003ca href=\"https:\/\/3ssstudios.com\/collections\/mack-books\/products\/le-luxe\" style=\"color: #674ea7;\"\u003e\u003cem\u003eLe Luxe\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(MACK, 2012) and\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"text-decoration: underline; color: #351c75;\"\u003e\u003ca href=\"https:\/\/3ssstudios.com\/collections\/mack-books\/products\/sacrifice-your-body\" style=\"color: #351c75;\"\u003e\u003cem\u003eSacrifice Your Body\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(MACK, 2014).\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e32 pages\u003cbr\u003e15 colour plates\u003cbr\u003e23.8 cm x 32.3 cm\u003c\/p\u003e\n\u003cp\u003ePublication date: January 2016\u003c\/p\u003e\n\u003cp\u003eISBN 9781910164525\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Roe Ethridge","offers":[{"title":"Default Title","offer_id":8860417097793,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Shelter_Island__2_1.jpg?v=1526960597"},{"product_id":"confabulations","title":"Confabulations","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA dictionary will tell you that confabulations are memory disturbances; the production of fabricated, distorted memories about oneself and the world, but without a conscious intention to deceive.\u003c\/p\u003e\n\u003cp\u003e“Subjectivity is not the master signifier of the image,” writes Ina Blom of Rødland’s work, “Nor is it lost in a vortex of abstractions: it is quite simply one point of connectivity among many. The camera, with its associated range of lenses, aperture settings, lighting devices, and film types, is another. […] The emphatic sheen, sleek glamour and casual perversity still thrive, but they take on an independent existence as new textural realities – as if to speak of a material world that we can never fully know.\"\u003c\/p\u003e\n\u003cp\u003eWith\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eConfabulations\u003c\/em\u003e, Torbjørn Rødland presents a set of analogue photographs that subtly misrepresents broken memories and childhood fantasies.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eConfabulations\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edistorts facts to get to truth. Fragmentation is neither rejected nor induced in this unitary approach, but seen as a starting point for new connections. Beneath a million silly memes Rødland is looking for new soul.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e112 pages\u003cbr\u003e64 colour plates\u003cbr\u003e21.6 cm x 28 cm\u003c\/p\u003e\n\u003cp\u003ePublication date: June 2016\u003c\/p\u003e\n\u003cp\u003eISBN 9781910164631\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Torbjørn Rødland","offers":[{"title":"Default Title","offer_id":8860464513089,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Rodland-1.jpg?v=1526961303"},{"product_id":"zzyzx","title":"ZZYZX","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e[…] traditional American landscape photography has become a rather moribund photographic trope [...] a sanctified, cliched reverence has become the norm. In Halpern’s California work, I see him removing himself from the comforts of the past and endeavoring to strike out afresh, rethinking his conditioning and antecedents to break free of this particular mould.\u003c\/em\u003e\u003cbr\u003e— Chris Killip\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeauty and its implication of promise is the metaphor that gives art its value. It helps us rediscover some of our best intuitions, the ones that encourage caring.\u003c\/em\u003e\u003cbr\u003e— Robert Adams\u003c\/p\u003e\n\u003cp\u003eThe early settlers dubbed California\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Golden State\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Land of Milk and Honey\u003c\/em\u003e. Today there are the obvious ironies – sprawl, spaghetti junctions and skid row—but the place is not so easily distilled or visualized, either as a clichéd paradise or as its demise. There’s a strange kind of harmony when it’s all seen together—the sublime, the psychedelic, the self-destructive. Like all places, it’s unpredictable and contradictory, but to greater extremes. Cultures and histories coexist, the beautiful sits next to the ugly, the redemptive next to the despairing, and all under a strange and singular light, as transcendent as it is harsh.\u003c\/p\u003e\n\u003cp\u003eThe pictures in this book begin in the desert east of Los Angeles and move west through the city, ending at the Pacific. This general westward movement alludes to a thirst for water, as well as the original expansion of America, which was born in the East and which hungrily drove itself West until reaching the Pacific, thereby fulfilling its “manifest” destiny.\u003c\/p\u003e\n\u003cp\u003eThe people, places, and animals in the book did exist before Halpern’s camera, but he has sewn these photographs into a work of fiction or fantasy—a structure, sequence and edit which, like Los Angeles itself, teeters on the brink of collapsing under the weight of its own strangely-shaped mass.\u003c\/p\u003e\n\u003cp\u003eGregory Halpern was born in 1977 in Buffalo, New York. He has published a number of books, including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOmaha Sketchbook\u003c\/em\u003e(2009) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEast of the Sun, West of the Moon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014), a collaboration with Ahndraya Parlato. He also edited, along with Jason Fulford,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Photographer’s Playbook: Over 250 Assignments and Ideas\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014). He holds a BA in History and Literature from Harvard University and an MFA from California College of the Arts. In 2014 he was the recipient of a Guggenheim Fellowship.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eWinner of Photobook of the Year at the 2016 Paris Photo–Aperture PhotoBook Awards\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e128 pages\u003cbr\u003e77 colour plates\u003cbr\u003e24 cm x 29 cm\u003cbr\u003eSilkscreen printed hardcover\u003cbr\u003eFirst edition, Third printing\u003c\/p\u003e\n\u003cp\u003ePublication date: April 2017\u003c\/p\u003e\n\u003cp\u003eISBN 9781910164655\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Gregory Halpern","offers":[{"title":"Default Title","offer_id":8860512911425,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/zzyzx_1.jpg?v=1526961709"},{"product_id":"live-in-the-house-and-it-will-not-fall-down","title":"Deep Springs ( Out of Print )","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eContis’s photographs capture the strange beauty of macro and microcosmic views in the high desert. The indistinguishableness of earth and body and the sensual echoes of human and animal give her works an Ovidian sense of imminent metamorphoses.\u003c\/em\u003e\u003cspan\u003e – Lawrence Rinder \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe images in Sam Contis's \u003c\/span\u003e\u003cem\u003eDeep Springs\u003c\/em\u003e\u003cspan\u003e were made in a remote desert valley east of the Sierra Nevada. The work centres on a small, all-male liberal arts college, founded in 1917 by the educational pioneer L. L. Nunn. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe college and its surroundings provide a stage on which Contis explores the construction of myth, place, and masculine identity. Bringing together new photographs with pictures made by the first students at the college a century ago, \u003c\/span\u003e\u003cem\u003eDeep Springs\u003c\/em\u003e\u003cspan\u003e engages with the enduring image of the American West––one that Hollywood, mass media, and the history of American photography have imprinted into the collective psyche. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSam Contis lives and works in California. Her work is represented in the collections of LACMA, the Yale University Art Gallery, and the Whitney Museum of American Art and has recently been exhibited in solo shows at the Berkeley Art Museum and Pacific Film Archive and Klaus von Nichtssagend Gallery in New York. In 2018, her work will be on view in “Being: New Photography” at the Museum of Modern Art. \u003c\/span\u003e\u003cem\u003eDeep Springs\u003c\/em\u003e\u003cspan\u003e is her first book.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePrinted paper-over-board foil embossed hardback\u003c\/p\u003e\n\u003cp\u003e152 pages\u003cbr\u003e48 colour plates\u003cbr\u003e51 duotone plates\u003cbr\u003e24 cm x 28.8 cm\u003c\/p\u003e\n\u003cp\u003ePublication date: May 2017\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-910164-86-0\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alessandro Laita \u0026 Chiaralice Rizzi","offers":[{"title":"Default Title","offer_id":8860555182145,"sku":"","price":70.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Contis_1.jpg?v=1526962592"},{"product_id":"pictures-from-home","title":"Pictures From Home","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eWhat drives me to continue this work is difficult to name. It has more to do with love than with sociology. With being a subject in the drama rather than a witness. And in the odd and jumbled process of working, everything shifts: the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows.’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Larry Sultan\u003c\/p\u003e\n\u003cp\u003eFirst published in 1992 to wide critical acclaim,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePictures From Home\u003c\/em\u003eis Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work.\u003c\/p\u003e\n\u003cp\u003eSignificantly increasing the page count of the original book, this MACK design of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePictures From Home\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eclarifies the multiplicity of voices – both textual and pictorial – in order to afford a fresh perspective of this seminal body of work. Emphasising the cinematic motion of the family’s home videos, the Super-8 film stills have been newly digitised and magnified, with select scenes running full-bleed across double-page spreads. Meanwhile, Sultan’s photographs of his parents as they go about their daily lives – against the quintessential backdrop of the Reagan-era American dream – are supplemented with previously unpublished images. Most significantly, the book honours Sultan as the oft-hailed ‘King of Colour Photography’.\u003c\/p\u003e\n\u003cp\u003eLarry Sultan (b. 1946, Brooklyn; d. 2009, California) grew up in California’s San Fernando Valley, which became a source of inspiration for a number of his projects. His work blends documentary and staged photography to create images of the psychological as well as physical landscape of suburban family life. Sultan’s work has been exhibited and published widely. Most recently, the Los Angeles County Museum presented a retrospective exhibition dedicated to Sultan. His photography is included in the collections of the Los Angeles County Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the Solomon Guggenheim Museum, and the San Francisco Museum of Modern Art. Sultan served as a Distinguished Professor of Photography at California College of the Arts in San Francisco.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This is one of the most significant American photobooks of the 1990s\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eParr + Badger Vol. II\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In the wake of his passing I reread\u003cspan\u003e \u003c\/span\u003ePictures From Home.Unbelievable. Has there ever been a photographer who writes better than Sultan? I’m certain that nobody has done a better job combining text and pictures. In this regard,\u003cspan\u003e \u003c\/span\u003ePictures From Home\u003cspan\u003e \u003c\/span\u003eis the absolute zenith. Plainspoken, smart and brutally honest, it is a masterpiece of narrative photography.”\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Alec Soth\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"one of the most moving and indelible family portraits I’ve ever read\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e- Dave Eggers\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"What is\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ePictures from Home?\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eA memoir, a scrapbook, a cry of pain, and an album of bitterly affectionate photographs. Larry Sultan’s images and words were his reconciliation with the oedipal mess of the American Dream.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– David Campany\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"One of the most incredible things about\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ePictures from Home\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eis how vulnerable Sultan allows himself to be in the text, in which he confronts insecurities about himself and his work, brilliantly deconstructing the project and the challenges of making it. The book’s narrative is profound and deeply moving, while the book’s form breaks with precedent and defies the constraints of any specific genre.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Gregory Halpern\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"The original edition of Pictures from Home was a groundbreaking work of art. This new edition is an even more intense, more immersive experience.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Stephen Shore\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ePictures from Home\u003cem\u003e, Larry Sultan created a brilliant and unprecedented dynamic between his photographs, words, and editing from his parents’ archive of cinefilm footage and family snaps. All of the elements vie for legitimacy and declare their fictions in his reanimation of memories, tightly bound to the forensic scrutiny and adult accountability that he brought to bear on this most personal story of 'home'.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Charlotte Cotton\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eEmbossed paper bound hardcover with printed image tipped-in front and back\u003c\/p\u003e\n\u003cp\u003e196 pages\u003cbr\u003e140 colour plates\u003cbr\u003e23 cm x 27 cm\u003c\/p\u003e\n\u003cp\u003ePublication date: April 2017\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-910164-78-5\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Larry Sultan","offers":[{"title":"Default Title","offer_id":8860637888577,"sku":"","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Sultan_1.jpg?v=1526963067"},{"product_id":"nausea","title":"Nausea","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e—taken from the title of Sartre’s 1938 existential novel—is a body of photographs that registers the interiors of public schools in Baton Rouge, Louisiana and Atlanta, Georgia from 1990-92 by American photographer Ron Jude. Departing from mere documentation, Jude lures us into peering through windows, doorways and crevices of walls into empty classrooms and corridors, as we become increasingly conscious of the perils of our own gaze and the uncertainty of looking. \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e established the building blocks for the next twenty-five years of Jude’s photographic output, including \u003c\/span\u003e\u003cem\u003eOther Nature, Alpine Star, Lick Creek Line\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eLago\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the heart of \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e lies the premise that philosophical inquiry might be filtered and consumed through photographs, just as it is filtered through Sartre’s work of literary fiction. Taking as his subject the banality of institutional learning, the monotonous spaces and objects captured in \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e serve as a platform for exploring the nexus between the narrative limitations of photography and consciousness. Employing a distinctive visual language, marked by an acute sense of colour, radical framing and shallow focus, Jude created a world both familiar and uncanny, imbued with a pervasive sense of unease.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo mark the 25th anniversary of the inaugural exhibition of \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e in 1992 at The Photographers’ Gallery in London, Jude has made an entirely new edit of this work. Many of the photographs in this volume have never before been published or exhibited.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRon Jude (b. 1965, Los Angeles) lives and works in Eugene, Oregon. His photographs have been exhibited at galleries including The Photographers’ Gallery, London; Daugeu Cultural Center, South Korea; Proekt_Fabrika, Moscow; and Roth\/Horowitz Gallery, New York. He is the co-founder of A-Jump Books and the author of \u003c\/span\u003e\u003cem\u003eAlpine Star, Postcards, Other Nature\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eEmmett\u003c\/em\u003e\u003cspan\u003e. His other books include \u003c\/span\u003e\u003cem\u003eLago\u003c\/em\u003e\u003cspan\u003e (2015, MACK) and \u003c\/span\u003e\u003cem\u003eLick Creek Line\u003c\/em\u003e\u003cspan\u003e (2012, MACK). Jude has lectured extensively about his work, most recently at The School of the Art Institute of Chicago, and Rochester Institute of Technology. He is represented by Gallery Luisotti in Santa Monica, Robert Morat Galerie in Hamburg, and Galeria Alfacinha in Lisbon. He currently teaches photography at University of Oregon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e96 pages\u003cbr\u003e49 colour plates\u003cbr\u003e22 cm x 26 cm\u003cbr\u003eHardback with embossed raw board cover and silkscreen printed jacket\u003c\/p\u003e\n\u003cp\u003ePublication date: May 2017\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-910164-79-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ron Jude","offers":[{"title":"Default Title","offer_id":8860699787329,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Nausea1.jpg?v=1526963322"},{"product_id":"ravens","title":"Ravens","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"Ravens\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eis one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. Fukase became the singular raven frozen by his camera and immortalized on the cover of his most famous book.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eTomo Kosuga from his essay\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCries of Solitude\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[2017]\u003c\/p\u003e\n\u003cp\u003eConsistently proclaimed as one of the most important photobooks in the history of the medium,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRavens\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003c\/p\u003e\n\u003cp\u003eFukase’s haunting series of work was made between 1975 and 1986 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMasahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. He became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Publishers. His major books include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYugi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[Homo Ludence] (Chuokoron-sha, 1971);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYohko\u003c\/em\u003e(Asahi Sonorama, 1978), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKarasu [Ravens]\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Sokyu-sha, 1986). Countless solo exhibitions have been dedicated to Fukase’s work, and his photographs have been included in group exhibitions at the MoMA, NY; Oxford Museum of Art; Fondation Cartier pour l’Art Contemporain, Paris; V\u0026amp;A, London. Fukase also won numerous prizes, including the 2nd Ina Nobuo Award in 1976 for his exhibition “Karasu” and the Special Award at the 8th Higashikawa Photography Awards in 1992. Fukase tragically fell down a set of stairs in 1992 and suffered a traumatic brain injury from which he never recovered. He passed away in 2012.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBlind embossed clothbound hardback in a silkscreen printed carton slipcase\u003c\/p\u003e\n\u003cp\u003eOriginal afterword by Akira Hasegawa [1986] and a new text by Tomo Kosuga [both bilingual]\u003c\/p\u003e\n\u003cp\u003e148 pages\u003cbr\u003e80 tritone plates\u003cbr\u003e20 b\/w and colour illustrations\u003cbr\u003e26.3 cm x 26.3 cm\u003c\/p\u003e\n\u003cp\u003ePublication date: May 2017\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-910164-83-9\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Masahisa Fukase／深濑昌久","offers":[{"title":"Default Title","offer_id":8860722462785,"sku":"","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Raven1.jpg?v=1526963754"},{"product_id":"the-mechanism","title":"The Mechanism","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eThe Mechanism\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a melancholic series of black-and-white photographs that form a sci-fi story about contemporary life. Bringing together images made in multiple cities, the work deals with themes of technology, surveillance and urban society. Lange attempts to trace the effects of technological developments on human experiences, using architectural tropes to build a narrative loaded with the threats and promises of the future. Cutting back and forth between close-up views and cityscapes,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Mechanism\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers a filmic sequence of photographs that is at once affective and estranging.\u003c\/p\u003e\n\u003cp\u003eMårten Lange (b. 1984, Gothenburg, Sweden) studied photography at the University of Gothenburg in Sweden and the University for the Creative Arts in Farnham, United Kingdom. His books include Citizen (Études Books, 2015) and Another Language (MACK, 2012), as well as a number of self-published books including Chicxulub (2016) and Machina (2014; 2007), among others.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eHardcover bound in Japanese paper\u003c\/p\u003e\n\u003cp\u003e96 pages\u003cbr\u003e56 tritone plates\u003cbr\u003e22 cm x 28 cm\u003c\/p\u003e\n\u003cp\u003ePublication date: May 2017\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-910164-82-2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mårten Lange","offers":[{"title":"Default Title","offer_id":8860767944769,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Mechanism1.jpg?v=1526963974"},{"product_id":"sleeping-by-the-mississippi","title":"Sleeping by the Mississippi","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Alec Soth is one of the defining publications in the photobook era. First published by Steidl in 2004, it was Soth’s first book, sold through three editions, and established him as one of the leading lights of contemporary photographic practice. This MACK edition launches to coincide with the first exhibition in London dedicated to the series at Beetles+Huxley gallery, and includes two new photographs that were not included in the previous versions of the book.\u003c\/p\u003e\n\u003cp\u003eEvolving from a series of road trips along the Mississippi River,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures America’s iconic yet oft-neglected ‘third coast’. Soth’s richly descriptive, large-format colour photographs present an eclectic mix of individuals, landscapes, and interiors. Sensuous in detail and raw in subject,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eelicits a consistent mood of loneliness, longing, and reverie. ‘In the book’s 46 ruthlessly edited pictures’, writes Anne Wilkes Tucker in the original essay published in the book, ‘Soth alludes to illness, procreation, race, crime, learning, art, music, death, religion, redemption, politics, and cheap sex.’\u003c\/p\u003e\n\u003cp\u003eLike Robert Frank’s classic The Americans,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emerges a documentary style with poetic sensibility. The Mississippi is less the subject of the book than its organizing structure. Not bound by a rigid concept or ideology, the series is created out of a quintessentially American spirit of wanderlust. Thirteen years since the book was first published, the artist’s lyrical view has undoubtedly acquired a nuanced significance – one in which hope, fear, desire and regret coalesce in the evocative journey along this mythic river.\u003c\/p\u003e\n\u003cp\u003eAlec Soth (b. 1969) is a photographer born and based in Minneapolis, Minnesota. He has published over twenty-five books including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2004),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNIAGARA\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2006),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBroken Manual\u003c\/em\u003e(2010) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongbook\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2015). Soth has had over fifty solo exhibitions including survey shows organized by Jeu de Paume in Paris (2008), the Walker Art Center in Minnesota (2010), Media Space in London (2015) and FotoMuseum in Antwerp (2017). Soth has been the recipient of numerous fellowships and awards, including the Guggenheim Fellowship (2013). In 2008, Soth created Little Brown Mushroom, a multi-media enterprise focused on visual storytelling. Soth is represented by Sean Kelly in New York, Weinstein Gallery in Minneapolis, Fraenkel Gallery in San Francisco, and is a member of Magnum Photos.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e120 pages\u003cbr\u003e48 colour plates\u003cbr\u003e28 cm x 27.5 cm\u003cbr\u003ePrinted linen hardback\u003c\/p\u003e\n\u003cp\u003ePublication date: September 2017\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-910164-89-1\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alec Soth","offers":[{"title":"Default Title","offer_id":8860802875457,"sku":"","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Soth_1.jpg?v=1526964500"},{"product_id":"corbeau","title":"Corbeau (English Edition)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"app\"\u003e\n\u003cdiv class=\"_17CwS _2jISd _2RJxG\" data-polaris-layer=\"true\"\u003e\n\u003cdiv class=\"_3L-Us\" id=\"AppFrameTopBar\"\u003e\n\u003cdiv class=\"_1g5YX\"\u003e\n\u003cdiv class=\"_2t3YP\" data-polaris-top-bar=\"true\"\u003e\n\u003cdiv class=\"_2RlBO\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePart memoir, part tableau,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a multi-layered narrative collage tracing life and death in the rural farm on which Swiss artist Anne Golaz grew up. Made over a twelve-year period and bridging three generations, the three-part book weaves together photographs, video stills and drawings, with texts by the author, screenwriter and playwright, Antoine Jaccoud, as well as the artist’s own writings. Jaccoud reconstructs transcripts of conversations between family members and memories recounted by the artist to build this intricate story of stories into a dramatalogical work. The protagonist of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a young man seen in each chapter dutifully working on the farm. Gradually, however, his sense of duty appears to be instilled with doubt, a doubt that infuses the entire book.\u003c\/p\u003e\n\u003cp\u003eExploring themes of time, life, destiny and death,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– which takes its title from an enigmatic poem by Edgar Allan Poe – eludes a chronological order to picture a place in which the future is only reminiscent of the past. And where destiny is shaped in the claire-obscures nooks of childhood. In the artist’s words, the narrative construction exists ‘in a vacuum’, which tellingly offers a framework for both support and destruction. It is within such a circumscribed space that mixed feelings towards heritage arise.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e196 pages\u003cbr\u003e84 colour plates\u003cbr\u003e37 black \u0026amp; white plates\u003cbr\u003e23 cm x 29 cm\u003cbr\u003eOpen spine silkscreen printed paperback\u003c\/p\u003e\n\u003cp\u003ePublication date: September 2017\u003c\/p\u003e\n\u003cp\u003eISBN 978-1-910164-74-7\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Anne Golaz","offers":[{"title":"Default Title","offer_id":8860845342785,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2263\/4647\/products\/Corbeau_20.jpg?v=1526964677"}],"url":"https:\/\/3ssstudios.com\/collections\/new-arrivals.oembed?page=127","provider":"Bungee Space by 3standardstoppage","version":"1.0","type":"link"}